Overview
One of the most humane, graceful and imaginatively inexhaustible artists in American popular culture, Jaime Hernandez has created in Locas
one of the great American novels of the last 30 years, graphic or otherwise. Created over 15 years from 1981 to 1996 in the pages of the legendary comic book series Love and Rockets, Locas
tells the story of Maggie Chascarrillo, a bisexual, Mexican-American woman attempting to define herself in a community rife with class, race and gender issues.
Maggie's story begins in the early-1980s Southern California rock scene, when it was shifting from the excesses of the 1970s to the gritty basics of punk and new wave. Hardcore punk rock came to the fore, and the teenaged Maggie finds herself drawn to the anarchy, energy and diversity of the scene, which in Jaime's hands becomes a very real, habitable place populated with authentic human beings rather than stereotypes. She quickly befriends Hopey Glass, a feisty anti-authoritarian punkette who quickly becomes Maggie's on-again, off-again lover and a constant presence in her life throughout the book.
As the New York Times Book Review has described it, "These stories have all the visual smarts of film and the narrative smarts of literature....Hernandez specializes in psychological detail; we see both text and subtext immediately ....What better than to open a book that shows there is more going on than we dream of in our workaday philosophies?"
Synopsis
One of the great American novels of the last 30 years, graphic or otherwise. Created over 15 years from 1981-96 in the pages of the legendary comic Love and Rockets and collected here in a giant deluxe hardcover.
The New York Times - John Hodgman
You might be able to tell that I've read Jaime Hernandez's work almost as long as it's been published, but only when you feel the weight of this thing in your hand do you appreciate its accomplishment. When you make a list of all the things Hernandez draws and writes and knows better than pretty much anyone -- Chicano culture across all classes, the 80's punk scene, the inner lives of women, the inner lives of men, women's wrestling, love and, er, rockets -- it's hard not to suspect him of secretly being 10 brilliant artists and writers, or just one of the most talented artists our polyglot culture has produced.
Editorials
John Hodgman
You might be able to tell that I've read Jaime Hernandez's work almost as long as it's been published, but only when you feel the weight of this thing in your hand do you appreciate its accomplishment. When you make a list of all the things Hernandez draws and writes and knows better than pretty much anyone -- Chicano culture across all classes, the 80's punk scene, the inner lives of women, the inner lives of men, women's wrestling, love and, er, rockets -- it's hard not to suspect him of secretly being 10 brilliant artists and writers, or just one of the most talented artists our polyglot culture has produced.— The New York Times