Overview
It was not long ago that the Duchess of Wessex was Sarah Cunningham, a young American mourning the loss of her father, until she was swept up by magic into a parallel universe with a history different from her own. Finally settling into her new life among the English nobility, even getting used to the elaborate gowns, Sarah is suddenly yanked back to her home in America, but it's not the America she knew.Confronted with her old life, her old loves, familiar places, and the rough-and-ready frontier life, Sarah must also face a political and religious conspiracy that challenges her every belief. The spirits of the land seek her help in saving Native American ways; her friend Meriel begs her to help find her lost husband, the rightful King of France, and to aid in retrieving the Holy Grail, sought also by the Marquis de Sade for the most foul purposes.
And Sarah's love, the Duke of Wessex, is always close behind, balancing the desire to save his wife from unknown perils, his need to save the King of France from Napoleon's and de Sade's clutches, and his responsibility to save King Charles II's England from those who would destroy it.
If Sarah and Wessex can find one another and confront the powers that stand between them and a peaceful world, perhaps there is hope, for England, for France, for the Americas, and the natives trying to preserve their way of life in their wild lands.
Editorials
Publishers Weekly -
Veterans Norton and Edghill's sequel to The Shadow of Albion fails to do full justice to its rich setting and promising premise an early 19th-century alternative world where the American Revolution never happened and where magical spells are as real as rapiers. Since there's been no Louisiana Purchase, Napoleon is free to put the Marquis de Sade in charge of New Orleans. Swarms of characters work to thwart de Sade's diabolical schemes as well as to reunite lovers. Thomas Jefferson is just a loyal colonial official, so if anyone is to act fast enough to save North America from de Sade, it'll have to be an uneasy alliance of secret agents. Meanwhile the tribal deities of the unsubjugated Indians are as powerful as the Christian saints in trying to influence the future. Despite all the action, the story never comes to life. Maybe there are too many characters to keep track of, let alone care about, in short scenes that jump all over the landscape. Maybe this being the second book in a series reduces concern that the hero and heroine won't come through successfully. Maybe the routine prose and the frequent self-congratulatory footnotes slow the story down. Fans of Regency romances and contra-historical fantasies should enjoy it anyway; other readers probably will appreciate the authors' ingenuity but feel disappointed that all the swashbuckling spies and magical intrigue add up to so little. Copyright 2001 Cahners Business Information.Kirkus Reviews
Second in the series of historical fantasy/romance adventures (The Shadow of Albion) from the team of F/SF grandmaster Norton and mystery writer Edghill. In this alternate early 1800s, the Stuarts held on to the British throne, the American colonies never revolted, and Napoleon has conquered most of Europe. Sarah Cunningham, once of modern Baltimore in our world, has magically become the Marchioness of Roxbury; her husband, Rupert, Duke of Wessex, is England's most accomplished spy. Sarah receives a letter from her friend Lady Meriel, who has secretly married Louis, the heir to the throne of France, who has in turn mysteriously vanished. Napoleon, meanwhile, has dispatched the Marquis de Sade to the Louisiana territory to secure the Holy Grail: in a vile ritual, de Sade summons the devil himself to show him where it is. As for Meriel, the Virgin Mary urges her to find the Grail before de Sade, so by the time Sarah arrives, Meriel has disappeared also. In the meantime, Rupert betrayed by treachery at the highest level in England's White Tower spy network, ends up a fugitive with a price on his head. Much as before: dauntless heroines, dashing heroes, deviltry, and intrigue against a solid historical backdrop. While independently intelligible, this should especially please fans of the previous two.From the Publisher
"WOW! and well done and WOW! again." —Anne McCaffrey"Far too short, and not easily put down, once you take it up."— Thomas Harlan, author of The Gate of Fire, Shadow of Ararat