Makeovers at the Beauty Counter of Happiness

So begins Ilene Beckerman's deftly drawn look at the doubts, dreams, and hard-earned triumphs of women, from the Audrey Hepburn era to the era of Britney Spears.

Like most women we know, Ilene Beckerman has struggled with self-esteem, confronted insecurities, survived dashed hopes, and lived long enough to have finally learned that there's more to happiness than finding the right hairdo and maintaining an ideal weight. This was never more clear to her than when she decided to go to her fiftieth elementary school reunion.

In Makeovers at the Beauty Counter of Happiness, Beckerman addresses what really matters in life. She shares her (unsent) letters to celebrities (including Ava Gardner, Elizabeth Taylor, and Madonna) and letters imparting wisdom to her granddaughter. Along the way, she discovers something that our mothers tried to tell us long ago: that beauty comes from within.

1958. The movie is Vertigo. Kim Novak asks Jimmy Stewart, “Couldn’t you like me just the way I am?”
2001. The movie is Bridget Jones’s Diary. Rene Zellweger asks Hugh Grant, “Can’t you just like me the way that I am?”
A lot of things have changed since 1958. Some things never change.

So begins Ilene Beckerman’s deftly drawn look at the doubts, dreams, and hard-earned triumphs of women, from the Audrey Hepburn era to the era of Britney Spears.

Like most women we know, Ilene Beckerman has struggled with self-esteem, confronted insecurities, survived dashed hopes, and lived long enough to have finally learned that there’s more to happiness than finding the right hairdo and maintaining an ideal weight. This was never more clear to her than when she decided to go to her fiftieth elementary school reunion.

In Makeovers at the Beauty Counter of Happiness, Beckerman addresses what really matters in life. She shares her (unsent) letters to celebrities (including Ava Gardner, Elizabeth Taylor, and Madonna) and letters imparting wisdom to her granddaughter. Along the way, she discovers something that our mothers tried to tell us long ago: that beauty comes from within.

Publishers Weekly

Beckerman, a grandmother of six, used to think "pretty girls had happier lives." It's taken her nearly seven decades and thousands of dollars in makeup and accessories to realize this isn't true. But the author of Love, Loss and What I Wore still struggles with her inner demons, which she chronicles here. She wants to teach her young granddaughters, especially 11-year-old Olivia, not to become preoccupied with externals. She employs funny, often rueful observations, unsent fan letters to movie stars and simple, whimsical drawings to underscore her familiar point: beauty comes from within. Oddly, though, Beckerman spends much of the book lamenting her looks and weight--and everyone else's. She shares her insecurities, she says, so women will realize that physical perfection isn't everything and ends her book with this note to Olivia: "I wish I'd known when I was your age... that I already had everything I needed within myself to be happy, instead of looking for happiness at the beauty counters of Bloomingdale's." This is a sweet, well-intentioned book, but its approach to women's lives is dated, while its proclamations (e.g., "life never turns out the way anyone expects") are obvious. Color illus. throughout. (Apr.) Copyright 2005 Reed Business Information.

Ilene Beckerman was nearly sixty when she began her writing career. Her articles have appeared in many places,
including the New York Times, the Los Angeles Times, and Ladies’
Home Journal; she has judged a People magazine’s “Best and Worst Dressed” issue; and her books have been translated into German,
Japanese, French, and Portuguese. She travels the country giving her funny and wise talks to large audiences. “Sometimes,” she says, “I feel like Grandma Moses—she didn’t start until late in life either—but I try not to look like her.”