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Fiction, American Fiction, World Literature, Fiction Subjects

Life Studies: Stories

by Susan Vreeland
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Overview

With her richly textured novels Susan Vreeland has offered pioneering portraits of the artist’s life. Now, in a collection of profound wisdom and beauty, she explores the transcendent power of art through the eyes of ordinary people. Life Studies begins with historic tales that, rather than focusing directly on the great Impressionist and Post-Impressionist masters themselves, render those on the periphery—their lovers, servants, and children—as their personal experiences play out against those of Manet, Monet, van Gogh, and others. Vreeland then gives us contemporary stories in which her characters—a teacher, a construction worker, and an orphan for example—encounter art in meaningful, often surprising ways. A fascinating exploration of the lasting strength of art in everyday life, Life Studies is a dazzling addition to Vreeland’s outstanding body of work.

Synopsis

With her richly textured novels Susan Vreeland has offered pioneering portraits of the artist's life. Now, in a collection of profound wisdom and beauty, she explores the transcendent power of art through the eyes of ordinary people. Life Studies begins with historic tales that, rather than focusing directly on the great Impressionist and Post-Impressionist masters themselves, render those on the periphery—their lovers, servants, and children—as their personal experiences play out against those of Manet, Monet, van Gogh, and others. Vreeland then gives us contemporary stories in which her characters—a teacher, a construction worker, and an orphan for example—encounter art in meaningful, often surprising ways. A fascinating exploration of the lasting strength of art in everyday life, Life Studies is a dazzling addition to Vreeland's outstanding body of work.

The Washington Post - Meredith Blum

The most successful of these historical stories is the first, "Mimi With a Watering Can," which depicts the tormented thoughts of a Parisian bank functionary who is father to the blond cherub in the blue dress and red hair ribbon immortalized in Renoir's famous painting. … Vreeland skillfully takes us through Jerome's reckoning with his secret wish to be a poet -- which seems an impossible profession for him to undertake at this late stage -- yet concludes the story on a human note. It is somehow creative in its own right, Jerome decides, to try to live his life with open eyes and appreciation for what the day brings.

About the Author, Susan Vreeland

Since the publication of her bestselling Girl in Hyacinth Blue, novelist Susan Vreeland has explored the relationships between life and art, rendering scenes from Amsterdam to Rome to the Canadian wilderness with sensitivity and a delicate, painterly precision.

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Editorials

Meredith Blum

The most successful of these historical stories is the first, "Mimi With a Watering Can," which depicts the tormented thoughts of a Parisian bank functionary who is father to the blond cherub in the blue dress and red hair ribbon immortalized in Renoir's famous painting. … Vreeland skillfully takes us through Jerome's reckoning with his secret wish to be a poet -- which seems an impossible profession for him to undertake at this late stage -- yet concludes the story on a human note. It is somehow creative in its own right, Jerome decides, to try to live his life with open eyes and appreciation for what the day brings.
— The Washington Post

Publishers Weekly

Having carved out a niche as an insightful and sensitive chronicler of artists' lives, Vreeland (Girl in Hyacinth Blue) continues to consider the artistic impulse with fresh and imaginative fictional portraits. The first eight stories in this collection are based on biographical incidents in the lives of such artists as Renoir, Van Gogh and C zanne, though the painters themselves are not the protagonists but figures to the side, as it were, in the lives of other people. A wet nurse who cares for Berthe Morisot's baby daughter gradually becomes aware of the liaison between Morisot and her brother-in-law, douard Manet. At Giverny, Monet's gardener watches in anguish as the artist burns his water lily paintings. Vreeland herself has a painterly eye that conveys vivid sensory impressions of rural landscapes, city street scenes and domestic interiors. The remaining 10 stories revolve around ordinary people who are profoundly influenced by exposure to artistic creation. Notable is the semiautobiographical "Crayon, 1955," in which a young girl of humble background is introduced to pre-Columbian figures and Picasso's paintings, which enable her to accept the death of the grandfather who encouraged her to see the beauty in differences. While some stories stretch the theme too far, the best of them have a luminous clarity that does justice to the author's intentions. Agent, Barbara Braun. 10-city author tour. (Dec. 27) Copyright 2004 Reed Business Information.

Library Journal

In this collection of vignettes, the masterly Vreeland (Girl in Hyacinth Blue) once again transports the reader into the intriguing world of art. Working in a lightly roundabout way, she offers stories of people who were either a part of an artist's world or whose lives have been influenced by art; among her characters are an acquaintance of Van Gogh's in Arles and the young daughter Modigliani never knew. Despite a diversity of subjects, the author's deceptively simple touch creates an easy flow. Just as a painting may be composed of many small brush strokes, so Vreeland creates these stories using many small strokes, adding details here and there to create color, depth, and emotion. Like miniature paintings, her finished pieces are small and lovely, each speaking volumes about the importance of artistic expression. Recommended for all collections. [See Prepub Alert, LJ 9/15/04.]-Susanne Wells, P.L. of Cincinnati and Hamilton Cty., OH Copyright 2005 Reed Business Information.

Kirkus Reviews

Seventeen stories by Vreeland, known for her delicate fictional investigations of painters' lives (The Forest Lover, 2004, etc.), explore the interpenetration of existence and art. Eight of the tales ("firmly based in research," declares the author) evoke incidents from the lives of Impressionist and other early modern painters. Renoir, Monet (twice), Manet, Berthe Morisot, van Gogh, Cezanne, and Modigliani are seen by, among others, a gardener, a wet nurse, a butcher's child, a banker, and a daughter. "Mimi with a Watering Can," though hardly more than a sketch, is bathed in the same warmth that floods Renoir's paintings. In "Winter of Abandon," Monet paints his wife immediately after her death, with love and artistic calculation entwined; years later at Giverny ("A Flower for Ginette"), he struggles with Water Lilies. The two standouts are "Olympia's Look" and "The Yellow Jacket." The former shows Manet's devoted widow Suzanne dealing with his former models after his death from syphilis. In the latter, van Gogh paints an apprehensive military recruit in Arles and, through the brilliant elan of his coloring, hands the fellow a future. "The Cure," an exuberant albeit hokey detour into the 17th century, sends two peasants to Rome to absorb art and religion. Moving into the present (and the entirely fictional), Vreeland demonstrates how art liberates in such tales as "Respond," which depicts a neglected wife coming alive when she models nude for a sculpture class, and "Gifts," which chronicles the transformation of a prison visit by a teenager's drawing. Most strikingly, in "Their Lady Tristeza," a student's outline of a Matisse nude miraculously evolves into an image of the Virgin Marythat refuses to disappear. A construction worker on his first visit to a museum can't handle his girlfriend's lectures in "The Things He Didn't Know," one of a handful of overschematic stories. Cumulatively, however, the collection reminds us that the bountiful promise of art is everywhere. Stimulating and enriching. Author tour. Agent: Barbara Braun

Book Details

Published
November 1, 2005
Publisher
Penguin Group (USA)
Pages
352
Format
Paperback
ISBN
9780143036104

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