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Overview
"John Keller is everyone's favorite hit man: a new kind of hero for a new, uncertain age. He's cool. Reliable. A real pro: the hit man's hit man. The inconvenient wife, the aging sports star, the business partner, the retiree with a substantial legacy. He's taken care of them all, quietly and efficiently." "Keller's got a code of honor, though he'd never call it that. And he keeps the job strictly business. "What happens is you wind up thinking of each subject not as a person to be killed but as a problem to be solved. Now there are guys doing this who cope with it by making it personal. They find a reason to hate the guy they have to kill. I don't know what's a sin and what isn't, or if one person deserves to go on living and another deserves to have his life ended. Sometimes I think about stuff like that, but as far as working it all out in my mind, well, I never seem to get anywhere."" "But while Keller might be a pragmatic and crack assassin, he's also prone to doubts and loneliness just like everybody else. There was a psychotherapist once. A dog. Even a woman. And though he's got Dot, his wisecracking contact and sometimes confidante, and his precious stamp collection, these days, it doesn't seem to be enough." Keller's been at this business a long while. Just maybe it's time to pack it in and find a nice little house in the desert. Only problem is, retirement takes money. And to get money, he's got to go to work.Synopsis
The New York Times bestselling author and master of the modern mystery returns with a fierce and poignant new novel featuring his acclaimed killer-for-hire, Keller. John Keller is everyone's favorite hit man. He's cool. Reliable. A real pro: the hit man's hit man. The inconvenient wife, the business partner, the retiree with a substantial legacy. He's taken care of them all, quietly and efficiently.
Keller's got a code of honor, though he'd never call it that. And he keeps the job strictly business. But while Keller might be a pragmatic and crack assassin, he's also prone to doubts and loneliness just like everybody else. And though he's got Dot, his wisecracking contact and sometimes confidante, these days, it doesn't seem to be enough.
Keller's been at this business a long while. Just maybe it's time to pack it in. Only problem is, retirement takes money. And to get money, he's got to go to work...
Hit Parade, the third novel featuring the fascinating Keller, displays the hallmarks that distinguish Lawrence Block's award-winning fiction: the intelligence, the clever plotting, the humor, the tricky twist and ironic turns, the darkness and emotional complexity and, above all else, the humanity.
The Washington Post - Kevin Allman
Block writes in the same terse, laconic style that his antihero employs, with rat-a-tat dialogue and a matter-of-fact attitude toward the business of death. Should Hollywood attempt to revive the sly, dark "Alfred Hitchcock Presents" anthology, Keller's adventures would be a fine blueprint. With two other classic series under his belt, Block has accomplished what few other mystery writers have: a detective trifecta.
Editorials
From Barnes & Noble
The Barnes & Noble ReviewAfter a six-year hiatus (following 1998's Hit Man and 2000's Hit List), Lawrence Block's affable assassin John Keller is back for more highly unusual contract hits, wry social commentary, and deep existential contemplation. In Hit Parade -- a series of interconnected vignettes -- Keller's targets include a much-heralded baseball player, a jockey, a disgruntled business partner, a golf-obsessed retiree, and a killer pit bull named Fluffy.
Floyd Turnbull is an aging major league baseball player. Just shy of 400 careers home runs and 3,000 hits, the designated hitter's multimillion-dollar salary is ruining his team's chances for success. But when Keller gets the call to kill Turnbull during a team road trip, he roots for the "dead man hitting" to reach the 3,000-hit plateau before the inevitable end. A murderous pit bull is the cause of two New York City women's ire; but when Keller accepts the highly unusual case, he realizes he has unwittingly stepped into a steaming pile of something that has nothing to do with unruly dogs…
The John Keller saga brilliantly exemplifies the dark narrative mastery of the iconic Block, who was honored as a Grand Master by the Mystery Writers of America in 1994. Keller is the cold-blooded killer of dozens -- possibly hundreds -- of people, yet readers can't help but root for him and his ever-expanding stamp collection. Reminiscent of Max Allan Collins's series in the 1970s featuring hired killer Quarry, Block's quirky Keller novels are a cult favorite of crime fiction fans. Who knew contract killing could be so much fun? Paul Goat Allen
Kevin Allman
Block writes in the same terse, laconic style that his antihero employs, with rat-a-tat dialogue and a matter-of-fact attitude toward the business of death. Should Hollywood attempt to revive the sly, dark "Alfred Hitchcock Presents" anthology, Keller's adventures would be a fine blueprint. With two other classic series under his belt, Block has accomplished what few other mystery writers have: a detective trifecta.— The Washington Post
Marilyn Stasio
… when his broker, Dot, casually refers to this consummate craftsman as a sociopath, it occasions droll bouts of soul-searching. Keller even considers retiring and becoming as dull as the rest of us. While much of this ruminating seems pro forma (Oh, come on, Mr. Paganini, couldn’t you play us one more tune?), an exceptional story called “Keller’s Adjustment” suggests a good cause for the hit man’s malaise, something just about every reader can share - even with a sociopath.— The New York Times