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Iceland's Bell by Halldor Laxness — book cover

Iceland's Bell

by Halldor Laxness, Philip Roughton (Translator), Adam Haslett
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Overview

Sometimes grim, sometimes uproarious, and always captivating, Iceland’s Bell by Nobel Laureate Halldór Laxness is at once an updating of the traditional Icelandic saga and a caustic social satire. At the close of the 17th century, Iceland is an oppressed Danish colony, suffering under extreme poverty, famine, and plague. A farmer and accused cord-thief named Jon Hreggvidsson makes a bawdy joke about the Danish king and soon after finds himself a fugitive charged with the murder of the king’s hangman.

In the years that follow, the hapless but resilient rogue Hreggvidsson becomes a pawn entangled in political and personal conflicts playing out on a far grander scale. Chief among these is the star-crossed love affair between Snaefridur, known as “Iceland’s Sun,” a beautiful, headstrong young noblewoman, and Arnas Arnaeus, the king’s antiquarian, an aristocrat whose worldly manner conceals a fierce devotion to his downtrodden countrymen. As their personal struggle plays itself out on an international stage, Iceland’s Bell creates a Dickensian canvas of heroism and venality, violence and tragedy, charged with narrative enchantment on every page.

Synopsis

Sometimes grim, sometimes uproarious, and always captivating, Iceland’s Bell by Nobel Laureate Halldór Laxness is at once an updating of the traditional Icelandic saga and a caustic social satire. At the close of the 17th century, Iceland is an oppressed Danish colony, suffering under extreme poverty, famine, and plague. A farmer and accused cord-thief named Jon Hreggvidsson makes a bawdy joke about the Danish king and soon after finds himself a fugitive charged with the murder of the king’s hangman.

In the years that follow, the hapless but resilient rogue Hreggvidsson becomes a pawn entangled in political and personal conflicts playing out on a far grander scale. Chief among these is the star-crossed love affair between Snaefridur, known as “Iceland’s Sun,” a beautiful, headstrong young noblewoman, and Arnas Arnaeus, the king’s antiquarian, an aristocrat whose worldly manner conceals a fierce devotion to his downtrodden countrymen. As their personal struggle plays itself out on an international stage, Iceland’s Bell creates a Dickensian canvas of heroism and venality, violence and tragedy, charged with narrative enchantment on every page.

The New York Times

The new publishing season, like every season before, will no doubt bring us its share of books that are like shoe-tatters, shoe-patches, old stocking legs. Yet now we also have, brought forth into the light, this darkly magnificent novel. — Brad Leithauser

About the Author, Halldor Laxness

Halldór Laxness was born near Reykjavik, Iceland, in 1902. His first novel was published when he was seventeen. The undisputed master of contemporary Icelandic fiction, and one of the outstanding novelists of the century, he has written more than 60 books, including novels, short stories, essays, poems, plays, and memoirs. In 1955 he was awarded the Nobel Prize for Literature. He died in 1998.

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Editorials

The New York Times

The new publishing season, like every season before, will no doubt bring us its share of books that are like shoe-tatters, shoe-patches, old stocking legs. Yet now we also have, brought forth into the light, this darkly magnificent novel. — Brad Leithauser

Kirkus Reviews

The integrity and vitality of Icelandic culture, as subtly celebrated by the Nobel-winning author (1902-98) of Independent People (1946) and, most recently, World Light (2002). Laxness's previously untranslated three-part novel (1943-46) is set in the late 17th to early 18th century, when Iceland was effectively a Danish colony-and its initiating action is in fact the prosecution of saturnine farmer Jon Hreggvidsson (a cynical misanthrope akin to Independent People's prickly protagonist Bjartur) for having insulted Denmark's king. Hreggvidsson is also (falsely) accused of murder, a slander that motivates his escape from prison and subsequent efforts to clear his name through litigation. He's encouraged and defended by magistrate's daughter Snaefridur Eydalin (one of Laxness's great women), a proud, stalwart beauty who herself escapes an unhappy marriage (albeit through widowhood) and grows into a fierce embodiment of her country's independence. This transformation occurs through her increasingly intimate relationship with Arnas Arnaeus, an antiquarian professor and failed political idealist (modeled on a real historical figure) obsessed with creating an authoritative collection of indigenous manuscripts and documents. This is the most resolutely Icelandic of Laxness's work-and it's probably safe to assume that its emphasis on Denmark's threats to his homeland's sovereignty conceals a warning about the perils of a mid-20th-century world dominated by acquisitive global powers. But if Laxness's characters preach and pontificate, their very human (and often extremely amusing) foibles imbue them with extraordinary energy. Furthermore, the intricacy with which these flinty souls are set intocontrast and conflict, and the tenacity with which they cling to endangered and compromised ways of life give this a fabulistic texture quite reminiscent of the classic sagas that influenced all of their author's best books. In many ways, Iceland's Bell isn't a modern novel. And that is its great strength.

Book Details

Published
October 1, 2003
Publisher
Knopf Doubleday Publishing Group
Pages
448
Format
Paperback
ISBN
9781400034253

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