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India Seen Afar by Kathleen Raine β€” book cover

India Seen Afar

by Kathleen Raine
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Overview

In this fourth and final volume of her autobiography, this British poet completes the work begun in Farewell Happy Fields and continued in The Land Unknown and The Lion's Mouth. Occasioned by her first visit to India, at the age of seventy-four, she reflects on the profound significance of Indian philosophy and wisdom, the 'India of the Imagination.'

Synopsis

In this fourth and final volume of her autobiography, this British poet completes the work begun in Farewell Happy Fields and continued in The Land Unknown and The Lion's Mouth. Occasioned by her first visit to India, at the age of seventy-four, she reflects on the profound significance of Indian philosophy and wisdom, the 'India of the Imagination.'

Publishers Weekly

A poet and a Blake and Yeats scholar, Raine set out to find the ``India of the imagination'' in the 1980s at the age of 74. Her odyssey around the subcontinent revealed an India permeated by ``a universal sense that `everything that lives is holy' '' and a simultaneous awareness of the multiple levels of experience. While she does not ignore India's ``boundless poverty'' or the spreading ``wound'' of Westernization, Raine believes that ``India has not lost her soul at the price of technology--yet.'' Woven throughout are kaleidoscopic impressions of faces and sacred spaces, of sculpture-filled caves, the healing flow of the Ganges and the disquieting works of India's modern painters. Her narrative--rhapsodic, digressive, at times effusive--contains a deep pool of wisdom, refreshingly free of stereotyped images, in touch with the eternal India. (Aug.)

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Editorials

Publishers Weekly - Publisher's Weekly

A poet and a Blake and Yeats scholar, Raine set out to find the ``India of the imagination'' in the 1980s at the age of 74. Her odyssey around the subcontinent revealed an India permeated by ``a universal sense that `everything that lives is holy' '' and a simultaneous awareness of the multiple levels of experience. While she does not ignore India's ``boundless poverty'' or the spreading ``wound'' of Westernization, Raine believes that ``India has not lost her soul at the price of technology--yet.'' Woven throughout are kaleidoscopic impressions of faces and sacred spaces, of sculpture-filled caves, the healing flow of the Ganges and the disquieting works of India's modern painters. Her narrative--rhapsodic, digressive, at times effusive--contains a deep pool of wisdom, refreshingly free of stereotyped images, in touch with the eternal India. (Aug.)

Library Journal

In the fourth volume of her autobiography, written when she was 74 years old, English poet and critic Raine makes a pilgrimage to that kingdom of the imagination, India. Here she describes inner dimensions of ancient Hindu ``multiform arts of life.'' Foe of a ``consumerist, permissive, money-ridden, secular, materialist society'' (and author of scholarly volumes on Blake and Yeats and many volumes of mystical poetry), Raine time-voyages to sacred sites where holy men and women, writers, and philosophers reveal the failure of the supersophisticated West to reach the repose of true spirituality. (``All lives, in India, are the one Life, interconnected, interwoven, unbroken, immortal.'') In the tradition of late autobiographies like John Ruskin's Praeterita , this reflective, life-affirming work consecrates ``the soul's deepest dreams.''-- Frank Allen, SUNY at Cobleskill

Book Details

Published
August 1, 1991
Publisher
Braziller, George Inc.
Pages
294
Format
Hardcover
ISBN
9780807612682

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