Literary Criticism - General & Miscellaneous, Ancient Greek Literature - Literary Criticism, Ancient Greek Poetry - Literary Criticism, Greco-Roman Folklore & Mythology, Rhetoric, Mythology in Literature
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Overview
Beginning with a diagnosis of the current state of American classical philology, John Peradotto proceeds to concentrate on textual practices of naming and narrating in the Odyssey from a perspective that blends traditional philological with semiotic and narratological techniques. What emerges from this reading is a view of the poem as a tense opposition between "myth" and "folktale," recognized as vehicles for contrasting ideological opinions on the world.With terms drawn from Bakhtin's concept of "dialogism," the Odyssey's two voices are characterized as "centripetal" and "centrifugal"--the one associated with dominant political power, with the conventional, the official, and the heroic; the other, with the personal, the disempowered, and the popular, with the antics of the Autolycan trickster and outlaw. As he examines the more audible, "centrifugal" voice, Peradotto shows how the poet's sense of power over his material, represented in Odysseus' ability to narrate a fictitious world, creates a "character" of infinite varietyone whose self- chosen anonymity becomes a paradigm for a subtler ideology of the self than that embodied in the Iliadic Achilles.Editorials
Booknews
Using an approach that combines traditional philological, semiotic, and narratological techniques, Peradotto (classics, SUNY) analyzes the textual practices of naming and narration in the Odyssey, and finds contrasting ideologies expressed through a tension between myth and folklore. Annotation c. Book News, Inc., Portland, OR (booknews.com)Book Details
Published
July 1, 1992
Publisher
Princeton, N.J. : Princeton University Press, c1990.
Pages
207
Format
Hardcover
ISBN
9780691068305