Overview
Kiberd - one of Ireland's leading critics and a central figure in the FIELD DAY group with Brian Friel, Seamus Deane and the actor Stephen Rea - argues that the Irish Literary Revival of the 1890-1922 period embodied a spirit and a revolutionary, generous vision of Irishness that is still relevant to post-colonial Ireland. This is the perspective from which he views Irish culture. His history of Irish writing covers Yeats, Lady Gregory, Synge, O'Casey, Joyce, Beckett, Flann O'Brien, Elizabeth Bowen, Heaney, Friel and younger writers down to Roddy Doyle.Editorials
Sunday Telegraph
Inventing Ireland...deserves to be read, not only by people with a special interest in Irish writing, but also by people with a strong interest in modern writing in English. Kiberd has much that is original and valuable to say.
— Conor Cruise O'Brien
Irish Times
Kiberd possesses one of the liveliest and sharpest minds in Ireland, and it is not surprising that his book dazzles and engages. Nor that Inventing Ireland is both an international and an Irish book.
— Eileen Battersby
New York Times Book Review
A critical study laced with wit, energy and unrelenting adroitness of discourse...Mr. Kiberd possesses a special gift for patient exploration of works of art in relationship to their surroundings...Wit, paradox, and an almost indecent delight in verbal jugglery place Mr. Kiberd himself in a central Irish literary tradition that also includes Swift, Joyce, and Beckett...Impudent, eloquent, full of jokes and irreverence, by turns sardonic and conciliatory, blithely subversive but, without warning, turning to display wide and serious reading, a generosity of spirit, a fierce and authentic concern for social and political justice. Rather like Wilde and Shaw...A remarkable achievement.
— Thomas Flanagan
Washington Times
A dazzling book, a book to cherish and revisit. As you read and reread the Anglo-Irish texts, you'll find it altering them, lightening them up. It changes Beckett and Joyce; it especially changes John Millington Synge. It ends by offering to reshape Irish Studies curricula.
— Hugh Kenner
Times Literary Supplement
[A] thought-provoking and entertaining critical blockbuster...There is no doubt that this book immediately joins a small group of indispensable books on Anglo-Irish literary history. It is also typical of the best of that school in the brio and wit with which its learning and intelligence are carried.
— Bernard O'Donoghue
Washington Post Book World
[A] state-of-the-art approach to Irish literature...a huge, erudite, scrupulous hermeneutics of the sacred literary texts in the Irish world...This is one of the best studies of Irish literature to come along in years.
— Michael Stephens
Irish Independent
Kiberd's study is provocative, contentious, sly, tendentious, challenging, witty...It is a book argued with such passionate intensity that everyone with an interest in modern Irish writing will have to confront it, and in that confrontation revisions and redefinitions are likely to slouch towards birth...Kiberd's book is a resounding success. It will seduce you, bludgeon you and outrage you. Few books can boast such presence.
— Gerry Dukes
Sunday Business Post
An epic study in various forms of connection between literature and society, literature and history. Kiberd has set himself a mammoth task which he has undertaken with energetic erudition and accomplished with convincing style...[Kiberd's] most striking characteristic as a critic is his intellectual daring: he is capable of saying things that simply take the reader's breath away...[This book is] ebullient, monumental...epical in its aims and achievements.
— Brendan Kennelly
Irish Literary Supplement
Inventing Ireland is a major contribution to Irish literary studies, a work that at its best pulsates with the same iconoclastic commitment to renewal and emancipation that Kiberd reveres in the works of the Irish writers of the revolutonary generation.
— Joe Cleary
The Tribune Magazine
Formidable, thoroughly enjoyable, always engaged, often brilliant...This is the fullest attempt we have had to date to read both Irish historical experience and the literature that this has involved in the light of post-colonial theory.
— Terence Brown