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Synopsis
In Historical Fictions Hugh Kenner applies his extraordinarily nimble mind and unrivaled style to the alchemy of speech turning into language, language becoming art, and art finally settling down as culture. A variety of literary topics are addressed in forty-three lively, often humorous, and wonderfully informative essays.
With his trenchant, famously entertaining touch, Kenner explores the role of counting in literature (Joyce and St. Augustine shared a preference for the number eleven); the extravagant efforts through the ages to preserve the Iliad and the Odyssey (focusing on Ezra Pound's contributions); and Tom Wolfe's prose through the purple decades (Kenner calls him "the nonchalant master of the neon-piped sentence"). Other writers who fall under Kenner's appraising gaze include Flann O'Brien, H.D., Ernest Hemingway, Sylvia Plath, Dante, Leslie Fiedler, Wallace Stevens, Saul Bellow, William Carlos Williams, Samuel Beckett, and Vladimir Nabokov.
Publishers Weekly
For more than 40 years, the penetrating intelligence and sharp wit of Hugh Kenner have been delighting devotees of his literary criticism. Now, in this companion volume to Mazes , the Johns Hopkins professor brings together 43 more essays and reviews about writers who intrigue him--Beckett, Joyce, Pound, Yeats--and subjects that pique his interest--``fractals,'' poetic closure, romanticism, the mythological method. Whether shrewdly reassessing the bas reliefs of Agostino di Duccio, the poetry of Hopkins, Stevens and Williams, the notions of Wyndham Lewis, Flann O'Brien and Tom Wolfe, whether demonstrating the plagiarism of Coleridge and Heymann, the shortcomings of Deidre Bair, Saul Bellow, Richard Ellmann, Leslie Fiedler and Sean O'Faolain, or the gushiness of Sylvia Plath, Kenner is invariably a pleasure to read and learn from. A zesty, commendable book. (Sept.)