Synopsis
Roland Barthes, widely regarded as one of the most perceptive critics of the twentieth century, was particularly fascinated by fashion and clothing. This collection brings together all of Barthes' untranslated writings on fashion, revealing the breadth and insight of Barthes' long engagement with the history of clothes. The essays range from an analysis of the significance of gemstones and jewelry, to an exploration of Courrèges and Chanel, to a discussion of of hippy style in Morocco, and the role of color in fashion.
Publishers Weekly
As part of his edgy 1960s cultural criticism, French sociologist Barthes wrote extensively on fashion, culminating in The Fashion System. British academics Stafford and Michael Carter have assembled a smattering of the early interdisciplinary essays that haven't been translated before, originally published in publications as diverse as Revue Fran aise de Sociologie and Marie Claire. The essays reveal the chronological development of Barthes's thinking, from 1957 to 1969, which essentially aimed to apply Saussure's semiology to clothing forms to show how "the signifying function of dress makes it a total social object." In the early "History and Sociology of Clothing," for example, Barthes equates the Saussurian linguistics distinctions "langue" and "parole" to fashion; that is, "langue" is dress, while "parole" is the act of getting dressed. "Language and Clothing" delves into fashion history, extracting the nugget that men's current anti-dandyist style derives from the austerity of Quaker dress. "From Gemstones to Jewellery" is one of the few essays for lay readers, as is a consideration of classic versus modern style entitled "The Contest Between Chanel and Courr ges." There's a lot of padding and explication in this slender volume, necessary to navigate Barthes's fairly difficult system. (Apr. 5) Copyright 2006 Reed Business Information.