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Overview
For years now Keller's had places to go and people to kill.
But enough is enough. Just one more job—paid in advance—and he's going to retire. Waiting in Des Moines for the client's go-ahead, Keller's picking out stamps for his collection at a shop in Urbandale when somebody guns down the charismatic governor of Ohio. Back at his motel, Keller sees the killer's face broadcast on TV. A face he's seen quite often. Every morning. In the mirror.
Keller calls his associate Dot in White Plains, but there's no answer. He's stranded halfway across the country, and every cop in America has just seen his picture. His ID and credit cards are no longer good, and he just spent almost all of his cash on the stamps.
Now what?
Synopsis
For years now Keller's had places to go and people to kill.
But enough is enough. Just one more job—paid in advance—and he's going to retire. Waiting in Des Moines for the client's go-ahead, Keller's picking out stamps for his collection at a shop in Urbandale when somebody guns down the charismatic governor of Ohio. Back at his motel, Keller sees the killer's face broadcast on TV. A face he's seen quite often. Every morning. In the mirror.
Keller calls his associate Dot in White Plains, but there's no answer. He's stranded halfway across the country, and every cop in America has just seen his picture. His ID and credit cards are no longer good, and he just spent almost all of his cash on the stamps.
Now what?
Publishers Weekly
While in Des Moines for one last job in MWA Grand Master Block's solid fourth Greatest Hits thriller (after Hit Parade), hit man John Paul Keller takes to the road. He's been accused of assassinating the governor of Ohio, who was in Iowa preparing for a presidential bid. By the time Keller gets back to his New York City apartment after too many days of fast food, his prize stamp collection has been stolen. With the governor's real killer still hot on his trail, Keller travels to New Orleans, where he rescues a woman, Julia Roussard, from a rapist in a local park. As Keller and Julia's relationship develops, he considers leaving the old life behind, but knows he must clear his name and settle the score. Block's trademark blend of humor and violence is a good fit for the deadpan Keller. While some fans may be disappointed to see Keller headed toward retirement, hope remains that this won't be the last outing for one of the crime genre's most unusual antiheroes. (June 24)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.Editorials
Daily News (Iron Mountain-Kingsford
“Block keeps the readers on edge.”Philadelphia Inquirer
"With Lawrence Block, one of the most prolific mystery writers alive, it’s always been plotting, and a clever ear for dialogue, that illuminates the inner regions of his characters’ souls."Chicago Sun-Times
"One of the best novels of the summer season. Block remains a true master of the crime genre."San Francisco Chronicle
"If there is one crime writer currently capable of matching the noirish legacies of Raymond Chandler and Dashiell Hammett, it’s Lawrence Block."Charlotte Observer
"As entertaining as we’ve come to expect from Block’s books."Florida Times-Union
"Against all odds, Block will have you rooting for the professional killer."Boston Herald
"A knockout. . . . Block delivers a one-two punch of humor and introspection."Tampa Tribune
"Lawrence Block’s crime fiction stands out because of his ability to create interesting and likeable characters....[Hit and Run] is no exception."Deseret News
"Crazy, good fun, crafted by an experienced mystery writer who should never put down his pen."San Francisco Examiner & Chronicle
"An odd and appealing combination of the hard-boiled, the surreal and the whimsical. Keller grows on us."Fort Worth Star-Telegram
"[An] engrossing thriller"New York Sun
"The wry observations throughout, uttered by Keller as well as the other two main characters, will keep you smiling until your cheeks hurt."Daily News (Iron Mountain-Kingsford)
"Block keeps the readers on edge."Publishers Weekly
While in Des Moines for one last job in MWA Grand Master Block's solid fourth Greatest Hits thriller (after Hit Parade), hit man John Paul Keller takes to the road. He's been accused of assassinating the governor of Ohio, who was in Iowa preparing for a presidential bid. By the time Keller gets back to his New York City apartment after too many days of fast food, his prize stamp collection has been stolen. With the governor's real killer still hot on his trail, Keller travels to New Orleans, where he rescues a woman, Julia Roussard, from a rapist in a local park. As Keller and Julia's relationship develops, he considers leaving the old life behind, but knows he must clear his name and settle the score. Block's trademark blend of humor and violence is a good fit for the deadpan Keller. While some fans may be disappointed to see Keller headed toward retirement, hope remains that this won't be the last outing for one of the crime genre's most unusual antiheroes. (June 24)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.Library Journal
He leads a sedate life-bounded by his own apartment with its state-of-the-art TV and TiVo, the newsstand with the Times every morning, and his stamp albums all arranged on their shelves. When his neighbors come to be questioned by the police-and they will-he'll be described as "a quiet kinda guy. He kept to himself." The life of a hit man's not an easy one, and it's never seemed tougher than in this latest appearance (following Hit Parade) of premier hit man Keller. Although he's looking forward to a well-deserved retirement, Keller just can't say no to a job in Des Moines, of all places. While he's there, the governor of Ohio is assassinated in town, and the evidence points to Keller. He's been set up, and despite having millions in a bank account, he doesn't have the cash to buy clean underwear and has to drive a hot car toward New Orleans with a Homer Simpson cap pulled down over his face. What a way to spend the golden years. Before it's all over, though, the old guys (both Keller and Block) show they've still got what it takes to teach the youngsters a thing or two in this brisk, suspenseful, and funny romp. A sure bet for all public libraries. [See Prepub Alert, LJ3/15/08.]
—Bob Lunn