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Hannibal

by Thomas Harris
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Overview

Dr. Hannibal Lecter, the serial killer from The Silence of the Lambs whose portrayal on film earned Anthony Hopkins an Academy Award, and who for many, is the ultimate villain in modern fiction, is back with a vengeance. “Hannibal the Cannibal” is at the center of the first novel in more than a decade by his creator, Thomas Harris.

Hannibal also features the reappearance from The Silence of the Lambs of FBI Special Agent Clarice Starling, portrayed in the movie by Jodie Foster, who also won an Oscar for her performance. The new novel opens seven years after Dr. Lecter’s stunning escape from the authorities, the climax of the earlier book, as one of his earlier victims uses Agent Starling as bait to draw the doctor into an intricate and unspeakable design for revenge.

About the Author, Thomas Harris

Thomas Harris began his writing career covering crime in the United States and Mexico, and was a reporter and editor for the Associated Press in New York City. His first novel, Black Sunday, was published in 1975, followed byRed Dragon in 1981, The Silence of the Lambs in 1988, and Hannibal in 1999.

Biography

Insightful. Cunning. Mysteriously elusive. Wickedly dark. Such descriptions could just as easily apply to novelist Thomas Harris as they could to his most famous creation -- one of the most notorious literary (and cinematic) villains of all time. Hannibal Lecter has left a wake of murder and chaos through a trilogy of horrifically mesmerizing thrillers: Red Dragon, The Silence of the Lambs, and Hannibal. Now, twenty-five years after making his debut, Lecter is back in Harris's fifth novel Hannibal Rising. Biography From within the shadows of a darkened cell lurks a human monster with an intellect as sharp as a straight razor and a conscience as blank as a death shroud. He's Hannibal Lecter, a formerly brilliant psychiatrist turned prisoner after it was discovered that the good doctor had some rather, err... unconventional appetites.

Ever since the release of the film version of The Silence of the Lambs in 1991, Hannibal Lecter has been one of the most famous fictional villains in popular culture, perhaps only rivaled by Dracula and Frankenstein's monster. But what of Lecter's creator? Thomas Harris is quite a bit less accessible than the cannibalistic psychopath he crafted. While Harris is infamously media-shy, it is well known that he was once a crime reporter working for the Waco Tribune-Herald, later becoming a reporter and editor for the Associated Press. Harris would carry his fascination with true crime over to the world of literary fiction when he wrote his debut novel in the mid-70s. Black Sunday, the harrowing, terrifying tale of a terrorist attack plotted to take place during the Super Bowl, was inspired by the real-life assassination of eleven Israeli athletes at the 1972 Munich Olympics. The novel revealed a young author with a gift for building palpable suspense out of a seemingly improbable situation (at least, in 1975 the idea of a mass-scale terrorist attack on U.S. soil was considered to be highly improbable). Two years after the novel's release, it became a major motion picture directed by the late John Frankenheimer (The Manchurian Candidate) and starring Robert Shaw and Bruce Dern. Black Sunday was the first film based on a book by Thomas Harris, but it was by no means the last.

In 1981, Harris finally published his second novel. It was Red Dragon that first introduced the world to Hannibal Lecter as he assists Special Agent William Graham of the FBI in his quest to hunt down a ritualistic killer. Lecter was a villain unlike any other: calm, controlled, insightful, even humorous, but ready to strike like a viper at any given moment. The book became a massive hit, both critically and commercially, paving the way for further adventures featuring the flesh-eating Lecter.

When Hannibal "The Cannibal" returned in a novel that propelled the character into the realm of superstardom, he was once again pitting wits with an FBI agent bent on bringing down a serial killer. However, this time the agent was infinitely more complex, her relationship with Lecter infinitely more provocative. Clarice Starling's battle of wits with Lecter was detailed in The Silence of the Lambs, one of the finest thrillers in print. The critical accolades were astounding: The New York Times, The Washington Post, The San Francisco Examiner, and the Chicago Tribune are just a sampling of the periodicals that praised The Silence of the Lambs. But it was Jonathan Demme's film adaptation of the novel that really sealed Harris's -- and Lecter's -- position in pop culture. With Anthony Hopkins giving a career performance as the doctor, The Silence of the Lambs is widely regarded as one of the greatest horror films in cinema history. In fact, it is the only horror film ever to sweep the Academy Awards, winning trophies for Best Film, Best Director, Best Actor, Best Actress (Jodie Foster as Agent Starling), and Best Screenplay Based on Material Previously Published.

Not surprisingly, expectations were high when Harris published Hannibal in 1999. However, this reunion between Hannibal Lecter and Clarice Starling was deemed too-much-of-a-grisly-thing by many critics who felt that the story had stumbled into the realm of gross self-parody. That didn't stop many from praising the book, though. In his review for the New York Times, fellow horror-master Stephen King said that Harris's fourth novel was "one of the two most frightening popular novels of our time, the other being The Exorcist." Larry King wrote in USA Today that Hannibal was nothing less than "a work of art." Once again, the story found a home on the big screen with Anthony Hopkins returning as Lecter and Julianne Moore taking over the role of Clarice. Much like the book upon which it was based, Hannibal received mixed notices because of its graphic violence despite the fact that the original ending of the book had been softened considerably.

For those hoping that the mixed reaction to Hannibal did not result in an end to Lecter's exploits, Harris's next book should be a bit of gruesome good news. Hannibal Rising is a prequel to the Lecter trilogy, tracking how an abandoned boy in Eastern Europe came to become one of the most diabolical creations in literature. So, settle down with some fava beans and a nice chianti, and hold tight... Hannibal Lecter will be back before you can say, "I'm having an old friend for dinner."

Good To Know

Harris is making his screenwriting debut with an adaptation of his Hannibal Rising. Starring the young French actor Gaspard Ulliel as Hannibal Lecter, the film is slated for release in February 2007.

Harris supposedly declined to be involved in the making of The Silence of the Lambs, but when the film wrapped, he sent each member of the cast and crew a bottle of wine.

Hannibal Lecter made his big screen debut as played by Brian Cox in the 1986 Michael Mann film Manhunter, an adaptation of Red Dragon. Sixteen years later, Brett Ratner remade the film with the novel's original title and Anthony Hopkins resuming his role as Lecter.

Reviews

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Editorials

From Barnes & Noble

Luckily for us, seven years is all the R and R creator Thomas Harris allowed his brilliant, mad, and strangely charming Dr. Hannibal Lecter. Yes, the better part of a decade elapsed after then-FBI trainee Clarice Starling exposed her haunting childhood memory to the fascinated Lecter. Though Lecter assured Starling, at the end of The Silence of the Lambs, that he believed the world a better place with her in it, all that may change in Hannibal, as the doctor reawakens Starling's nightmare.

Christopher Lehmann-Haupt

...[G]reat is the fund of fascination with Lecter built up in Mr. Harris's previous novels — for his being a superman embodying absolute yet comprehensible evil...that almost nothing can dissipate his malign attraction....Hannibal remains full of wonderful touches, typical of Mr. Harris's grasp of arcane detail.
The New York Times

Publishers Weekly

Hannibal the cannibal is back again, and in this special audio version, listeners are treated to the author's unique and riveting interpretation of his characters' voices and personalities. Having escaped captivity in The Silence of the Lambs, Dr. Hannibal Lecter has been living on the sly in Europe, leading the life of a sophisticated, academic gentleman. But Hannibal has left behind one sloppy mistake: a victim named Mason Verger, who was accused of molesting his own children but managed to avoid jail provided he sought psychiatric treatment with Dr. Lecter. Hannibal has left Verger barely alive, and, bent on revenge, this man who is as much a monster as Hannibal buys off a cadre of corrupt government agents to find his nemesis. (As an interesting aside for listeners, Hannibal has left Verger lipless, and Harris's vocal rendition of this character is particularly eerie.) Simultaneously, Clarice Starling, the FBI agent who sought Dr. Lecter's assistance in finding another killer in The Silence of the Lambs, is also on his trail, while, in turn, Hannibal is seeking Clarice, for whom he shows a curious affection. As the two eventually find each other, the listener is treated to an incredibly disturbing and shocking conclusion. (Feb.) Copyright 2001 Cahners Business Information.

Library Journal

Hannibal is, of course, Harris's long-awaited sequel to The Silence of the Lambs, which so thoroughly propelled the brilliant psychiatrist-cannibal into the popular imagination. We catch up with Lecter in Florence where he is living a scholarly life and rarely murders anyone but is still obsessed with FBI special agent Clarice Starling. He is nearly captured in Florence, after which the FBI and Starling are back on his trail. Also tracking Lecter is another monster, Mason Verger, his only surviving victim. Verger is mutilated, paralyzed, and on a respirator but has resources enough at his disposal to co-opt and manipulate the FBI's investigation in his quest for vengeance. The strong and likable Starling is doubly betrayed, first by the FBI and then by Harris himself, as the novel stumbles to its bizarre and unlikely conclusion. The author reads his own work with remarkable skill and precision--an ironic but welcome asset to this program, which is an adequate abridgment.--Kristen L. Smith, Loras Coll. Lib., Dubuque, IA Copyright 2000 Cahners Business Information.

Christopher Lehmann-Haupt

...[G]reat is the fund of fascination with Lecter built up in Mr. Harris's previous novels — for his being a superman embodying absolute yet comprehensible evil...that almost nothing can dissipate his malign attraction....Hannibal remains full of wonderful touches, typical of Mr. Harris's grasp of arcane detail.
The New York Times

Larry King

A work of art. The last 100 pages are the best I've ever read in the thriller genre...five stars.
USA Today

Stephen King

It is...one of the two most frightening popular novels of our time, the other being The Exorcist....[A] novel full of rough bumps and little insights....[An] authentic witch's brew, eye of newt and haunch of redneck....[N]ovels that so bravely and cleverly erase the line between popular fiction and literature are very much to be prized.
The New York Times Book Review

New York Observer

Mr. Harris's narrative tone is detached, knowing and dryly witty: The reader is somehow ironically complicit in the unfolding action...Mr. Harris does't simply describe, he seems to reveal...Even the book's shocking, bleakly amusing ending is gratifying in his hands. With Hannibal, Mr. Harris has devised an unlikely, unsentimental romance out of invidious deeds.

Paul Gray

What is there not to like about an evil genius with a taste for human sweetbreads and absolutely no morning-after guilt, or indigestion, about slaking his hunger? Particularly, it must be added, when such a monster is securely incarcerated in the dank basement of a Baltimore, Md., mental institution for the rest of his life. Having created a character of unadulterated evil, Harris has now proceeded to adulterate him, giving Lecter a traumatic childhood experience to explain the wicked path he later trod. What is more, Lecter is by no means the worst member of the rolling cast of Hannibal; that honor goes to Mason Verger, one of Lecter's two surviving victims, hideously deformed (thanks to Hannibal), heir to his family's meatpacking fortune, a one-time torturer for Uganda's former dictator Idi Amin, and a child molester to boot. The bumby journey toward the conclusion of Hannibal is often exciting. At the top of his form, Harris is the class of the current field of thriller writers, ladling out authentic-sounding information on such arcana as weapons and Swiss bank accounts, plus sharp thumbnail portraits of the major players and malefactors and incessant plot surprises.
Time

Time Out New York

After 11 years, Harris has succumbed to the demand for Lecter's return, but he's done so in a delightfully perverse book written with complete desregard for the standards of Holywood or the stomachs of squeamish readers. Harris builds Lecter's mystique by mostly keeping him in the background...When Lector finally takes center stage, he's shown in unlikely contexts — trapped between antsy children on a crowded airplane, for example — that through their absurd banality, make him suprisingly sympathetic. Harris's prose isn't as sharp as it was in Dragon or Lambs, but Hannibal's precise construction and cheerfully sick humor proce that Harris is still one of America's best, most daring pop writers.
— Andrew Johnston

Book Details

Published
October 1, 1999
Publisher
Hoffmann & Campe
Pages
526
Format
Hardcover
ISBN
9783455026887

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