Synopsis
Hailed as “a writer of uncommon clarity” by the New Yorker, National Book Award finalist Allegra Goodman has dazzled readers with her acclaimed works of fiction, including such beloved bestsellers as The Family Markowitz and Kaaterskill Falls. Now she returns with a bracing new novel, at once an intricate mystery and a rich human drama set in the high-stakes atmosphere of a prestigious research institute in Cambridge, Massachusetts.
Sandy Glass, a charismatic publicity-seeking oncologist, and Marion Mendelssohn, a pure, exacting scientist, are codirectors of a lab at the Philpott Institute dedicated to cancer research and desperately in need of a grant. Both mentors and supervisors of their young postdoctoral protégés, Glass and Mendelssohn demand dedication and obedience in a competitive environment where funding is scarce and results elusive. So when the experiments of Cliff Bannaker, a young postdoc in a rut, begin to work,...
The New Yorker
This intimate portrait of life in a research institute in Cambridge, Massachusetts, revolves around a scientific mystery: the groundbreaking, too-good-to-be-true discovery of a virus that fights cancer. Cliff, the rakish, headstrong post-doc responsible for the discovery, is on the verge of dismissal when his tumor-ridden mice exhibit stunning rates of remission; meanwhile, Cliff’s co-worker and former girlfriend, spurred by personal and professional jealousy, begins to harbor suspicions about his lab work. The somewhat transparent plot is made compelling by the aesthetic delicacy of Goodman’s writing—furless lab mice are “like quivering pink agar”—and by the care with which she sketches the social world of the lab. The omniscient narrative nimbly shifts perspective among a small number of complex characters, to produce a Rashomon-like inquiry into truth and motive.