Overview
Dr. Hannibal Lecter, the serial killer from The Silence of the Lambs whose portrayal on film earned Anthony Hopkins an Academy Award, and who for many, is the ultimate villain in modern fiction, is back with a vengeance. “Hannibal the Cannibal” is at the center of the first novel in more than a decade by his creator, Thomas Harris.
Hannibal also features the reappearance from The Silence of the Lambs of FBI Special Agent Clarice Starling, portrayed in the movie by Jodie Foster, who also won an Oscar for her performance. The new novel opens seven years after Dr. Lecter’s stunning escape from the authorities, the climax of the earlier book, as one of his earlier victims uses Agent Starling as bait to draw the doctor into an intricate and unspeakable design for revenge.
Editorials
From Barnes & Noble
Luckily for us, seven years is all the R and R creator Thomas Harris allowed his brilliant, mad, and strangely charming Dr. Hannibal Lecter. Yes, the better part of a decade elapsed after then-FBI trainee Clarice Starling exposed her haunting childhood memory to the fascinated Lecter. Though Lecter assured Starling, at the end of The Silence of the Lambs, that he believed the world a better place with her in it, all that may change in Hannibal, as the doctor reawakens Starling's nightmare.Christopher Lehmann-Haupt
...[G]reat is the fund of fascination with Lecter built up in Mr. Harris's previous novels — for his being a superman embodying absolute yet comprehensible evil...that almost nothing can dissipate his malign attraction....Hannibal remains full of wonderful touches, typical of Mr. Harris's grasp of arcane detail.— The New York Times
Publishers Weekly
Hannibal the cannibal is back again, and in this special audio version, listeners are treated to the author's unique and riveting interpretation of his characters' voices and personalities. Having escaped captivity in The Silence of the Lambs, Dr. Hannibal Lecter has been living on the sly in Europe, leading the life of a sophisticated, academic gentleman. But Hannibal has left behind one sloppy mistake: a victim named Mason Verger, who was accused of molesting his own children but managed to avoid jail provided he sought psychiatric treatment with Dr. Lecter. Hannibal has left Verger barely alive, and, bent on revenge, this man who is as much a monster as Hannibal buys off a cadre of corrupt government agents to find his nemesis. (As an interesting aside for listeners, Hannibal has left Verger lipless, and Harris's vocal rendition of this character is particularly eerie.) Simultaneously, Clarice Starling, the FBI agent who sought Dr. Lecter's assistance in finding another killer in The Silence of the Lambs, is also on his trail, while, in turn, Hannibal is seeking Clarice, for whom he shows a curious affection. As the two eventually find each other, the listener is treated to an incredibly disturbing and shocking conclusion. (Feb.) Copyright 2001 Cahners Business Information.Library Journal
Hannibal is, of course, Harris's long-awaited sequel to The Silence of the Lambs, which so thoroughly propelled the brilliant psychiatrist-cannibal into the popular imagination. We catch up with Lecter in Florence where he is living a scholarly life and rarely murders anyone but is still obsessed with FBI special agent Clarice Starling. He is nearly captured in Florence, after which the FBI and Starling are back on his trail. Also tracking Lecter is another monster, Mason Verger, his only surviving victim. Verger is mutilated, paralyzed, and on a respirator but has resources enough at his disposal to co-opt and manipulate the FBI's investigation in his quest for vengeance. The strong and likable Starling is doubly betrayed, first by the FBI and then by Harris himself, as the novel stumbles to its bizarre and unlikely conclusion. The author reads his own work with remarkable skill and precision--an ironic but welcome asset to this program, which is an adequate abridgment.--Kristen L. Smith, Loras Coll. Lib., Dubuque, IA Copyright 2000 Cahners Business Information.Christopher Lehmann-Haupt
...[G]reat is the fund of fascination with Lecter built up in Mr. Harris's previous novels — for his being a superman embodying absolute yet comprehensible evil...that almost nothing can dissipate his malign attraction....Hannibal remains full of wonderful touches, typical of Mr. Harris's grasp of arcane detail.— The New York Times
Larry King
A work of art. The last 100 pages are the best I've ever read in the thriller genre...five stars.— USA Today
Stephen King
It is...one of the two most frightening popular novels of our time, the other being The Exorcist....[A] novel full of rough bumps and little insights....[An] authentic witch's brew, eye of newt and haunch of redneck....[N]ovels that so bravely and cleverly erase the line between popular fiction and literature are very much to be prized.— The New York Times Book Review
New York Observer
Mr. Harris's narrative tone is detached, knowing and dryly witty: The reader is somehow ironically complicit in the unfolding action...Mr. Harris does't simply describe, he seems to reveal...Even the book's shocking, bleakly amusing ending is gratifying in his hands. With Hannibal, Mr. Harris has devised an unlikely, unsentimental romance out of invidious deeds.Paul Gray
What is there not to like about an evil genius with a taste for human sweetbreads and absolutely no morning-after guilt, or indigestion, about slaking his hunger? Particularly, it must be added, when such a monster is securely incarcerated in the dank basement of a Baltimore, Md., mental institution for the rest of his life. Having created a character of unadulterated evil, Harris has now proceeded to adulterate him, giving Lecter a traumatic childhood experience to explain the wicked path he later trod. What is more, Lecter is by no means the worst member of the rolling cast of Hannibal; that honor goes to Mason Verger, one of Lecter's two surviving victims, hideously deformed (thanks to Hannibal), heir to his family's meatpacking fortune, a one-time torturer for Uganda's former dictator Idi Amin, and a child molester to boot. The bumby journey toward the conclusion of Hannibal is often exciting. At the top of his form, Harris is the class of the current field of thriller writers, ladling out authentic-sounding information on such arcana as weapons and Swiss bank accounts, plus sharp thumbnail portraits of the major players and malefactors and incessant plot surprises.— Time
Time Out New York
After 11 years, Harris has succumbed to the demand for Lecter's return, but he's done so in a delightfully perverse book written with complete desregard for the standards of Holywood or the stomachs of squeamish readers. Harris builds Lecter's mystique by mostly keeping him in the background...When Lector finally takes center stage, he's shown in unlikely contexts — trapped between antsy children on a crowded airplane, for example — that through their absurd banality, make him suprisingly sympathetic. Harris's prose isn't as sharp as it was in Dragon or Lambs, but Hannibal's precise construction and cheerfully sick humor proce that Harris is still one of America's best, most daring pop writers.— Andrew Johnston