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English Poetry - General & Miscellaneous - Literary Criticism, British Poets - Literary Biography, U.S. Poets - Literary Biography, U.S. & Canadian Poetry - General & Miscellaneous - Literary Criticism
Lives of the Poets by Michael Schmidt — book cover

Lives of the Poets

by Michael Schmidt
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Overview

National Book Critics Circle Award Finalist

In this stunning volume of epic breadth, Michael Schmidt connects the lives and works of more than 300 poets over the last 700 years--spanning distant shores from Scotland to Australia to the Caribbean, all sharing the English language.

Schmidt reveals how each poet has transformed "a common language of poetry" into the rustic rhythms and elegiac ballads, love sonnets, and experimental postmodern verse that make up our lyrical canon.

A comprehensive guided tour that is lively and always accessible, Lives of the Poets illuminates our most transcendent literary tradition.

Synopsis

National Book Critics Circle Award Finalist

In this stunning volume of epic breadth, Michael Schmidt connects the lives and works of more than 300 poets over the last 700 years--spanning distant shores from Scotland to Australia to the Caribbean, all sharing the English language.

Schmidt reveals how each poet has transformed "a common language of poetry" into the rustic rhythms and elegiac ballads, love sonnets, and experimental postmodern verse that make up our lyrical canon.

A comprehensive guided tour that is lively and always accessible, Lives of the Poets illuminates our most transcendent literary tradition.

Publishers Weekly

Using Samuel Johnson's 18th-century Lives of the Poets as a blueprint, this exhaustive survey treks through 600 years of mostly British poetry in English, from Wycliffe and Wyatt to Andrew Motion and Les Murray. In each of 64 chapters crammed with juicy anecdotes ("The kiss of Walt Whitman is still on my lips," reported an enraptured Oscar Wilde upon meeting his idol), Schmidt moves from biography to formal techniques to cultural reception. He focuses, for example, on what Donald Davie liked about Robert Burns, or Pound admired in Chaucer; on how "a living poem can engage another poem at five hundred years' distance, or across the other side of the world." While some would argue that a couple of pages summarizing The Canterbury Tales or The Prelude is insufficient, the book is more of a gathering of friends and rivals than a comprehensive companion. Schmidt, the founder of London's influential Carcanet Press (distributed here by Paul and Co.), has an intuitive sense of organization--one sequence from Wallace Stevens to Marianne Moore to Elizabeth Bishop is smoothly connected and riveting. Throughout his tour, he lingers at major moments in political, religious and social history to show how poets have used the resources of language to respond to their respective pressures. Recently rediscovered women poets such as Emilia Lanyer, Charlotte Smith and Mina Loy receive ample attention, and 20th-century trends and movements (imagism, vorticism, confessionalism, language poetry, etc.) are forcefully elucidated. Schmidt's interest in the history of publishing shadows the main narrative, allowing the reader to emerge with greater appreciation for those publishers who gambled on their taste to disseminate the work of history's most scandalous, reclusive and devoted wordsmiths. (Oct.) Copyright 1999 Cahners Business Information.

About the Author, Michael Schmidt

Michael Schmidt is the founder and editor of PN Review, and the founder and editorial director of Carcanet Press. He is the director of the writing school at Manchester Metropolitan University in Manchester, England.

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Editorials

Publishers Weekly - Publisher's Weekly

Using Samuel Johnson's 18th-century Lives of the Poets as a blueprint, this exhaustive survey treks through 600 years of mostly British poetry in English, from Wycliffe and Wyatt to Andrew Motion and Les Murray. In each of 64 chapters crammed with juicy anecdotes ("The kiss of Walt Whitman is still on my lips," reported an enraptured Oscar Wilde upon meeting his idol), Schmidt moves from biography to formal techniques to cultural reception. He focuses, for example, on what Donald Davie liked about Robert Burns, or Pound admired in Chaucer; on how "a living poem can engage another poem at five hundred years' distance, or across the other side of the world." While some would argue that a couple of pages summarizing The Canterbury Tales or The Prelude is insufficient, the book is more of a gathering of friends and rivals than a comprehensive companion. Schmidt, the founder of London's influential Carcanet Press (distributed here by Paul and Co.), has an intuitive sense of organization--one sequence from Wallace Stevens to Marianne Moore to Elizabeth Bishop is smoothly connected and riveting. Throughout his tour, he lingers at major moments in political, religious and social history to show how poets have used the resources of language to respond to their respective pressures. Recently rediscovered women poets such as Emilia Lanyer, Charlotte Smith and Mina Loy receive ample attention, and 20th-century trends and movements (imagism, vorticism, confessionalism, language poetry, etc.) are forcefully elucidated. Schmidt's interest in the history of publishing shadows the main narrative, allowing the reader to emerge with greater appreciation for those publishers who gambled on their taste to disseminate the work of history's most scandalous, reclusive and devoted wordsmiths. (Oct.) Copyright 1999 Cahners Business Information.

Library Journal

In this bounding survey of poetry in English, Schmidt (a poet, translator, publisher, and director of the writing school at Manchester Metropolitan University) enthuses about more than 250 poets whose work dates from the 14th century to 1998. More than a critical essay, this friendly and accessible history embodies the life of poetry and conveys its changeable, subjective beauty. (LJ 9/1/99) Copyright 2000 Cahners Business Information.

Kirkus Reviews

A monumental history of English-language poetry, told through the lives and works of its most important practitioners by the editor of PN Review, a director of Carcanet Press. Schmidt, not an academic but one of most significant publishers of verse in England, brings a fresh perspective to the history of English verse, and he casts his net refreshingly wide, including such outlanders as Derek Walcott and other Anglo-Caribbean writers, Irish and Australian poets, as well as early balladeers, among others (but without stooping to include rock songwriters and rappers). He also invokes the rocky history of poetry publishing and printing in telling ways, allowing readers to see the pivotal role played by the likes of William Caxton. From the book's outset, he makes a case for the act of reading poetry, too: "I prefer to be unlicensed, to read a poem, not a text." As a critic, he is incisive and deadly honest, describing early English writer Richard Rolle as "such a bad poet" and offering candid assessments of great unread classics like "The Bruce" or of perpetually controversial poets like Byron ("there is a tawdry excess in much of Byron, a satirist's knack of simplifying for effect, but only sporadic satirical consistency"). Perhaps it's to his advantage that he is not himself a poet. His language is fresh and relatively unfettered, his readings of the poets under consideration unhackneyed. Thus, Gower's allegory is the "kind of poem [that] is insulated against real weather," and Dunbar is "courtier and friar in one." Still, this is not a book to be read from cover to cover in a sitting (or many sittings). The essays stand alone well enough to encourage readers to dip in at random,although Schmidt's argument—for an inclusive and variegated "English" verse—is developed coherently and at length. Monumental, yes, but seldom dull.

Book Details

Published
October 1, 2000
Publisher
Knopf Doubleday Publishing Group
Pages
992
Format
Paperback
ISBN
9780375706042

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