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In A True Light by John Harvey β€” book cover
Literary Styles & Movements - Fiction, Crime Fiction, Arts & Entertainment - Fiction

In A True Light

by John Harvey
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Overview

Sloane's past in New York's bohemian 1950s is never far from the slippery surface of his present in this stylish noir tale from John Harvey, the award-winning novelist touted by the London Times as "the King of Crime." Nearing sixty, Sloane has just finished serving two years in an English prison for art forgery, when he's summoned to Pisa by Jane Graham, the celebrated artist with whom he had an affair four decades before, in New York. Now on her deathbed, Jane reveals that Sloane fathered a child with her. Jane's last wish is that he find their missing daughter. Sloane agrees, but his trouble only begins when he locates the confused, edgy Connie. Let alone that she is wasting her bluesy voice singing in New York's smalltime jazz clubs; she is wasting her life big-time on Vincent Delaney, her volatile mob-connected manager. An unfamiliar paternal instinct pulls Sloane into Connie's rescue and a maelstrom of criminal violence, serial murder, police procedures, hard truths, and increasingly dangerous consequences.

Synopsis

Sloane’s past in New York’s bohemian 1950s is never far from the slippery surface of his present in this stylish noir tale from John Harvey, the award-winning novelist touted by the London Times as “the King of Crime.” Nearing sixty, Sloane has just finished serving two years in an English prison for art forgery, when he’s summoned to Pisa by Jane Graham, the celebrated artist with whom he had an affair four decades before, in New York. Now on her deathbed, Jane reveals that Sloane fathered a child with her. Jane’s last wish is that he find their missing daughter. Sloane agrees, but his trouble only begins when he locates the confused, edgy Connie. Let alone that she is wasting her bluesy voice singing in New York’s smalltime jazz clubs; she is wasting her life big-time on Vincent Delaney, her volatile mob-connected manager. An unfamiliar paternal instinct pulls Sloane into Connie’s rescue and a maelstrom of criminal violence, serial murder, police procedures, hard truths, and increasingly dangerous consequences.

Publishers Weekly

British author Harvey (Lonely Hearts and others in his Charlie Resnick detective series) offers the stuff noirs are made on in this stand-alone: mean streets and shattered dreams; heartfelt jazz and smoke-filled rooms; lonely people in sleazy bars; the harmless, and the harmful who prey on them; a world in which violence is mindless, brutal and inevitable. On his return home to London after serving two years in prison for art forgery, Sloane, a 60-year-old painter and all-around loser, is surprised to receive a letter from an old flame and far more successful artist, Jane Graham, who's dying of cancer in Italy and wants to see him. In Pisa, Sloane learns that he's the father of Jane's daughter, Connie, whom she hasn't seen in years. Sloane agrees to try to find Connie and soon tracks her to New York, where she's a nightclub singer. The problem is she "belongs" to her manager, mob-tainted Vincent Delaney, who has left a trail of maimed or murdered girlfriends behind him. Two NYPD detectives, Catherine Vargas and John Cherry, are doing their best to nail Delaney, a most formidable villain, for the murder of the last woman who told him good-bye. The reader really comes to care about the tragic and compelling Sloane, whose efforts to fill his unexpected father role lead him into all sorts of trouble. While the plot might have been stronger had Sloane acted without the help of Vargas and Cherry, this dark and dazzling tale of crime and redemption can only enhance Harvey's reputation. (Sept. 12) Forecast: Blurbs from such heavyweights as Michael Connelly, Jonathan Kellerman and George P. Pelecanos should reinforce Harvey's bona fides for American hard-boiled fans. The author has won the Sherlock Award for the best detective created by a British author. This one's a likely candidate for award nominations on both sides of the Atlantic. Copyright 2002 Cahners Business Information.

About the Author, John Harvey

John Harvey is the author of the richly-praised sequence of ten Charlie Resnick novels, the first of which, Lonely Hearts, was named by The Times as one of the ‘100 Best Crime Novels of the Century.’ In 2004, William Heinemann published Flesh and Blood, the first novel featuring retired Detective Inspector Frank Elder. He is also a poet, dramatist and occasional broadcaster.

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Editorials

Publishers Weekly

British author Harvey (Lonely Hearts and others in his Charlie Resnick detective series) offers the stuff noirs are made on in this stand-alone: mean streets and shattered dreams; heartfelt jazz and smoke-filled rooms; lonely people in sleazy bars; the harmless, and the harmful who prey on them; a world in which violence is mindless, brutal and inevitable. On his return home to London after serving two years in prison for art forgery, Sloane, a 60-year-old painter and all-around loser, is surprised to receive a letter from an old flame and far more successful artist, Jane Graham, who's dying of cancer in Italy and wants to see him. In Pisa, Sloane learns that he's the father of Jane's daughter, Connie, whom she hasn't seen in years. Sloane agrees to try to find Connie and soon tracks her to New York, where she's a nightclub singer. The problem is she "belongs" to her manager, mob-tainted Vincent Delaney, who has left a trail of maimed or murdered girlfriends behind him. Two NYPD detectives, Catherine Vargas and John Cherry, are doing their best to nail Delaney, a most formidable villain, for the murder of the last woman who told him good-bye. The reader really comes to care about the tragic and compelling Sloane, whose efforts to fill his unexpected father role lead him into all sorts of trouble. While the plot might have been stronger had Sloane acted without the help of Vargas and Cherry, this dark and dazzling tale of crime and redemption can only enhance Harvey's reputation. (Sept. 12) Forecast: Blurbs from such heavyweights as Michael Connelly, Jonathan Kellerman and George P. Pelecanos should reinforce Harvey's bona fides for American hard-boiled fans. The author has won the Sherlock Award for the best detective created by a British author. This one's a likely candidate for award nominations on both sides of the Atlantic. Copyright 2002 Cahners Business Information.

Library Journal

When Harvey published the tenth and last Charlie Resnick mystery (The Last Rites), fans mourned the end of that finely written Nottingham series. Fortunately, Harvey is back, though with a very different setting and protagonist. Sloane, an American just out of British prison at 59 for art forgery, is called to the deathbed of a long-ago lover, who reveals that he is a father. Sloane returns to Manhattan to discover that his daughter is a jazz singer plagued by alcohol and drugs and trapped in a relationship with a manager who seems mob-connected and may have a murderous past. Caught between memories of the 1950s art and music scene and the present, in which his emotional barriers are threatened, Sloane finds himself a reluctant knight. Harvey excels at portraying world-weary people, raw emotions, and no-win situations. This work ends more easily and is less a mystery than a search for human connections. Still, it offers Harvey's trademark command of dialog, vivid sense of place, and ever-present interest in music. Strongly recommended for most popular fiction collections. - Roland C. Person, Southern Illinois Univ. Lib., Carbondale Copyright 2002 Cahners Business Information.

Kirkus Reviews

Sloane has always traveled so light he doesn't even need a first name. As a gifted young painter, he drifted through the art worlds of London and New York without ever seeing his star rise; agreeing to suave gallery owner Robert Parsons's proposal that he paint a few canvases to be signed with more famous names, he did fine work and also did two years in prison without ratting Parsons out. But the tempera hits the fan with the news that Jane Graham, the older, once-famous American painter with whom Sloane had an affair 40 years ago, is dying in Pisa, and that the deathbed revelation she wants to make to him is that her daughter Connie is his daughter too. Will Sloane track down the estranged lounge singer and make peace among all three of them? Of course he will, if Connie survives her reunion with her own former mentor, sharp-dealing Manhattan club owner Vincent Delaney, whose last disagreement with a singer left her dead. Charlie Resnick chronicler Harvey (Now's the Time, 1999, etc.) does a beautiful job in evoking the New York still alive with echoes of Sloane's magical year with Jane. But he's less convincing when he turns from asking how Sloane-with or without the help of the two NYPD detectives getting on Delaney's case-will succeed in separating Connie from her baleful protector than in suggesting what kind of future the unlikely father-daughter duo will have. Except for the forgivably formulaic windup, a lovely, jazzy noir Tale of Two Cities.

Book Details

Published
September 1, 2003
Publisher
Avalon Publishing Group
Pages
272
Format
Paperback
ISBN
9780786712298

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