Overview
A novel that skewers the inanities of our age, with results that are outrageous, wildly funny, and utterly subversive. It's Sandlin at his most maverick best.
Set in the very near future, Honey Don't features a hit list that runs the gamut: from a goatish President dying in flagrante, to an aging Don appalled by modern manners; from a certifiably stupid mafia bagman fleeing both the Secret Service and the mob with $656,000 of dirty money in a locked attaché case and the President's head in a carry-all, to a coke-snorting, blow-dried VP who has suddenly caught the brass ring. Circling them are conniving White House staffers, corrupt politicos, sleazy journalists, and rancid pro-football coaches-all adding up to a DC three-ring circus.
And in the center ring is the eponymous Honey, one of those Texas women cursed with a given name that condemns her to a lifetime of cheerleadering. But this daddy's little girl is a free spirit in full rebellion, and her take on life-offbeat but on target-is the heart and soul of this antic tale. And, as always with Sandlin, it's the women who have the last laugh.
Editorials
From Barnes & Noble
The Barnes & Noble ReviewTim Sandlin's novels are always sardonic, often hilarious exposés of the world at large -- by way of Wyoming. In Honey Don't, the plot is shaped with a nod to the crime field, filled with sharp-witted political parody and an abundance of laughs. The novel follows the travails of RC Nash, a burned-out journalist whose attempt at rediscovering the idealism of his youth leads him to interview a terrorist in Paris instead of covering a major celebrity's fifth divorce. Canned from his job as a result, RC sniffs out an even bigger story in Washington when the U.S. president goes missing after spending time with his latest mistress, Honey. RC soon discovers that the president has been accidentally killed and that his corpse is being shuttled about while the feds follow in a comedy of errors. Sandlin clearly enjoys himself as he writes -- in a style reminiscent of Kinky Friedman and Tom Robbins -- and his own levity underscores the novel throughout as he turns his mighty talents to satirizing politics, the media, and mobsters. A clever blend of insight, farce, and slapstick mayhem, Honey Don't is a madcap romp full of some of the most diverting characters, circumstances, and one-liners you're likely to stumble over from D.C. to Wyoming. Tom Piccirilli