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Harpsong, Vol. 1 by Rilla Askew — book cover

Harpsong, Vol. 1

by Rilla Askew
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Overview

Harlan Singer, a harmonica-playing troubadour, shows up in the Thompson family’s yard one morning. He steals their hearts with his music, and their daughter with his charm. Soon he and his fourteen-year-old bride, Sharon, are on the road, two more hobos of the Great Depression, hitchhiking and hopping freights across the Great Plains in search of an old man and the settlement of Harlan’s long-standing debt.

Finding shelter in hobo jungles and Hoovervilles, the newlyweds careen across the 1930s landscape in a giant figure eight with Oklahoma in the middle. Sharon’s growing doubts about her husband’s quest set in motion events that turn Harlan Singer into a hero while blinding her to the dark secret of his journey. A love story infused with history and folk tradition, Harpsong shows what happened to the friends and neighbors Steinbeck’s Joads left behind.

In this moving, redemptive tale inspired by Oklahoma folk heroes, Rilla Askew continues her exploration of the American story. Harpsong is a novel of love and loss, of adventure and renewal, and of a wayfaring orphan’s search for home—all set to the sounds of Harlan’s harmonica. It shows us the strength and resilience of a people who, in the face of unending despair, maintain their faith in the land.

Synopsis

Harlan Singer, a harmonica-playing troubadour, shows up in the Thompson family's yard one morning. He steals their hearts with his music, and their daughter with his charm. Soon he and his fourteen-year-old bride, Sharon, are on the road, two more hobos of the Great Depression, hitchhiking and hopping freights across the Great Plains in search of an old man and the settlement of Harlan's long-standing debt.

Finding shelter in hobo jungles and Hoovervilles, the newlyweds careen across the 1930s landscape in a giant figure eight with Oklahoma in the middle. Sharon's growing doubts about her husband's quest set in motion events that turn Harlan Singer into a hero while blinding her to the dark secret of his journey. A love story infused with history and folk tradition, Harpsong shows what happened to the friends and neighbors Steinbeck's Joads left behind.

In this moving, redemptive tale inspired by Oklahoma folk heroes, Rilla Askew continues her exploration of the American story. Harpsong is a novel of love and loss, of adventure and renewal, and of a wayfaring orphan's search for home—all set to the sounds of Harlan's harmonica.

Mary Margaret Benson - Library Journal

American Book Award-winning author Askew (creative writing, Univ. of Oklahoma; Fire in Beulah) mixes fiction with legend and history in this extraordinary novel of Oklahoma during the Great Depression, Volume 1 of the "Oklahoma Stories and Storytellers" series. Harmonica-playing Harlan Singer marries 14-year-old Sharon Thompson, and they immediately take to riding the rails. Unlike many Okies, however, they never go to California but instead keep making figure eights, always returning to their center point, Oklahoma. The charismatic Harlan a brilliant musician and storyteller with friends among the hobos, Cherokees, and African Americans has taken Sharon along on his own mysterious quest. Sometimes they steal, but only needed food and clothing, and they always try to repay their debts. Throughout, Askew interweaves three narrative strands: Sharon's voice; Harlan's poetry, or "deepsong"; and "folksay," the legends and history surrounding these two. The result is a vivid portrait of an age and a place, of desperate poverty, near starvation, red dust, and strong biblical faith. Regional literature at its finest; highly recommended for academic and larger public libraries.

About the Author, Rilla Askew

Rilla Askew, born and raised in eastern Oklahoma, is the award-winning author of a collection of stories, Strange Business and two novels, The Mercy Seat (PEN/Faulkner nominee, Oklahoma Book Award, and Western Heritage Award), and Fire in Beulah (American Book Award and Myers Book Award). She teaches creative writing at the University of Oklahoma and lives in Oklahoma and New York.

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Editorials

Library Journal

American Book Award-winning author Askew (creative writing, Univ. of Oklahoma; Fire in Beulah) mixes fiction with legend and history in this extraordinary novel of Oklahoma during the Great Depression, Volume 1 of the "Oklahoma Stories and Storytellers" series. Harmonica-playing Harlan Singer marries 14-year-old Sharon Thompson, and they immediately take to riding the rails. Unlike many Okies, however, they never go to California but instead keep making figure eights, always returning to their center point, Oklahoma. The charismatic Harlan—a brilliant musician and storyteller with friends among the hobos, Cherokees, and African Americans—has taken Sharon along on his own mysterious quest. Sometimes they steal, but only needed food and clothing, and they always try to repay their debts. Throughout, Askew interweaves three narrative strands: Sharon's voice; Harlan's poetry, or "deepsong"; and "folksay," the legends and history surrounding these two. The result is a vivid portrait of an age and a place, of desperate poverty, near starvation, red dust, and strong biblical faith. Regional literature at its finest; highly recommended for academic and larger public libraries.
—Mary Margaret Benson

Kirkus Reviews

A young man, his teenaged wife and his harmonica crisscross the Depression-era Southwest in Askew's mournful, compelling, religion-infused third novel. Sharon Thompson may be only 14, but as soon as mysterious stranger Harlan Singer appears in her small town of Cookson, Okla., she knows they are destined to mate. The self-named Harlan may be part Cherokee, but what's for sure is his genius with the harmonica, or harp-he's a veritable Pied Piper. He so charms Sharon's dirt-poor parents (her Daddy is a traveling preacher) that they give him work. But work doesn't agree with Harlan. After an almighty ruckus, Harlan whisks Sharon away to Muskogee, where they marry; they honeymoon atop a freight car, for Harlan has been riding the rails for years; Sharon, "ignorant as pudding," realizes she doesn't know her husband at all. Still, she shows spirit as they navigate the hobo jungles and run from the bulls, i.e., railroad detectives. Harlan is searching for Profit, his spiritual mentor, a smelly old hobo who once saved his life, but his search is as hopeless as Sharon's for her family, since on their return to Cookson, her home is deserted; bank foreclosures have doomed the town. The past is unrecoverable; that is one of the novel's themes, along with responsibility to our fellow man, also addressed in Askew's Fire in Beulah (2001). Harlan, as retribution, robs the local bank and becomes the stuff of legend, though he later returns the money, for he and Sharon are religious folks, caught in a cycle of sin and the quest for redemption. Askew skillfully weaves their personal dramas (a miscarriage, Harlan's fearsome beating by the bulls) with the communal hardships of the Depression; through it allfloats the sound of Harlan's harmonica, mesmerizing his listeners. Only toward the end does Askew's control falter, when a stormy courthouse occupation by miners' families detracts from the young couple's ever-changing relationship. A memorable portrait of a bizarre but credible marriage teetering between hope and despair.

Book Details

Published
April 1, 2009
Publisher
University of Oklahoma Press
Pages
256
Format
Paperback
ISBN
9780806139289

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