Synopsis
In this issue artists and performance scholars from the USA, France, Australia, and the UK explore the ways in which geographical, cultural and artistic identities are created and sustained within different places.
Contents include: My Balls/Your Chin (a short article on Artaud); Re-Languaging the Body: Dance Phenomenology and the Kinaesthetic Image; I Never Go Anywhere I Can't Drive Myself; Smallness and Infinity: Living, Writing, Travelling, Making (in) the World; In the Midst of Many: The Butcher, His Lover, Her Husband and the Hit Man; The Angel's Hideout: Between Dance and Theatre; Dance Travels; Abstraction has Many Faces: The Ballet/Modern Wars of Lincoln Kirstein and John Martin; Landscape of the Psyche: The Dream Theatre of Jenny Kemp; Memorials Without Facts.