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Haunted by Chuck Palahniuk — book cover

Haunted

by Chuck Palahniuk
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Overview

Haunted is a novel made up of twenty-three horrifying, hilarious, and stomach-churning stories. They’re told by people who have answered an ad for a writer’s retreat and unwittingly joined a “Survivor”-like scenario where the host withholds heat, power, and food. As the storytellers grow more desperate, their tales become more extreme, and they ruthlessly plot to make themselves the hero of the reality show that will surely be made from their plight. This is one of the most disturbing and outrageous books you’ll ever read, one that could only come from the mind of Chuck Palahniuk.

Synopsis

Haunted by Chuck Palahniuk is a novel made up of stories: Twenty-three of them, to be precise. Twenty-three of the most horrifying, hilarious, mind-blowing, stomach-churning tales you'll ever encounter - sometimes all at once. They are told by people who have answered an ad headlined "Writers' Retreat: Abandon Your Life for Three Months," and who are led to believe that here they will leave behind all the distractions of real life that are keeping them from creating the masterpiece that is in them. But here turns out to be a cavernous and ornate old theater where they are utterly isolated from the outside world-and where heat and power and, most important, food are in increasingly short supply. And the more desperate the circumstances become, the more extreme the stories they tell-and the more devious their machinations become to make themselves the hero of the inevitable play/movie/nonfiction blockbuster that will surely be made from their...

Publishers Weekly

One of Palahniuk's more sweeping and macabre offerings, this is a collection of 23 short stories and poems generated at a fictional writer's retreat turned grotesque survival camp. The pieces range from the stomach-turning to the satirical or the absurd. The seven readers tackling the decidedly offbeat Palahniuk are, for the most part, refreshingly successful. Cashman is a standout, narrating the action at the retreat. His voice shuttles nimbly between the male and female writers, while maintaining the integrity of his own unnamed character. Morey's narration is disappointing on "Guts," the novel's most notorious and gruesome tale, which has reportedly caused some listeners to faint. Morey sounds too mature and polished for this series of wicked adolescent masturbatory nightmares. In general, the multivoiced narration is practiced and professional, with the trio of actresses turning in particularly strong performances. The other side of all that spit and polish is that Palahniuk's humor is occasionally stifled. Some listeners may wonder whether the author's prose is so singular that only he might be capable of delivering it. But overall, an engaging, albeit lengthy, listen. Simultaneous release with Doubleday hardcover (Reviews, Feb. 21). (May) Copyright 2005 Reed Business Information.

About the Author, Chuck Palahniuk

With a disturbing but mordantly funny body of work that began with 1996's Fight Club, Chuck Palahniuk has become a cult author who regularly attracts both the interest of Hollywood and the bewilderment of readers who have never seen writing so fearless, modern, and smart.

Reviews

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Editorials

From Barnes & Noble

Make no mistake: Haunted is a haunting novel. Chuck Palahniuk's amalgam fiction begins with a Dantesque ad invitation: "Artists' Retreat: Abandon Your Life for Three Months." Then, like a macabre, twisted reality TV version of The Canterbury Tales or The Decameron, the tale spins out of control. In 23 stories, the willing participants in this increasingly diabolical communal experiment share sadistic particulars of their loathsome lives, as the author of Choke and Fight Club spices his gothic horror with trenchant social criticism.

Publishers Weekly

One of Palahniuk's more sweeping and macabre offerings, this is a collection of 23 short stories and poems generated at a fictional writer's retreat turned grotesque survival camp. The pieces range from the stomach-turning to the satirical or the absurd. The seven readers tackling the decidedly offbeat Palahniuk are, for the most part, refreshingly successful. Cashman is a standout, narrating the action at the retreat. His voice shuttles nimbly between the male and female writers, while maintaining the integrity of his own unnamed character. Morey's narration is disappointing on "Guts," the novel's most notorious and gruesome tale, which has reportedly caused some listeners to faint. Morey sounds too mature and polished for this series of wicked adolescent masturbatory nightmares. In general, the multivoiced narration is practiced and professional, with the trio of actresses turning in particularly strong performances. The other side of all that spit and polish is that Palahniuk's humor is occasionally stifled. Some listeners may wonder whether the author's prose is so singular that only he might be capable of delivering it. But overall, an engaging, albeit lengthy, listen. Simultaneous release with Doubleday hardcover (Reviews, Feb. 21). (May) Copyright 2005 Reed Business Information.

Library Journal

Sixteen bizarre characters with appellations like Comrade Snarky, Chef Assassin, and Mother Nature voluntarily lock themselves away from the world in an abandoned theater to write, ostensibly amid no distractions. Their short stories and poems make up half of Palahniuk's latest novel (after Diary) and may or may not be their back stories; the rest of the tale centers on a cast of lunatics who sabotage their own environment and destroy their own food and life-support mechanisms until they are reduced to cannibalism in what self-consciously becomes a parody of reality television shows like Survivor. Palahniuk casts aside all constraints in this twisted saga of antagonists without a protagonist. The short stories would work if taken singly and at intervals, but strung together they become a catalog of atrocities. Palahniuk is a clever and inventive writer, but this book is recommended only for public library readers with strong stomachs and morbid dispositions. [See Prepub Alert, LJ 1/05.]-Ken St. Andre, Phoenix P.L. Copyright 2005 Reed Business Information.

Kirkus Reviews

A writers' retreat turns out to be more hellish than its participants would have imagined. The willing participants all answered an ad for a three-month retreat that would allow them to cut off all contact with the outside world (they all leave in a bus before dawn, telling no one), only to find themselves locked in an old theater with no way out and a limited supply of food. Their sort-of host for the retreat, Mr. Whittier, wants them to use their isolation to create some sort of masterpiece, invoking the Villa Diodati, where Lord Byron, Shelley, among others, produced their classics of gothic horror. It's quickly obvious, however, that we're far from the land of Shelley with this band of losers, who seem more interested in heightening their own suffering in order to have a better sell for the movie or memoir rights they will assuredly be offered once rescued. Palahniuk (Diary, 2003, etc.) ensures that we have little sympathy for the characters-known for the most part by the sarcastic noms de plume they give each other, like Comrade Snarky, Miss Sneezy and Chef Assassin-by showing how they continually sabotage themselves. The characters' back-stories, which make up the bulk of the novel, also show them to be a uniformly selfish, grubby and, more often than not, murderous lot, so when the bloodletting starts, few tears will be shed. As usual, Palahniuk drops us right into a nasty, vile core of base desire where all good deeds are punished and nobody escapes unscathed (let's just say that cannibalism pops up about a third of the way in, and things get worse from there on). And while a number of the stories here are ingenious, in a devilish sort of way, the constant barrage of wicked sadismsoon palls. Stomach-churning horror that takes a bit too much joy in its diabolic machinations. Author tour

Book Details

Published
April 1, 2006
Publisher
Knopf Doubleday Publishing Group
Pages
432
Format
Paperback
ISBN
9781400032822

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