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Thrillers, Crimes - Fiction, Crime Fiction, Books at the Movies, Police Stories

Hostage

by Robert Crais
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Overview

The bestselling author of Demolition Angel and L.A. Requiem returns with his most intense and intricate thriller yet.

As the Los Angeles Times said, Robert Crais is “a crime writer operating at the top of his game.” His complex heroes and heroines, his mastery of noir atmosphere, and his brilliant, taut plots have catapulted him into the front rank of a new breed of thriller writers. Hostage proves his earlier success was no fluke. It’s an unstoppable read.

An ex-con with delusions of grandeur and his tagalong brother unwittingly team up with a psychopath one wrong word away from meltdown. When their late afternoon joyride turns into a random act of violence, they take a family hostage in the affluent bedroom community of Bristo Camino. Enter Chief of Police Jeff Talley, a stressed-out former LAPD SWAT negotiator who is hiding from his past. Plunged back into the high-pressure world that he desperately wants to forget, Talley soon learns that his nightmare has only begun.

The hostages are not who they seem, and the home contains secrets that even L.A.’s most lethal and volatile crime lord, Sonny Benza, fears. As Talley tries to hold himself together and save the people inside, the full weight of Benza’s wrath descends on him, putting the police chief and his own family at risk. Soon, all involved are held hostage by the exigencies of fate and the only one capable of diffusing the standoff is the least stable of them all.

Hostage is a blistering stand-alone thriller with superb characters in crisis, multistranded plotting, and pitch-perfect Southern California sensibility.

Hostage is a blistering stand-alone thriller with superb characters in crisis, multistranded plotting, and pitch-perfect Southern California sensibility.

Synopsis

An ex-con with delusions of grandeur and his tagalong brother unwittingly team up with a psychopath one wrong word away from meltdown. When their late afternoon joyride turns into a random act of violence, they take a family hostage in the affluent bedroom community of Bristo Camino. Enter Chief of Police Jeff Talley, a stressed-out former LAPD SWAT negotiator who is hiding from his past. Plunged back into the high-pressure world that he desperately wants to forget, Talley soon learns that his nightmare has only begun.

The hostages are not who they seem, and the home contains secrets that even L.A.'s most lethal and volatile crime lord, Sonny Benza, fears. As Talley tries to hold himself together and save the people inside, the full weight of Benza's wrath descends on him, putting the police chief and his own family at risk. Soon, all involved are held hostage by the exigencies of fate and the only one capable of diffusing the standoff is the least stable of them all.

Publishers Weekly

The title of Crais's fiery third thriller (after L.A. Requiem and Demolition Angel) can refer not just to the two sets of innocents held at gunpoint in the story but to the reader, who will be wired tight to the book. The novel launches with a familiar (as familiar as Demolition Angel) premise: a soul-scarred cop here, former L.A. SWAT hostage negotiator Jeff Talley, now chief of police of smalltown Bristo Bay, Calif. plunges into an assignment that forces him to confront his demons. The devil clawing Talley's brain is the dying gaze of a young hostage he failed to save in L.A. Now three outlaws two lowlife brothers and a homicidal maniac have, after botching a robbery-homicide, taken refuge in a swank house in Bristo Bay. At their mercy are the family's dad, whom they've knocked unconscious, and his teen daughter and preteen son. The whopper of a complication is that the dad serves as bookkeeper for Sonny Benza, West Coast mob kingpin, and Benza will do whatever's necessary to retrieve the incriminatory records secreted in the house before the cops storm the place. The narrative ticks with suspense as Talley negotiates with the three outlaws, and as they and the kids they're holding respond with panic, fear and courage to the escalating tension. It snaps into overdrive as Benza and his goons snatch Talley's wife and daughter, holding them ransom for the records; the flow is marred only by a couple of cheap turns obviously devised for the silver screen. Thriller vets will have seen a lot of this before, but every virtuoso is allowed variations on a theme, and Crais, with his record and with the smart suspense offered here, has proven himself nothing less. (On-sale date: Aug. 7) Forecast:Crais sells more with each title, and this will prove no exception. A 15-city author tour will enhance his visibility, as will forthcoming film versions of Demolition Angel and of Hostage, which has already been bought for Bruce Willis and MGM; Crais is writing the screenplays for both films. Copyright 2001 Cahners Business Information.

About the Author, Robert Crais

Following a tremendously successful run as a television screenwriter, Robert Crais broke into the publishing world in a big way with his Elvis Cole and Joe Pike mystery novels, proving that for a select few, Los Angeles truly can be a city of dreams.

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Editorials

From Barnes & Noble

The author of L.A. Requiem and Demolition Angels deals a setup that possesses the escalating intensity of a ticking time bomb: Still nursing psychic wounds from his years as an LAPD hostage negotiator, small-town police chief Jeff Talley is unexpectedly forced to negotiate with three hostage takers, one of whom is certifiably insane. As Talley struggles to guide the situation to a peaceful solution, the unthinkable happens: The hostages are kidnapped!

Publishers Weekly

The title of Crais's fiery third thriller (after L.A. Requiem and Demolition Angel) can refer not just to the two sets of innocents held at gunpoint in the story but to the reader, who will be wired tight to the book. The novel launches with a familiar (as familiar as Demolition Angel) premise: a soul-scarred cop here, former L.A. SWAT hostage negotiator Jeff Talley, now chief of police of smalltown Bristo Bay, Calif. plunges into an assignment that forces him to confront his demons. The devil clawing Talley's brain is the dying gaze of a young hostage he failed to save in L.A. Now three outlaws two lowlife brothers and a homicidal maniac have, after botching a robbery-homicide, taken refuge in a swank house in Bristo Bay. At their mercy are the family's dad, whom they've knocked unconscious, and his teen daughter and preteen son. The whopper of a complication is that the dad serves as bookkeeper for Sonny Benza, West Coast mob kingpin, and Benza will do whatever's necessary to retrieve the incriminatory records secreted in the house before the cops storm the place. The narrative ticks with suspense as Talley negotiates with the three outlaws, and as they and the kids they're holding respond with panic, fear and courage to the escalating tension. It snaps into overdrive as Benza and his goons snatch Talley's wife and daughter, holding them ransom for the records; the flow is marred only by a couple of cheap turns obviously devised for the silver screen. Thriller vets will have seen a lot of this before, but every virtuoso is allowed variations on a theme, and Crais, with his record and with the smart suspense offered here, has proven himself nothing less. (On-sale date: Aug. 7) Forecast:Crais sells more with each title, and this will prove no exception. A 15-city author tour will enhance his visibility, as will forthcoming film versions of Demolition Angel and of Hostage, which has already been bought for Bruce Willis and MGM; Crais is writing the screenplays for both films. Copyright 2001 Cahners Business Information.

Library Journal

Hostage negotiator Jim Talley, traumatized by a crisis gone bad, has left not only his SWAT job but his family as well, hiding out as chief of police in a small town. When a robbery gets out of control and three would-be thieves become killers, they hide in a house in Talley's jurisdiction, taking a family of three hostage. Worse, one of the hostages is the bookkeeper for a mob boss who, rightly worried that his secrets and $1.2 million in cash are at risk, tracks down Talley's wife and daughter for hostages of his own. Sound a little, well, unlikely? Oh, and one of the robbers is a psycho serial killer who keeps his mother's head in the freezer. Crais ratchets up the suspense about as far as it will go here but, sadly, declines to invest his characters with any attributes deeper than a name and a role (born loser, stressed cop, mob boss, psycho killer, spoiled teen). There are some nice insights into hostage negotiation, though, in the end, it all seems to come down to shouting the obvious. Reader James Daniels does his best with these stereotypes, while suffusing the story with real urgency. Had Crais made us care about any of his characters, this would easily have risen above the level of an optional purchase.-John Hiett, Iowa City P.L. Copyright 2002 Cahners Business Information.

Kirkus Reviews

Efficient, forgettable formula suspense in the Desperate Hours mold from a writer who's done much better work. The bad news for Jeff Talley, the crisis negotiator who left an LAPD SWAT team-and incidentally his wife and daughter-to become chief of the police force in safely suburban Bristo Camino, is that a trio of small-time crooks, incapable of holding up a local convenience store without shooting the owner, has gone to ground in George Smith's house, taking Smith and his two children-Jennifer, 16, and Thomas, 10-captive. The worse news is that although two of the three wanted men, Dennis Rooney and his kid brother Kevin, are nothing but penny-ante losers, the third, Mars Krupchek, is a full-blown psycho with a lovingly detailed history of torture killings. The even worse news is that inoffensive George Smith is actually a mob accountant for L.A. crimelord Sonny Benza, a man who'll do whatever it takes to make sure his men are the first people inside the Smith house to clear it of incriminating evidence, and who's not going to let any police chief, certainly not anybody with an abductable wife and daughter, get in his way. Crais keeps the pot at a constant boil by switching focus every few paragraphs from the deviously plotting mobsters to the panicking perps to the hostages who keep trying fancy maneuvers that are 100% guaranteed to make their captors really, really mad. But since nobody involved has any human reality beyond the requirements of the situation, the suspense, though considerable, is a lot more synthetic than in Demolition Angel (2000). Connoisseurs will have no trouble predicting a finale awash in corpses, every one of them richly deserving of its gory fate. Film rightshave already been sold to MGM. If you wait for the movie, you'll see Bruce Willis, and you won't miss a thing.

Book Details

Published
June 1, 2002
Publisher
Random House Publishing Group
Pages
384
Format
Mass Market Paperback
ISBN
9780345434494

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