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Book cover of Laughing with Lucy: My Life with America's Leading Lady of Comedy
Comedians - Biography, Television Production & Direction - Biography, Actors & Actresses - Biography, Television Programs - Comedy, Television & Radio - Biography, Television Actors and Actresses - Biography

Laughing with Lucy: My Life with America's Leading Lady of Comedy

by Madelyn Pugh Davis
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Overview

I Love Lucy. You love Lucy. We all love Lucy. At any-time day or night, I Love Lucy is on TV somewhere in the world-which means that twenty-four hours a day, Lucille Ball is speaking the words that Madelyn Pugh Davis wrote. As Lucille Ball's staff writer for nearly fifty years-spanning I Love Lucy, The Lucy-Desi Comedy Hour, The Lucy Show, Here's Lucy, and Life with Lucy-Madelyn was responsible for thousands of hours of classic TV. Many of the story elements used on the shows were, in fact, taken from Madelyn's own life and immortalized by Ball's comic genius-Mertz, for example, was the last name of her real-life neighbors.

Madelyn and her long-time writing partner, Bob Carroll Jr., share with you their priceless moments in crafting the stories for Lucy, Desi, and cast. In Laughing with Lucy, you'll learn about the scramble to address Ball's real-life pregnancy on the show without using the "p" word. You'll also see the behind-the-scenes, painstaking work to create "spontaneous" jokes. Also, whenever an elaborate physical comedy gag was devised, Madelyn had to act it out first to be sure that a woman could perform it. Best of all, you'll be treated to Madelyn's and Bob's fond memories of the partneship between Lucille Ball, the consummate perfectionist, and Desi Arnaz, the charmer. In Laughing with Lucy, Madelyn looks back with wit and affection on her many years working with Lucy, Desi, and other entertainment legends, and the adventures that came her way as a television pioneer.

Synopsis

Lucille Ball's comic genius made them famous, but many of the unforgettable plot lines for I Love Lucy came from the life of their writer, Madelyn Pugh Davis. In Laughing with Lucy, Davis and her long-time writing partner, Bob Carroll Jr., recount her rise in television and her many years working on the set and behind the scenes with Lucille Ball and Desi Arnaz. Lighthearted and witty, this book offers a trip back in time to the tumultuous early days of television.

Publishers Weekly

Fans who have read Geoffrey Mark Fidelman's exhaustive The Lucy Book or Jess Oppenheimer's Laughs, Luck... and Lucy won't find much new material here. The lure of this volume is its amiable and knowledgeable authors: Davis and her longtime writing partner Carroll co-wrote virtually every episode of I Love Lucy and continued to write on all of Lucille Ball's sitcoms through 1986's Life with Lucy. The duo gently clarifies tales that have become exaggerated over the years (e.g., Vivian Vance's contract did not stipulate she weigh 20 pounds more than Ball) and offers amusing examples of script shorthand (e.g., "SPIDER" meant Lucy should make her "eeuh!" sound). They praise Desi Arnaz as a staunch defender of his writers and an unsung behind-the-scenes innovator. Ball was "a beautiful clown" and a perfectionist, but, they cryptically note, "everyone is complicated, and Lucy was more complicated than most." Although tales of working with Ball take up the majority of the book, Davis also offers a fascinating look at being one of the few female comedy writers working on radio and TV in the 1940s and '50s, and lightly touches on her post-Lucy successes writing/producing Alice. (Sept. 30) Copyright 2005 Reed Business Information.

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Editorials

Publishers Weekly

Fans who have read Geoffrey Mark Fidelman's exhaustive The Lucy Book or Jess Oppenheimer's Laughs, Luck... and Lucy won't find much new material here. The lure of this volume is its amiable and knowledgeable authors: Davis and her longtime writing partner Carroll co-wrote virtually every episode of I Love Lucy and continued to write on all of Lucille Ball's sitcoms through 1986's Life with Lucy. The duo gently clarifies tales that have become exaggerated over the years (e.g., Vivian Vance's contract did not stipulate she weigh 20 pounds more than Ball) and offers amusing examples of script shorthand (e.g., "SPIDER" meant Lucy should make her "eeuh!" sound). They praise Desi Arnaz as a staunch defender of his writers and an unsung behind-the-scenes innovator. Ball was "a beautiful clown" and a perfectionist, but, they cryptically note, "everyone is complicated, and Lucy was more complicated than most." Although tales of working with Ball take up the majority of the book, Davis also offers a fascinating look at being one of the few female comedy writers working on radio and TV in the 1940s and '50s, and lightly touches on her post-Lucy successes writing/producing Alice. (Sept. 30) Copyright 2005 Reed Business Information.

Book Details

Published
September 1, 2007
Publisher
Clerisy Press
Pages
272
Format
Paperback
ISBN
9781578603053

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