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Jonathan Strange & Mr. Norrell: A Novel by Susanna Clarke — book cover

Jonathan Strange & Mr. Norrell: A Novel

by Susanna Clarke, Simon Prebble (Narrated by)
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Overview

English magicians were once the wonder of the known world, with fairy servants at their beck and call; they could command winds, mountains, and woods. But by the early 1800s they have long since lost the ability to perform magic. They can only write long, dull papers about it, while fairy servants are nothing but a fading memory.

But at Hurtfew Abbey in Yorkshire, the rich, reclusive Mr Norrell has assembled a wonderful library of lost and forgotten books from England's magical past and regained some of the powers of England's magicians. He goes to London and raises a beautiful young woman from the dead. Soon he is lending his help to the government in the war against Napoleon Bonaparte, creating ghostly fleets of rain-ships to confuse and alarm the French.

All goes well until a rival magician appears. Jonathan Strange is handsome, charming, and talkative-the very opposite of Mr Norrell. Strange thinks nothing of enduring the rigors of campaigning with Wellington's army and doing magic on battlefields. Astonished to find another practicing magician, Mr Norrell accepts Strange as a pupil. But it soon becomes clear that their ideas of what English magic ought to be are very different. For Mr Norrell, their power is something to be cautiously controlled, while Jonathan Strange will always be attracted to the wildest, most perilous forms of magic. He becomes fascinated by the ancient, shadowy figure of the Raven King, a child taken by fairies who became king of both England and Faerie, and the most legendary magician of all. Eventually Strange's heedless pursuit of long-forgotten magic threatens to destroy not only his partnership with Norrell, but everything that he holds dear.

Sophisticated, witty, and ingeniously convincing, Susanna Clarke's magisterial novel weaves magic into a flawlessly detailed vision of historical England. She has created a world so thoroughly enchanting that eight hundred pages leave readers longing for more.

About the Author, Susanna Clarke

Susanna Clarke lives in Cambridge, England. This is her first book.

Biography

Susanna Clarke admits that her first novel took her more than 10 years to write -- "a crazy amount of time to spend on anything -- except building a cathedral, growing a garden or educating a child," she has said.

To be fair, Jonathan Strange and Mr Norrell was obviously not a small undertaking, both literally and figuratively. For one thing, the book clocks in at 800 pages. For another, Clarke spent a good bit of time researching the history for her early nineteenth-century London tale about two magicians.

As a fantasy novel filled with historical detail and copious "footnotes" that further embellish her richly imagined world, Jonathan Strange and Mr Norrell had more riding on it than the average first novel. Clarke is being positioned as a writer who, like Neil Gaiman before her, brings a literary heft (not just in pages) and potential crossover appeal to a previously neglected genre.

The story is set centuries after the Raven King -- a human brought up by fairies who ruled the country with magic -- has passed into legend. Mr Norrell studies ancient lore and eventually gains fame as the only real sorcerer in the early 1800s England. When he encounters a young, dashing magician peer named Jonathan Strange and takes him on as a pupil, their styles clash and a rivalry develops.

"[The marketing push for Clarke's novel] is not so unusual for a big first novel," a New York Times writer observed. "But it is curious for a big first novel about dueling magicians that is uncompromisingly literary without being shy about taking the genre seriously."

Hmm... a thick book about magicians by an English author with "crossover hit" written all over it? The Harry Potter comparisons have already begun. Clarke's reaction? "I don't think there could ever be an adult Harry Potter," she says in a publisher's interview. "I think it's harder for adults to be enchanted -- it's hard for them to switch off their critical faculties and just be swept along by the story."

Clarke makes this enchantment possible by rooting her story in a very firm historical foundation, seamlessly drawing in the politics and culture of nineteenth-century London. She can be by turns witty and spellbinding, capable of creating breathtaking momentum in a scene. Clarke has a particular gift for making intangible, vague atmospheres quite sensate and vivid. The result is feeling as if you've wandered into a dark, mysterious castle that you can't bring yourself to leave.

One way Clarke eases suspension of the reader's disbelief is by adding not only historical detail but "magical" detail to make it seem more earth-bound. Rather than make magic something purely supernatural, she injects it with some amusing, workmanlike mundanity. When Strange is told his destiny to become a magician, he reacts, "I hope to be married soon and a life spent in dark woods surrounded by thieves and murderers would be inconvenient to say the least."

Clarke has said that her next book will be set in the same world has her first one -- and this time she hasn't got 10 years to spend on it. Fans shouldn't have to wait long to revisit Strange and Norrell's alluring world, and meet new characters.

Good To Know

Some interesting outtakes from our interview with Clarke:

"I met my partner, Colin Greenland, through my writing. He was co-tutor on a week's writing course that I went on in 1993. Colin and the other tutor asked all the students to write a short story before the course. I didn't want to write a short story -- I wanted to discuss my novel, Jonathan Strange and Mr Norrell. So I wrote a short story about them. So that was the first thing Colin knew about me -- that short story. Then I went on the course and met him, and now we've been together 10+ years.

"People who've only seen black and white photos of me, think my hair might be blond. It's not -- it's very grey. I'm not sure what people have against grey. It's the colour of stones and moonlight. Rather cool, I think."

"I've seen every episode of Buffy the Vampire Slayer. Huge fan."

"I like hiking through Northern hills and valleys. I like white wine, British beer from microbreweries, other people's gardens (because I don't attend to my own), other people's dogs and cats and pigs (because I have none of my own), and other people's houses (always more interesting than my own). My favourite nail polish for toes is called India by Chanel (a pretty, slightly sparkly pink), my favourite character in Law and Order is Jack McCoy, and my favourite pizza is pepperoni and jalapeno chilis."

"I don't like broccoli or Bob Dylan or D. H. Lawrence or TV programmes about celebrities."

Reviews

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Editorials

From Barnes & Noble

Barnes & Noble Discover Great New Writers
When Susanna Clarke set out to write her sensational first novel, she determined to write a book about magic that would keep readers from their coveted sleep. She has certainly succeeded. A hefty doorstop of a book, Jonathan Strange & Mr. Norrell has already drawn comparisons to works by Dickens, Austen, and the Harry Potter books. Set in early-19th-century England, Clarke's novel introduces readers to a group of magicians from whom the "magic" has departed. Enter Mr. Norrell, a misanthropic, book-hoarding magician who takes up a challenge to prove that magic still exists.

After Mr. Norrell succeeds at his ambitious endeavor, he takes on a pupil, the charismatic Jonathan Strange, and together they begin to restore the sorry state of English magic. But a rift opens between these two allies, leading them to turn their magic on each other, and a darker, more sinister magic begins to reveal itself.

Clarke's ambitious epic is packed with twists and turns, as she leads readers through mysterious doorways, down magical pathways, and into other worlds. Filled with quirky characters and eerie places, it's frightening, moving, and very often witty. In her stunningly original and accomplished first novel, Susanna Clarke has created a completely convincing "historical" account magic's role in changing the course of history -- a work chock-full of the most fun a "smart" book has ever contained. (Holiday 2004 Selection)

Edward Nawotka

It takes 100 pages for Clarke to establish her milieu, but most readers, once enchanted, will remain under her spell until the very last page.
— USA Today

Gregory Maguire

A reader more distractible than I am might yawn for 300 pages running and still discover several book-length stretches to enjoy. I never yawned. Clarke's imagination is prodigious, her pacing is masterly and she knows how to employ dry humor in the service of majesty.
— The New York Times

Michael Dirda

So Jonathan Strange & Mr. Norrell may or may not be the finest English fantasy of the past 70 years. But it is still magnificent and original, and that should be enough for any of us. Right now all we really need to do is open to chapter one and start reading, with mounting excitement: "Some years ago there was in the city of York a society of magicians. . . ."
— The Washington Post

The New Yorker

This vast début fantasy novel, cast somewhat in the Harry Potter mold, is set in early-nineteenth-century England, where two men, Gilbert Norrell and his pupil Jonathan Strange, revive the once-thriving practice of the dark arts. After aiding the British against Napoleon, the magicians fall out over interpretations of wizardly philosophy. Meanwhile, a malevolent fairy accidentally set loose by Norrell enchants, among others, Strange’s wife. Clarke’s ability to construct a fully imagined world—much of it explained in long, witty footnotes—is impressive, and there are some suspenseful moments. But her attempt to graft a fantasy narrative onto such historical realities as the Battle of Waterloo is more often awkward than clever, and the period dialogue is simply twee. Worse, the tension between the forces of good and evil—crucial in any magical tale—is surprisingly slack; the arch-villain is a cartoonish fop whose petulant misdeeds lack menace.

Publishers Weekly

There may be no better marriage of talents than that of Clarke and Prebble. The former spins an enchanting, epic tale of English magic in the age of Napoleon, and the latter brings it to life-footnotes and all-with a full-bodied voice, skill and aplomb that rivals that of noted narrator Jim Dale. Set in a world where the study of theoretical magic is common, but the practice of it is unheard of, this sweeping narrative follows the exploits of England's only two practical magicians, the bookish Mr. Norrell and the affable Jonathan Strange, as they struggle to revive the country's magic in very different ways. Mr. Norrell is content to publish opaque, opinionated pieces on magic's uses and misuses, but Strange is fascinated by the legend and lore of the Raven King, the so-called father of English magic. The voices Prebble lends these two disparate characters nicely reflects their personalities-Norrell's voice is brittle and sometimes shrill, but Strange's is pleasant and ironic. As the two magicians labor together to defeat Napoleon and then separately to pursue their own ends, an elusive faerie known only as the "gentleman with the Thistledown hair" watches and schemes. Clarke's novel likely contains close to 100, if not more, characters, and Prebble juggles them all with ease. Although the heavy price of this audiobook may deter some listeners, there's no better way to experience the material than to hear it performed by such a consummate actor. Based on the Bloomsbury hardcover (Forecasts, July 12, 2004). (Nov.) Copyright 2005 Reed Business Information.

Seattle Times

"Combines the wit of Jane Austen with the subterranean spookiness of the works of Arthur Conan Doyle."

Atlanta Journal-Constitution

"Extraordinary."

Baltimore Sun

"An enthralling, unique read."

Booklist

"A smashing success. History and fantasy form a beautiful partnership in this detailed, authentic, and heartfelt novel."

Charles Palliser

"I found it absolutely compelling....It's an astonishing achievement. I can't think of anything that is remotely like it."

Christian Science Monitor

"Thoroughly enchanting.In a fantastically paced conclusion, the ominous horror of what's preying on England comes into focus, even as the setting shifts into the cloudy world of enchantment that Clarke captures with such haunting effect."

Denver Post

"Utterly enchanting. [Clarke's] union of historical fiction and fantasy is fresh, it is surprising....a superb storyteller."

Entertainment Weekly

"Immense, intelligent, inventive. Clarke is a restrained and witty writer with an arch and eminently readable style."

Fort Worth Star-Telegram

"Clarke has delivered a book of universal truths and unexpectedly heartbreaking acuity."

Harper's Bazaar

"Mesmerizing."

National Post (Canada)

"Inarguably one of the year's best and most original works."

Neil Gaiman

"Unquestionably the finest English novel of the fantastic written in the last seventy years....From beginning to end, a perfect pleasure."

New York Post

"This incredible work of the imagination, which took Clarke more than 10 years to write, ends all too soon."

New York Times Book Review

"Clarke welcomes herself into an exalted company of British writers-not only, some might argue, Dickens and Austen, but also the fantasy legends Kenneth Grahame and George MacDonald-as well as contemporary writers like Susan Cooper and Philip Pullman."

People

"Clarke's sober style keeps the fantasy grounded, and meticulous historical research brings the magical episodes to terrifying life."

Salon

"The most sparkling literary debut of the year."

Salon.com

"The most sparkling literary debut of the year. Susanna Clarke's magic is universal."

San Francisco Chronicle

"Witty dialogue, cunning observations, and intriguing footnotes....create worlds of deep imagination that seem as real as our own."

The New York Times

"Clarke's imagination is prodigious, her pacing is masterly and she knows how to employ dry humor in the service of majesty."

The Onion

"Gorgeous. A terrific, phenomenally ambitious book."

Time

"Ravishing. A chimera of a novel that combines the dark mythology of fantasy with the delicious social comedy of Jane Austen."

Toronto Globe and Mail

"Wonderful....built one splendid scene upon the next."

USA Today

"What kind of magic can make an 800-page novel seem too short? Whatever it is, [Clarke] is possessed by it."

Village Voice

"Her uncanny book is an object lesson in the pleasures-and risks-of enchantment."

Washington Post

"Many books are to be read, some are to be studied, and a few are meant to be lived in for weeks. Jonathan Strange & Mr Norrell is of this last kind...Magnificent and original."

Book Details

Published
May 18, 2006
Publisher
Macmillan Audio
Format
Audiobook
ISBN
9781593977429

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