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Overview
"I did not, I wish to state, become a journalist because there was no other ‘profession' that would have me. I became a journalist because I did not want to rely on newspapers for information." Love, Poverty and War: Journeys and Essays showcases America's leading polemicist's rejection of consensus and cliché, whether he's reporting from abroad in Indonesia, Kurdistan, Iraq, North Korea, or Cuba, or when his pen is targeted mercilessly at the likes of William Clinton, Mother Theresa ("a fanatic, a fundamentalist and a fraud"), the Dalai Lama, Noam Chomsky, Mel Gibson and Michael Bloomberg. Hitchens began the nineties as a "darling of the left" but has become more of an "unaffiliated radical" whose targets include those on the "left," who he accuses of "fudging" the issue of military intervention in the Balkans, Afghanistan and Iraq. Yet, as Hitchens shows in his reportage, cultural and literary criticism, and opinion essays from the last decade, he has not jumped ship and joined the right but is faithful to the internationalist, contrarian and democratic ideals that have always informed his work.
Synopsis
Showcases America's leading polemicist's rejection of consensus and cliché, whether he’s reporting from abroad in Indonesia, Kurdistan, Iraq, North Korea, or Cuba, or when his pen is targeted mercilessly at the likes of William Clinton, Mother Theresa or the Dalai Lama.
The New York Times - Colm Toibin
When he is not being mean and when he is not happy, he can write as well as George Orwell. His witnessing an execution by lethal injection of a man who was suffering from post-Vietnam stress disorder makes for a brilliant, chilling piece of work. ''The medical butchery of a helpless and demented loser, the descendant of slaves and a discarded former legionary of the Empire, made neither society nor any individual safer. It canceled no moral debt. It was a creepy, furtive and shameful affair, in which the participants could not decently show their faces or quite meet one another's eye.'' His essay on the nonteaching of history in the United States, where his own children cannot ''tell Thomas Jefferson from Thomas the Tank Engine,'' is also thoughtful and convincing.
Editorials
Colm Toibin
When he is not being mean and when he is not happy, he can write as well as George Orwell. His witnessing an execution by lethal injection of a man who was suffering from post-Vietnam stress disorder makes for a brilliant, chilling piece of work. ''The medical butchery of a helpless and demented loser, the descendant of slaves and a discarded former legionary of the Empire, made neither society nor any individual safer. It canceled no moral debt. It was a creepy, furtive and shameful affair, in which the participants could not decently show their faces or quite meet one another's eye.'' His essay on the nonteaching of history in the United States, where his own children cannot ''tell Thomas Jefferson from Thomas the Tank Engine,'' is also thoughtful and convincing.— The New York Times