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Gay & Lesbian Fiction, Horror, Love & Relationships - Fiction
Gotta Find Me an Angel: A Novel by Brenda Brooks — book cover

Gotta Find Me an Angel: A Novel

by Brenda Brooks
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Overview

The narrator, a film projectionist at a second-run cinema, finds herself at an existential crossroads. Driving the drama are her poet roommate Billie, her unconventional editor Claudia, and the unattainable object of everyone’s affection, artist Julia Riding. Enter the ghost of 15-year-old Madeline, a spirit which knows an unbearable secret and has an icy grip on our heroine's heart. One dark night, the narrator recounts Madeline's failed attempts at finding true love in a passionate, wickedly funny lament. On that night, in vibrant prose, Brenda Brooks reveals the secrets behind this unusual love story.

Synopsis

The narrator, a film projectionist at a second-run cinema, finds herself at an existential crossroads. Driving the drama are her poet roommate Billie, her unconventional editor Claudia, and the unattainable object of everyone’s affection, artist Julia Riding. Enter the ghost of 15-year-old Madeline, a spirit which knows an unbearable secret and has an icy grip on our heroine's heart. One dark night, the narrator recounts Madeline's failed attempts at finding true love in a passionate, wickedly funny lament. On that night, in vibrant prose, Brenda Brooks reveals the secrets behind this unusual love story.

Publishers Weekly

This heartfelt but structurally flawed first novel by Canadian poet Brooks tries to find a place where lyricism and lesbian chick lit might meet. The unnamed 30-something narrator is a Toronto repertory cinema projectionist who finds herself increasingly crippled in her relationships, haunted by the memory of her teenage lover Madeline's death 20 years earlier. Ostensibly an outpouring of feeling to Madeline's ghost one lonely evening, the book alternates between glimpses of adolescent passion and current scenes of humorous daily life, mainly involving the narrator's narcissistic roommate, the struggling poet Billie Smart. The narrator's emotional crisis intensifies when she meets Julia Riding, an elegant and accomplished painter who stirs up the first feelings of true longing she has felt since Madeline. Over the course of the novel, the narrator struggles to surrender her memories of Madeline in order to live more fully in the present-hopefully with Julia. There are funny moments with Billie (involving the competitive publishing scene), but as the narrative moves back and forth, the nostalgic spell Brooks tries to cast breaks repeatedly. (May) Copyright 2006 Reed Business Information.

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Editorials

Publishers Weekly

This heartfelt but structurally flawed first novel by Canadian poet Brooks tries to find a place where lyricism and lesbian chick lit might meet. The unnamed 30-something narrator is a Toronto repertory cinema projectionist who finds herself increasingly crippled in her relationships, haunted by the memory of her teenage lover Madeline's death 20 years earlier. Ostensibly an outpouring of feeling to Madeline's ghost one lonely evening, the book alternates between glimpses of adolescent passion and current scenes of humorous daily life, mainly involving the narrator's narcissistic roommate, the struggling poet Billie Smart. The narrator's emotional crisis intensifies when she meets Julia Riding, an elegant and accomplished painter who stirs up the first feelings of true longing she has felt since Madeline. Over the course of the novel, the narrator struggles to surrender her memories of Madeline in order to live more fully in the present-hopefully with Julia. There are funny moments with Billie (involving the competitive publishing scene), but as the narrative moves back and forth, the nostalgic spell Brooks tries to cast breaks repeatedly. (May) Copyright 2006 Reed Business Information.

Library Journal

Canadian poet Brooks's first novel is a compelling meditation on mourning. Written as a first-person confession, it involves a 35-year-old woman grappling with the loss of her first love, a teenager named Madeline, 20 years earlier. While the conditions of Madeline's demise are never spelled out-was it suicide or accident?-the story centers on the protagonist's sudden sensitivity to Madeline's "presence." This presence takes some adjusting to as Madeline had, until recently, been consigned to the past. Now, as the narrator scrutinizes the relationship, she shoves contemporary friends aside so that she can attend to the fresh grief she's experiencing. It's a bizarre period, with Madeline appearing everywhere: at the narrator's job, at dinner parties and art openings, in the car, and at home. Needless to say, this apparition causes problems in the here-and-now. Luckily, Brooks never lapses into psychobabble or recovery-speak; the novel is beautifully written, with sparks of humor and wisdom. An unusual love story, it deserves a place in large libraries but will be especially welcome in those with significant LGBT collections.-Eleanor J. Bader, Brooklyn, NY Copyright 2006 Reed Business Information.

Book Details

Published
April 1, 2006
Publisher
Raincoast Book Distribution
Pages
224
Format
Hardcover
ISBN
9781551927176

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