Publishers Weekly
After first appearing in Honey, I Love and Other Poems (1978), now, Eloise Greenfield's Honey, I Love, in which an African-American child joyfully recounts the things that make her life special, appears as a stand-alone poem in a 25th-anniversary picture book edition, illus. by Jan Spivey Gilchrist.
Children's Literature
- Susie Wilde
Greenfield brings her poetic vision of family love to young children in this book. Written for new readers, the book is filled with evocative images like the way a cousin from the South talks so "every word he says just kind of slides out of his mouth." Greenfield supports young readers with a song-like rhythmic words, images they can relate too, and a nurturing spirit that echoes in the ending refrain, "I love a lot of things,/ a whole lot of things/ And honey,/ I love ME, too." 1994 (orig.
Children's Literature
- Mary Quattlebaum
The images of a young girl's life shimmer in these fifteen free verse poems. Evident here in Greenfield's lyrical style, which has been applauded in her many books for children. 1995 (orig.
School Library Journal
PreS-Gr 1-Honey, I Love, the title poem from Greenfield's popular 1978 collection HarperCollins, and On My Horse, a new poem, are filled with full-color illustrations featuring African Americans. The two simple stories describe a young girl's favorite summer activities and a boy's riding fantasy as he is led around on a gentle horse. The verses are simple, with flowing language and limited rhyme and repetition. Gilchrist's pictures fill the pages with large realistic portraits brimming with the warmth and pleasures of childhood. Their size and clarity make these books good candidates for toddler and preschool story hours as well as for one-on-one sharing.-Gale W. Sherman, Pocatello Public Library, ID
School Library Journal
K-Gr 3-First published in 1978, Greenfield's warm flowing verse will find a welcome new audience in this newly illustrated 25th-anniversary edition. The joyous poem sings the praises of the many things a young child loves. The cool freshness of a hose on a hot day, laughing with friends, and taking a ride in the family car are some of the universal pleasures brought to life in this lyrical rhyme. The words beg to be read aloud, as when the narrator's cousin from the South comes to visit, and she says, "I like the way he whistles and I like the way he walks/But honey, let me tell you that I LOVE the way he talks-." Gilchrist's shimmery watercolor illustrations of a beaming African-American child lend a different feel than Diane and Leo Dillon's contemplative charcoal drawings, and may appeal to younger children. There is one change in the text; the last line reads "And honey, I love ME, too," whereas in the original, it is "And honey, I love you, too."-Anna DeWind Walls, Milwaukee Public Library
Kirkus Reviews
Iffy art cramps this 25th-anniversary reissue of the joyful title poem from Greenfield’s first collection (1978), illustrated by the Dillons. As timeless as ever, the poem celebrates everything a child loves, from kissing Mama’s warm, soft arm to listening to a cousin from the South, " ’cause every word he says / just kind of slides out of his mouth." "I love a lot of things / a whole lot of things," the narrator concludes, "And honey, / I love ME, too." The African-American child in the pictures sports an updated hairstyle and a big, infectious grin—but even younger viewers will notice that the spray of cool water that supposedly "stings my stomach" isn’t aimed there, and that a comforter on the child’s bed changes patterns between pages. More problematic, though, is a dropped doll that suddenly acquires a horrified expression that makes it look disturbingly like a live baby, and the cutesy winged fairy that hovers over the sleeping child in the final scene. The poem deserves better. (Picture book/poetry. 6-8)