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Overview
Spanning thirty years of writing, Making Waves traces the development of the Nobel Prize–winning author Mario Vargas Llosa’s thinking on politics and culture, and shows the breadth of his interests and passions. Featured here are astute meditations on the Cuban Revolution, Latin American independence, and the terrorism of Peru’s Shining Path; brilliant engagements with towering figures of literature such as Joyce, Faulkner, and Sartre; and observations about the dog cemetery where Rin Tin Tin is buried, Lorena Bobbitt’s knife, and the failures of the English public-school system.
"Translations of 46 short articles comprising a collection of Vargas Llosa's writings from early 1960s-93, chosen for their diversity of topics. Presented in chronological order with some grouped thematically; political and literary development stressed. Locating foreword, index. Excellent translations. Compelling selection, with most recent pieces from Desafâios a la libertad (see HLAS 56:3742)"--Handbook of Latin American Studies, v. 58.
Synopsis
Mario Vargas Llosa, renowned as a novelist, is one of our most brilliant and provocative public intellectuals as well. In Making Waves, the first collection of his essays, he explores, with characteristic brio and elegance, his long-standing preoccupations - literature and politics, Europe and the Americas, and the relations among them all. We follow Vargas Llosa from his native Peru to Madrid and then to Paris, the setting of essays on his great precursors Jean-Paul Sartre, Simone de Beauvoir, and Albert Camus, as well as a comic account of his visit to the tomb of Rin Tin Tin and an affecting memoir of his time in the city as an aspiring writer in the 1960s. In passionately critical essays on the Cuban revolution and its aftermath, Vargas Llosa takes up vital questions of Latin American independence, while in essays on Faulkner, Garcia Marquez, and Julio Cortazar - and in an exchange with Gunter Grass - he ponders magic realism. In more recent articles, he considers the terrorism of Peru's Shining Path and the presidency of Alberto Fujimori - and the failures of the English public-school system, which made his son into a Rastafarian. The essays in Making Waves are full of Mario Vargas Llosa's unflagging literary intensity and moral and political integrity. They are an important addition to the body of work of this major international writer.
Publishers Weekly
This varied collection of essays, written over three decades and appearing in publications worldwide, traces the development of Vargas Llosa's thinking on government, society and culture. An expatriate, he regards his native Peru with "a hatred steeped in tenderness," and the piece titled "Literature and Exile" is a moving apologia for his residence in Europe, where he has spent most of his adult life. (He took up dual Spanish and Peruvian nationality in the early 1990s after his unsuccessful bid for the presidency of Peru.) Vargas Llosa's luminous essays on literature embody a heroic view of writers as lonely rebels struggling against indifference and contempt; "Literature Is Fire" is a feisty manifesto proclaiming that "the raison d'tre of a writer is protest, disagreement and criticism." The pieces reveal a youthful and exuberantly idealistic Marxist slowly yielding, as if inexorably, to a radical liberalism born of a disillusionment with revolutionary politics. Ultimately, in "A Fleeting Impression of Vaclav Havel," Vargas Llosa is inspired by the steadfastness of his fellow writer turned politician, who was never a Marxist and was therefore less susceptible to depression despite years in prison: "Havel proves that one can always do something." Ever tantalized by an insatiable hunger for beauty and justice, Vargas Llosa is a writer of great integrity and humor, and this new volume will be treasured by those who relish the brilliance and clarity of his prose.
Editorials
From the Publisher
“Making Waves is fascinating . . . [It] is a diverse and representative volume that allows us, for the first time, to trace this enigmatic, often brilliant writer’s . . . intellectual journey.” —Jay Parini, The New York Times Book Review
“In the star-studded world of the Latin American novel, Mario Vargas Llosa is a supernova.” —Raymond Sokolov, The Wall Street Journal
“Vargas Llosa speaks in his own voice, sees through his own eyes. His vision is unique. His genius is unmistakable.” —Eugenia Thornton, The Plain Dealer (Cleveland)
Publishers Weekly -
This varied collection of essays, written over three decades and appearing in publications worldwide, traces the development of Vargas Llosa's thinking on government, society and culture. An expatriate, he regards his native Peru with "a hatred steeped in tenderness," and the piece titled "Literature and Exile" is a moving apologia for his residence in Europe, where he has spent most of his adult life. (He took up dual Spanish and Peruvian nationality in the early 1990s after his unsuccessful bid for the presidency of Peru.) Vargas Llosa's luminous essays on literature embody a heroic view of writers as lonely rebels struggling against indifference and contempt; "Literature Is Fire" is a feisty manifesto proclaiming that "the raison d'tre of a writer is protest, disagreement and criticism." The pieces reveal a youthful and exuberantly idealistic Marxist slowly yielding, as if inexorably, to a radical liberalism born of a disillusionment with revolutionary politics. Ultimately, in "A Fleeting Impression of Vaclav Havel," Vargas Llosa is inspired by the steadfastness of his fellow writer turned politician, who was never a Marxist and was therefore less susceptible to depression despite years in prison: "Havel proves that one can always do something." Ever tantalized by an insatiable hunger for beauty and justice, Vargas Llosa is a writer of great integrity and humor, and this new volume will be treasured by those who relish the brilliance and clarity of his prose.Library Journal
The eminent Peruvian novelist (e.g., Death in the Andes, LJ 10/15/95), whose recent memoir, A Fish in the Water (LJ 5/1/94), recounts his unsuccessful bid for president of his country, lived for many years as an expatriate in Paris and London. He has also produced a substantial body of journalistic writings, and in this omnibus collection covering three decades, selected by his translator King, he addresses topics as diverse as the work of Surrealist filmmaker Bruel, the World Cup of 1982, and the Lorena Bobbit grotesquerie. While he can stall in laudatory generalities when writing about Isaiah Berlin or John Dos Passos, for example, Vargas Llosa writes most effectively when discussing authors who have profoundly influenced him: Faulkner, Joyce, Sartre. Everywhere his conviction in the value of the writer's mtier"literature is fire"burns, and the writer's ability to effect social justice in society. He testifies to such a change now taking place in Latin America. Despite a sometimes murky translation, there are some gems here. Amy Boaz "Library Journal"Jay Parini
"Fascinating...a detailed roadmap of his imaginative world...readers of his fiction can only be grateful." -- The New York Times Book ReviewKirkus Reviews
A strong selection of the 60-year-old Peruvian novelist's (Death in the Andes, 1996, etc.) journalism and literary essays, spanning 30 years of prodigious, passionate creativity.Such collections of fugitive works by great writers are tricky: Some seem to consist largely of pet peeves and fragmentary musings. That's not the case here. Vargas Llosa writes with compelling insight, verve, and intelligence about even the most modest matters. He is a cosmopolitan figure, having spent a great deal of time in Europe and the US, and the wide range of his knowledge and experience is frequently on display. He writes with vigor and clarity: Essays produced in the 1960s and '70s on, say, the difference between Camus and Sartre, are just as alive and relevant now as when he wrote them. Naturally, Vargas Llosa writes a good deal about politics, especially South American politics. ("The raison d'être of a writer," he reminds us, "is protest, disagreement, criticism.") Though politicial essays are especially prone to seeming dated and irrelevant, in Vargas Llosa's hands the opposite is true. He cannily brings out the element of the permanent that inhabits the ephemeral. But perhaps his best efforts in this book are the literary essays. He turns his analytic gaze on Doris Lessing, Grass, Dos Passos, Faulkner, Cortázar, Bataille, Buñuel, de Beauvoir, Joyce, Bellow, Rushdie, and Havel, among others, to considerable effect. In addition, he has interesting things to say about such diverse topics as Lorena Bobbit, the British school system, and the grave of Rin Tin Tin. The collection is also of interest because it offers an intimate chronicle of Vargas Llosa's intellectual life, tracing his trajectory from the political left to the right, a transit he has made with admirable honesty and self-criticism.
A fine collection demonstrating that, like his American colleague John Updike, Vargas Llosa has done some of his finest writing in essays and reviews.