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Going Dutch: How England Plundered Holland's Glory by Lisa Jardine — book cover

Going Dutch: How England Plundered Holland's Glory

by Lisa Jardine
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Overview

On November 5, 1688, William of Orange, Protestant ruler of the Dutch Republic, landed at Torbay in Devon with a force of twenty thousand men. The Glorious Revolution that followed forced James II to abdicate, and William and his wife, Mary, were jointly crowned king and queen on April 11, 1689. How was it that this almost bloodless coup took place with such apparent ease yet was not recognized as the full-blooded invasion and conquest it undoubtedly was?

In this wide-ranging book, Lisa Jardine assembles new research in political and social history, together with the histories of art, music, gardening, and science, to show how Dutch tolerance, resourcefulness, and commercial acumen had effectively conquered Britain long before William and his English wife arrived in London. Going Dutch is the remarkable story of the relationship between two of Europe's most important colonial powers at the dawn of the modern age.

Throughout the seventeenth century, Holland and England were engaged in an energetic commercial and cultural exchange that survived three Anglo-Dutch wars. Dutch influence also permanently reshaped England's cultural landscape. Whether through scientific discoveries, the design of royal palaces and gardens, or the introduction of works by the greatest painters of the age—Rubens, Rembrandt, and Van Dyck among them—the England we know today owes an extraordinary amount to its fierce competitor across the "narrow sea."

Going Dutch demonstrates how individuals, such as Christopher Wren, Isaac Newton, and successive generations of the remarkable Huygens family, who were usually represented as isolated geniuses working in the enclosed environment of their native country in fact developed their ideas within a context of the easy Anglo-Dutch relations that laid the vital groundwork for the European Enlightenment and the Scientific Revolution.

Above all, Lisa Jardine tests the traditional view that the rise of England as a world power took place at the expense of the Dutch. She finds that it was a "handing off" of the baton of cultural and intellectual supremacy to a Britain expanding in international power and influence. Going Dutch not only challenges conventional interpretations of England's role in Enlightenment-era Europe but raises questions about the position in which post-empire Britain finds itself today.

Synopsis

On November 5, 1688, William of Orange, Protestant ruler of the Dutch Republic, landed at Torbay in Devon with a force of twenty thousand men. Five months later, William and his wife, Mary, were jointly crowned king and queen after forcing James II to abdicate. Yet why has history recorded this bloodless coup as an internal Glorious Revolution rather than what it truly was: a full-scale invasion and conquest by a foreign nation?

The remarkable story of the relationship between two of Europe's most important colonial powers at the dawn of the modern age, Lisa Jardine's Going Dutch demonstrates through compelling new research in political and social history how Dutch tolerance, resourcefulness, and commercial acumen had effectively conquered Britain long before William and his English wife arrived in London.

The Washington Post - Kathryn Shevelow

…the revelatory backstory of the so-called Glorious Revolution of 1688-89…[Jardine] fills her pages with a distinguished cast of characters: The artists Rubens, van Dyck and Pieter Lely received commissions from the English court; Wren, Hooke and Anton van Leeuwenhoek together laid the foundation of modern science. Jardine writes clearly and colloquially for the non-academic reader. Her chapters on gardens and painting are particularly engaging

About the Author, Lisa Jardine

Lisa Jardine, Commander of the Order of the British Empire, is the director of the Centre for Editing Lives and Letters, the centenary professor of Renaissance Studies at Queen Mary, University of London, and a fellow of the Royal Historical Society. She lives with her husband and three children in London.

Reviews

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Editorials

Wall Street Journal

"A thoroughly researched and provocative revisionist study."

Associated Press

“Going Dutch is elegant and thought-provoking. . . . Jardine evokes a dialogue of civilizations.”

Associated Press Staff

"Going Dutch is elegant and thought-provoking. . . . Jardine evokes a dialogue of civilizations."

Kathryn Shevelow

…the revelatory backstory of the so-called Glorious Revolution of 1688-89…[Jardine] fills her pages with a distinguished cast of characters: The artists Rubens, van Dyck and Pieter Lely received commissions from the English court; Wren, Hooke and Anton van Leeuwenhoek together laid the foundation of modern science. Jardine writes clearly and colloquially for the non-academic reader. Her chapters on gardens and painting are particularly engaging
—The Washington Post

Publishers Weekly

England's almost bloodless "Glorious Revolution" of 1688, in which the Dutch king William of Orange overthrew James II, began as a hostile takeover but rapidly turned into a friendly merger, according to British historian Jardine (The Awful End of Prince William the Silent). She explores the fascinating Anglo-Dutch relationship to answer how and why two sworn foes became friends so seamlessly. Jardine focuses mainly on the "subterranean" intellectual, cultural and scientific intersections between the two countries and finds that contacts were "continuous and mutually advantageous" for decades before William's invasion. Cross-border fertilization resulted in two of the greatest painters of the age-Peter Paul Rubens and Anton van Dyck-working for English patrons while esteemed members of the Royal Society (such as Isaac Newton) corresponded with their Netherlandish counterparts (such as Christian Huygens). By looking so closely at elite opinion, however, Jardine too lightly dismisses the virility of "petty nationalism" lower down the scale and too easily glosses over the very real military tensions between the two powers. Nevertheless, this is a highly original work that will appeal to fans of Simon Schama's groundbreaking The Embarrassment of Riches.Color and b&w illus. (Sept.)

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Library Journal

Jardine's latest isn't as much about the English plundering of the Dutch as it is about both countries' development of common tastes and interests over the course of the tumultuous 17th century. Jardine (Centenary Professor of Renaissance Studies, Queen Mary, Univ. of London; The Awful End of Prince William the Silent) first deals with the Glorious Revolution of 1688, when Dutch William of Orange ousted James II of England, forcing him into permanent exile and becoming King William III of England (of William and Mary). The rest of this engaging book-and very good history it is-examines the web of connections that brought together and reinforced a common Anglo-Dutch high culture-in the arts, music, architecture, landscaping and gardening, and science-in countries united by religion but still warring over empire. In the rich cultural dialog that preceded the Glorious Revolution, the key Dutch figure for more than 50 years was Constantijn Huygens, adviser to the stadtholders, diplomat and distinguished patron of the arts. When he died in 1687, his son Constantijn Jr. succeeded him as William III's adviser. Another of his sons, Christiaan, was a distinguished scientist. Jardine understands and appreciates her sources, and she writes exceptionally lively history. A pleasure to read, this book is enthusiastically recommended for large public collections and all academic libraries.
—David Keymer

Kirkus Reviews

An exploration of the thriving 17th-century cultural exchange between Holland and England. England doesn't bear too many traces of its once-close relationship with the Dutch, writes Jardine (Renaissance Studies/Queen Mary, Univ. of London; The Awful End of Prince William the Silent, 2007, etc.), who attempts to set the record straight with this examination of Anglo-Dutch relations. She begins by outlining the audacious Dutch invasion of 1688, sanitized by history as a "Glorious Revolution" whose (British) protagonists "invited" William of Orange to rule England with his wife Mary, daughter of England's unpopular James II. Jardine writes in awestruck tones of William's impeccable organization in steam-rollering the English and notes how widely accepted he was by people whose country was occupied by his troops. Dutch culture had been seeping into English society for quite some time, she points out: There were links between the Dutch and English royal families; both countries were Protestant; scientists and artists from both cultures had close ties. At the center of her retelling stands Constantijn Huygens, an advisor to the House of Orange whose exquisite taste in art and culture helped him act as a sort of 17th-century PR man for the Dutch. Also crucial is the author's investigation of the posthumous rewriting of history that occurred in the aftermath of William's invasion. Jardine meticulously studies the exchange of ideas between England and Holland, displaying an impressive ability to look at the bigger picture and tie together seemingly disparate strands of culture: art, commerce, even gardening. In her depiction, England had already borrowed huge swaths of Dutch culture, paving theway for William's rule. Illustrations and photographs that reveal the prevailing Dutch aesthetic of the time add weight to the author's words, and she leaves no stone unturned as she documents just how many significant figures from Holland held sway over English culture. Absorbing, enjoyable reading.

Book Details

Published
September 1, 2008
Publisher
HarperCollins Publishers
Pages
432
Format
Hardcover
ISBN
9780060774080

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