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American Fiction, Short Story Collections (Single Author)
Laugh Track by David Galef — book cover

Laugh Track

by David Galef
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Overview

Though David Galef may be best known for his novels Flesh and Turning Japanese, he has also published over sixty short stories in magazines ranging from the British Punch to the Czech Prague Revue, the Canadian Prism International, and the American Shenandoah. The fifteen stories selected for Laugh Track are an eclectic mix, ranging from a haunting vignette called "You," to "Triptych," the tale of an elementary school teacher whose men in her life include a precocious third-grader.

In the title story, a failed comedian brings a recorded laugh track to his regular Wednesday psychoanalytic session. During the sometimes tortuous, often hilarious course of treatment, he finally succeeds in displacing his blocked impulsesi—to the extreme discomfort of his therapist. In "All Cretans," a lovelorn tourist in Greece gets ensnared in a set of ancient philosophical paradoxes. In "The Web of Möbius," what's left of a once-murderous psychotic's life revolves in a bizarrely twisted circle.

Laugh Track offers fifteen different worlds—from a blocked expatriate writer in Mexico, to a drug heist gone wrong in downtown Manhattan, to a love affair pursued at the last leper colony in the United States.

These are stories that flirt with the veil of fantasy and yet in the end reveal the all-too-vulnerable side of humanity. Like so many people, Galef's characters are searching for something in life that will solve everything—but the results are unpredictable, to say the least.

David Galef is an associate professor of English at the University of Mississippi. In addition to his two novels and many short stories, his essays and reviews have appeared in the New York Times, Twentieth Century Literature, and other publications. His eight previous books include Japanese translations, literary criticism, and children's stories.

Praise for Flesh:

"Galef's candid reflections on Southern culture, his entertaining lampoon of academic manners, and his supporting characters are as uproarious and engaging as his ribald plot."

—Library Journal

"Flesh is a constantly pleasurable experience to read; it possesses in abundance style and intelligence, and above all a huge zest for life."

—D. M. Thomas

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Editorials

Publishers Weekly

Fifteen far-ranging and idiosyncratic glimpses of life most often from a dark, quixotic psychosocial perspective make up this collection, selected from more than 60 published stories by Galef (Turning Japanese; Flesh). The topics are curious and far-ranging: the last day of an over-the-hill mob enforcer ("Butch"), the struggles of a blocked gag writer who plays canned laughter at his therapy sessions ("Laugh Track"), the interaction between a chimerical landlord and a novelist who has come to Mexico to work on a memoir ("The Landlord") and the angst of an American lawyer who tries to forget his gay lover by running off to Greece ("All Cretans"). The opening vignette ("You") imagines the day of the author's conception, and a third-grade teacher whose love-life is on the skids acts out her sexual frustration on a precocious male student in "Triptych." The tersely noted impressions of a juror in "Jury Duty" and a college instructor's wry account of his eccentric writing workshop in "Metafiction" up the humor quotient, while arguably the darkest and most affecting of the stories is "Dear, Dirty Paris," which recounts the experience of a high school student on her maiden trip to the City of Light. Her parents entrust her to the care of two rather questionable men who had provided them with a similar introduction to the city in their youth. Though well crafted, this set is likely a bit obscure for mainstream readers, but fans of literary fiction will be won over by Galef's ironic and enigmatic sensibility. (Mar.) Copyright 2001 Cahners Business Information.

Book Details

Published
March 1, 2002
Publisher
University Press of Mississippi
Pages
238
Format
Hardcover
ISBN
9781578064229

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