Look of Architecture

What is style in architecture? "Style is like a feather in a woman's hat, nothing more," said Le Corbusier, expressing most modern architects' low regard for the subject. But Witold Rybczynski disagrees, and in The Look of Architecture, he makes a compelling case for the importance of style to the mother of the arts.
This is a book brimming with sharp observations—that form does not follow function; that the best architecture is not timeless but precisely of its time; that details do not merely complement the architecture—details are the architecture. But the heart of the book illuminates the connection between architecture, interior decoration, and fashion. Style is the language of architecture, Rybczynski writes, and fashion represents the wide—and swirling—cultural currents that shape and direct that language. The two, style and fashion, are intimately linked—indeed, architecture cannot escape fashion. To set these ideas in sharp relief, he shows us how style and fashion have been expressed in the work of major architects—including Frank Gehry, Mies van der Rohe, Charles McKim, Allan Greenberg, Robert Venturi, Enrique Norten, and many others. He helps us see their works anew and ultimately to look afresh at our surroundings.
Style is one of the enduring—and endearing—aspects of architecture, Rybczynski concludes. Furthermore, an architecture that recognizes the importance of style would not be as introspective and self-referential as are so many contemporary buildings. It would be part of the world—not architecture for architects, but for the rest of us.

What is style in architecture? "Style is like a feather in a woman's hat, nothing more," said Le Corbusier, expressing most modern architects' low regard for the subject. But Witold Rybczynski disagrees, and in The Look of Architecture, he makes a compelling case for the importance of style to the mother of the arts.
This is a book brimming with sharp observations—that form does not follow function; that the best architecture is not timeless but precisely of its time; that details do not merely complement the architecture—details are the architecture. But the heart of the book illuminates the connection between architecture, interior decoration, and fashion. Style is the language of architecture, Rybczynski writes, and fashion represents the wide and swirling cultural currents that shape and direct that language. The two—style and fashion—are intimately linked; indeed, architecture cannot escape fashion. To set these ideas in sharp relief, he shows us how style and fashion have been expressed in the work of major architects including Frank Gehry, Mies van der Rohe, Charles McKim, Allan Greenberg, Robert Venturi, Enrique Norten, and many others. He helps us see their works anew and ultimately to look afresh at our surroundings.
Style is one of the enduring—and endearing—aspects of architecture, Rybczynski concludes. Furthermore, an architecture that recognizes the importance of style would not be as introspective and self-referential as are so many contemporary buildings. It would be part of the world: Not architecture for architects, but for the rest of us.

Library Journal

In his introduction, New Yorker and Time magazine contributor Rybczynski (urbanism, Univ. of Pennsylvania; Home) acknowledges that this book began with a series of three extemporaneous talks at the New York Public Library in fall 2001. Yet he still offers keenly observed and cogent commentary on the significance of style and fashion in architecture. Using anecdote, historical data, and descriptive prose to comment on Western architecture during the modern era, Rybczynski shows how the often dismissed discipline of apparel design finds its correlative in architectural fashion. An examination of three stair railings from Le Corbusier's Shodhan House, I.M. Pei's East Building at the National Gallery of Art, and Bernard Tschumi's new Lerner Center at Columbia University interweaves a deep appreciation for how the materials of architecture are assembled with references to their diverse theoretical foundations. Illustrations are regrettably small and low in resolution. Even so, this book serves more ably as an architectural primer than James O'Gorman's ABC of Architecture (LJ 12/97) and should become a companion, if not a worthy successor, to Steen Eiler Rasmussen's Experiencing Architecture (1964). For all architecture collections. Paul Glassman, New York Sch. of Interior Design Lib. Copyright 2001 Cahners Business Information.

Witold Rybczynski is one of America's best known writers on architecture, the author of the bestselling One Good Turn: A Natural History of the Screwdriver and the Screw, Home, Waiting for the Weekend, The Most Beautiful House in the World, and A Clearing in the Distance. He has also written on architecture for The New York Times, The New Yorker, Time, and The New York Review of Books. The Martin and Margy Meyerson Professor of Urbanism at the University of Pennsylvania, he lives in Philadelphia.