I Still Dream About You: A Novel

NEW YORK TIMES BESTSELLER

The beloved Fannie Flagg is at her irresistible and hilarious best in I Still Dream About You, a comic mystery romp through the streets of Birmingham, Alabama, past, present, and future.

Meet Maggie Fortenberry, a still beautiful former Miss Alabama. To others, Maggie’s life seems practically perfect—she’s lovely, charming, and a successful agent at Red Mountain Realty. Still, Maggie can’t help but wonder how she wound up living a life so different from the one she dreamed of as a child. But just when things seem completely hopeless, and the secrets of Maggie’s past drive her to a radical plan to solve it all, Maggie discovers, quite by accident, that everybody, it seems, has at least one little secret.

I Still Dream About You is a wonderful novel that is equal parts southern charm, murder mystery, and that perfect combination of comedy and old-fashioned wisdom that can be served up only by America’s own remarkable Fannie Flagg.

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Fannie Flagg’s career started in the fifth grade when she wrote, directed, and starred in her first play entitled The Whoopee Girls, and she has not stopped since. At age nineteen she began writing and producing television specials, and later wrote and appeared on Candid Camera. She then went on to distinguish herself as an actress and a writer in television, films, and the theater. She is the New York Times bestselling author of Daisy Fay and the Miracle Man; Fried Green Tomatoes at the Whistle Stop Cafe; Welcome to the World, Baby Girl!; Standing in the Rainbow; A Redbird Christmas; and Can’t Wait to Get to Heaven. Flagg’s script for the movie Fried Green Tomatoes was nominated for an Academy Award, and the Writers Guild of America Award and won the highly regarded Scripter Award for best screenplay of the year. Flagg lives happily in California and Alabama.

Biography

Attending the Santa Barbara Writer's Conference in 1978 to see her idol, Eudora Welty, Flagg won first prize in the writing contest for a short story told from the perspective of a 11-year-old girl, spelling mistakes and all -- a literary device that she figured was ingenious because it disguised her own pitiful spelling, later determined to be an outgrowth of dyslexia. But when a Harper & Row editor approached her about expanding the story into a full-length novel, she realized the jig was up.

"I just burst into tears and said, 'I can't write a novel,'" she told The New York Times in 1994. "'I can't spell. I can't diagram a sentence.' He took my hand and said the most wonderful thing I've ever heard. He said, 'Oh, honey, what do you think editors are for?'"

And so Fannie Flagg -- television personality, Broadway star, film actress and six-time Miss Alabama contestant -- became a novelist, delving into the Southern-fried, small-town fiction of the sort populated by colorful characters with homespun, no-nonsense observations. Characters that are known to say things like, "That catfish was so big the photograph alone weighed 40 pounds."

Her first novel, an expanded take on that prize-winning short story, was Coming Attractions: A Wonderful Novel, the story of a spunky yet hapless girl growing up in the South, helping her alcoholic father run the local bijou. But it was with her second novel where it all came together. Fried Green Tomatoes at the Whistle Stop Café -- a novel, for all its light humor, that infuses its story with serious threads on racism, feminism, spousal abuse and hints at Sapphic love -- follows two pairs of women: a couple running a hometown café in the Depression-era South and an elderly nursing home resident in the late 1980s who strikes up an impromptu friendship with a middle-aged housewife unhappy with her life.

The result was not only a smash novel, but a hit movie as well, one that garnered Flagg an Academy Award nomination for adapting the screenplay. She won praise from the likes of Erma Bombeck, Harper Lee and idol Eudora Welty, and the Los Angeles Times critic compared it to The Last Picture Show. The The New York Times called it, simply, "a real novel and a good one."

Before her career as a novelist, Flagg was known principally for her on-screen television and film work. She was second banana to Allen Funt on the long-running Candid Camera, perhaps the trailblazer for the current crop of so-called reality television. (Her favorite segment, she told Entertainment Weekly in 1992, was driving a car through the wall of a drive-thru bank.) She appeared as the school nurse in the 1978 film version of Grease, and on Broadway in The Best Little Whorehouse in Texas. And she was a staple of the Match Game television game shows in the '70s.

As a writer, though, this Birmingham, Alabama native found her voice as a chronicler of Southern Americana and life in its self-contained hamlets. "Fannie Flagg is the most shamelessly sentimental writer in America," The Christian Science Monitor wrote in a 1998 review of her third novel. "She's also the most entertaining. You'd have to be a stone to read Welcome to the World, Baby Girl! without laughing and crying. The cliches in this novel are deep-fat fried: not particularly nutritious, but entirely delicious."

The New York Times, also reviewing Baby Girl, took note of the spinning-yarns-on-the-front-porch quality to her work: "Even when she prattles -- and she prattles a great deal during this book -- you are always aware that a star is at work. She has that gift that certain people from the theater have, of never boring the audience. She keeps it simple, she keeps it bright, she keeps it moving right along -- and, most of all, she keeps it beloved."

But, lest she be pegged as simply a champion of the good ol’ days, it's worth noting that her writing can be something of a clarion call for social change. In Fried Green Tomatoes, Flagg comments not only on the racial divisions of the South but also on the minimization of women in both the 1930s and contemporary life. Just as Idgie Threadgoode and Ruth Jamison commit to a life together -- without menfolk -- in the Depression-era days of Whistle Stop, Alabama, middle-aged Evelyn Couch in modern-day Birmingham discovers the joys of working outside the home and defining her life outside meeting the every whim of her husband.

On top of her writing, Flagg has also stumped for the Equal Rights Amendment.

"I think it's time that women have to stand up and say we do not want to be seen in a demeaning manner," Flagg told a Premiere magazine reporter in an interview about the film adaptation of Fried Green Tomatoes.

Good To Know

She landed the Candid Camera gig while a writer at a New York comedy club. When one of the performers couldn't go on, Flagg acted as understudy, and the show's host, Allen Funt, was in the audience.

Flagg went undiagnosed for years as a dyslexic until a viewer casually mentioned it to her in a fan letter.