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Guggenheims: A Family History by Debi Unger β€” book cover

Guggenheims: A Family History

by Debi Unger, Irwin Unger
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Overview

A portrait of a great American dynasty and its legacy in business, technology, the arts, and philanthropy

Meyer Guggenheim, a Swiss immigrant, founded a great American business dynasty. At their peak in the early twentieth century, the Guggenheims were reckoned among America's wealthiest, and the richest Jewish family in the world after the Rothschilds. They belonged to Our Crowd, that tight social circle of New York Jewish plutocrats, but unlike the others β€” primarily merchants and financiers β€” they made their money by extracting and refining copper, silver, lead, tin, and gold.

The secret of their success, the patriarch believed, was their unity, and in the early years Meyer's seven sons, under the leadership of Daniel, worked as one to expand their growing mining and smelting empire. Family solidarity eventually decayed (along with their Jewish faith), but even more damaging was the paucity of male heirs as Meyer and the original set of brothers passed from the scene.

In the third generation, Harry Guggenheim, Daniel's son, took over leadership and made the family a force in aviation, publishing, and horse-racing. He desperately sought a successor but tragically failed and was forced to watch as the great Guggenheim business enterprise crumbled.

Meanwhile, "Guggenheim" came to mean art more than industry. In the mid-twentieth century, led by Meyer's son Solomon and Solomon's niece Peggy, the Guggenheims became the agents of modernism in the visual arts. Peggy, in America during the war years, midwifed the school of abstract expressionism, which brought art leadership to New York City. Solomon's museum has been innovative in spreading the riches of Western art around the world. After the generation of Harry and Peggy, the family has continued to produce many accomplished members, such as publisher Roger Straus II and archaeologist Iris Love.

In The Guggenheims, through meticulous research and absorbing prose, Irwin Unger, the winner of a Pulitzer Prize in history, and his wife, Debi Unger, convey a unique and remarkable story β€” epic in its scope β€” of one family's amazing rise to prominence.

Synopsis

A portrait of a great American dynasty and its legacy in business, technology, the arts, and philanthropy

Meyer Guggenheim, a Swiss immigrant, founded a great American business dynasty. At their peak in the early twentieth century, the Guggenheims were reckoned among America's wealthiest, and the richest Jewish family in the world after the Rothschilds. They belonged to Our Crowd, that tight social circle of New York Jewish plutocrats, but unlike the others — primarily merchants and financiers — they made their money by extracting and refining copper, silver, lead, tin, and gold.

The secret of their success, the patriarch believed, was their unity, and in the early years Meyer's seven sons, under the leadership of Daniel, worked as one to expand their growing mining and smelting empire. Family solidarity eventually decayed (along with their Jewish faith), but even more damaging was the paucity of male heirs as Meyer and the original set of brothers passed from the scene.

In the third generation, Harry Guggenheim, Daniel's son, took over leadership and made the family a force in aviation, publishing, and horse-racing. He desperately sought a successor but tragically failed and was forced to watch as the great Guggenheim business enterprise crumbled.

Meanwhile, "Guggenheim" came to mean art more than industry. In the mid-twentieth century, led by Meyer's son Solomon and Solomon's niece Peggy, the Guggenheims became the agents of modernism in the visual arts. Peggy, in America during the war years, midwifed the school of abstract expressionism, which brought art leadership to New York City. Solomon's museum has been innovative in spreading the riches of Western art around the world. After the generation of Harry and Peggy, the family has continued to produce many accomplished members, such as publisher Roger Straus II and archaeologist Iris Love.

In The Guggenheims, through meticulous research and absorbing prose, Irwin Unger, the winner of a Pulitzer Prize in history, and his wife, Debi Unger, convey a unique and remarkable story — epic in its scope — of one family's amazing rise to prominence.

Publishers Weekly

A biography of an illustrious family can be like a cassoulet: lots of delicious bits that combine beautifully but no tastes that fully stand out. Such is the case with this remarkably researched history of the Guggenheims. Pulitzer Prize-winner Irwin Unger (The Greenback Era) and his wife, Debi (coauthor, with Irwin, of LBJ: A Life), assemble an extraordinary collection of letters, interviews, memos and contemporary documents to tell the story of the family's rapid rise and slow decline, a saga marked by a combination of "profound Americanism" and Jewish "old world heritage." The sheer size of the Guggenheim family-the Ungers note that the "legion" descendants of Meyer (1828-1905), the family patriarch, are "impossible" to follow through time-means that no one member of the clan stands out, though the feisty Harry, "fighting entropy" in the family for much of the 20th century, burns brighter than many of his relatives. The scintillating Peggy Guggenheim, known for her patronage of modern art and her robust sex life, gets ample play here, but her story is told more thoroughly in recent biographies by Anton Gill and Mary Dearborn. Readers looking for a broad, appetizing sweep of American life will find it here, but those hungry for sharp, burning flavors may skip to the next course. 16-page b&w photo insert not seen by PW. Agent, Alex Hoyt. (Jan.) Copyright 2004 Reed Business Information.

About the Author, Debi Unger

Together Irwin and Debi Unger have authored LBJ: A Life and several other books. They live in New York City.

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Editorials

Nicholas Fox Weber

"This fascinating family saga told with the brisk spirit of its subjects, evokes the strength necessary to create a dynasty."

John C. Ensslin

"The stories [the Ungers] compile are a rich and fascinating tapestry."

Leonard Dinnerstein

"I am enthralled. A page-turner. . . . What a palatable way to learn American history!"

Norman F. Cantor

"Indelible and intriguing . . . meticulously researched and very well written. An American saga."

Robin Updike

"Fascinating...an engaging story recounted by the Ungers in fast-paced, well-documented style."

Francis Morrone

"Excellent...pitch-perfect...their narrative moves more swiftly than any 550-page group biogrpahy has any right to."

BusinessWeek

"A richly developed portrait of the rise and decline of one of America’s best known social klans...a great tale."

Booklist

"The best-informed account of the clan. . . . An engaging history of the famous family."

Publishers Weekly

A biography of an illustrious family can be like a cassoulet: lots of delicious bits that combine beautifully but no tastes that fully stand out. Such is the case with this remarkably researched history of the Guggenheims. Pulitzer Prize-winner Irwin Unger (The Greenback Era) and his wife, Debi (coauthor, with Irwin, of LBJ: A Life), assemble an extraordinary collection of letters, interviews, memos and contemporary documents to tell the story of the family's rapid rise and slow decline, a saga marked by a combination of "profound Americanism" and Jewish "old world heritage." The sheer size of the Guggenheim family-the Ungers note that the "legion" descendants of Meyer (1828-1905), the family patriarch, are "impossible" to follow through time-means that no one member of the clan stands out, though the feisty Harry, "fighting entropy" in the family for much of the 20th century, burns brighter than many of his relatives. The scintillating Peggy Guggenheim, known for her patronage of modern art and her robust sex life, gets ample play here, but her story is told more thoroughly in recent biographies by Anton Gill and Mary Dearborn. Readers looking for a broad, appetizing sweep of American life will find it here, but those hungry for sharp, burning flavors may skip to the next course. 16-page b&w photo insert not seen by PW. Agent, Alex Hoyt. (Jan.) Copyright 2004 Reed Business Information.

Kirkus Reviews

Sixth historical collaboration from the Ungers (LBJ, 1999, etc.): a scattershot group portrait of the Jewish-American dynasty that included major industrialists and patrons of the arts. The book's first and better half chronicles the Guggenheims' origins in Switzerland and their accumulation of substantial wealth from silver, copper, and other valuable ores after patriarch Meyer Guggenheim emigrated in 1848 to America. Meyer got the family into the mining and smelting business, insisting that all seven of his sons share equally in the responsibilities and rewards. Second son Daniel kept the fortune growing, and, by the standards of the time, the Guggenheims were humane employers, not only in the western US but also in Mexico and Chile. As Daniel's son Harry moved the family into aviation, publishing and philanthropy, the narrative loses its focus, attempting to cover too many relatives with widely divergent interests over several generations-a family tree is sorely missed. Daniel's younger brother Solomon and niece Peggy were pioneering advocates of modern art, and the Ungers capably sketch the pair's achievements without adding anything new to their biographies or to our understanding of their relationship with other Guggenheims. A plethora of further descendants with different last names (offspring of those neglected daughters) also get the thumbnail-sketch treatment, including Harold Loeb (model for the anti-Semitic caricature in The Sun Also Rises) and book publisher Roger Straus Jr. among those about whom we don't learn much new. The Ungers fail to give a sense of what the family dynamic was, other than being hard on girls, and it's particularly unsatisfying that they never addressthe question of why so many of the Guggenheims were married and divorced multiple times. Decent background on mining and other aspects of American society and industry early in the 20th century, but lacking a coherent thread to make sense of the Guggenheims' relationship to their nation or to each other.

Book Details

Published
December 1, 2005
Publisher
HarperCollins Publishers
Pages
576
Format
Paperback
ISBN
9780060934002

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