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Mary Coin by Marisa Silver — book cover

Mary Coin

by Marisa Silver
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Overview

  In her first novel since The God of War, the critically acclaimed author Marisa Silver takes Dorothea Lange’s “Migrant Mother” photograph as inspiration for a breathtaking reinvention—a story of two women, one famous and one forgotten, and of the remarkable legacy of their chance encounter.

In 1936, a young mother resting by the side of a road in Central California is spontaneously photographed by a woman documenting the migrant laborers who have taken to America’s farms in search of work. Little personal information is exchanged, and neither woman has any way of knowing that they have produced what will become the most iconic image of the Great Depression.

Three vibrant characters anchor the narrative of Mary Coin. Mary, the migrant mother herself, who emerges as a woman with deep reserves of courage and nerve, with private passions and carefully-guarded secrets. Vera Dare, the photographer wrestling with creative ambition who makes the choice to leave her children in order to pursue her work. And Walker Dodge, a present-day professor of cultural history, who discovers a family mystery embedded in the picture. In luminous, exquisitely rendered prose, Silver creates an extraordinary tale from a brief moment in history, and reminds us that although a great photograph can capture the essence of a moment, it only scratches the surface of a life.

About the Author, Marisa Silver

Marisa Silver is the author of the novels The God of War (a Los Angeles Times Book Prize finalist) and No Direction Home; and two story collections, Alone With You and Babe in Paradise (a New York Times Notable Book and Los Angeles Times Best Book of the Year). She lives in Los Angeles.

Reviews

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Editorials

The New York Times Book Review - Antoine Wilson

As we follow Mary from her childhood in Oklahoma to California through a series of births and deaths and couplings, we experience a portrait of poverty not through the dreary accumulation of gritty detail, but via a series of direct shots to the heart. Silver…writes with an unadorned impressionism that never feels self-conscious or fussy. And she handles the passage of time—one of the central themes of Mary Coin, photographs stopping time as they do—so deftly it feels like magic. Part of what makes this novel so good is Silver's unwillingness to write facts free of the people living through them…History is not a succession of icons or frozen moments but of messy lives lived, of people doing what they can with what they've got. Therein lies the power of this novel, and the Novel; Silver wields it here with grace and devastating effectiveness.

Publishers Weekly

Starred Review.

Three characters whose lives span 90 years form the core of Silver's gorgeous third novel (after The God of War). Social historian Walker Dodge, as he sorts through the last items of his nearly empty childhood home, discovers a familial link to a famous photograph. Here, a real-life photo taken by Dorothea Lange in 1936 becomes a fictional photo taken by Vera Dare of Mary Coin. Silver fills in the untold story behind Lange's photo by revealing Vera and Mary's lives in vivid detail. Neither woman can reconcile herself with the Depression-era photo, yet they are intimately linked: each has children, husbands who leave them, and battles with cancer. This narrative of mid-century hope, loss, and disenchantment is both universal and deeply personal. Mary's problem with the truth of history and the stories told through objects leads her to make the hardest decision of her life, one confronted by Walker 75 years later. Silver has managed the difficult task of fleshing out history without glossing over its ugly truths. With writing that is sensual and rich, she shines a light on the parts of personal history not shared and stops time without destroying the moment. Agent: Henry Dunow; Dunow, Carlson & Lerner Literary Agency.
(c) Copyright PWxyz, LLC. All rights reserved.

Kirkus Reviews

The fictionalized lives of photographer Dorothea Lange and the Native American farm worker behind her famous Depression-era portrait "Migrant Mother." While adhering closely to the facts of the real women's lives, Silver (The God of War, 2008, etc.) renames them--Lange becomes Vera Dare; her subject, Florence Owens Thompson, becomes Mary Coin--and frames their stories within a wholly fictional conceit: Social historian Walker Dodge is grappling with his role as a divorced father when he begins researching the history of his family, successful California fruit growers, after the death of his uncommunicative father. Walker, who coincidentally teaches college students how to look at photographs, opens and closes the novel in 2011, but the real focus is on the two women. Mary grows up on an Oklahoma farm, raised by her tough but loving Cherokee mother after her alcoholic white father's death. At 17, she marries Toby Coin, and they head to California where he works in sawmills and she has one baby after another. By 1929, a fire has burned down the mill and their home. After Toby dies, Mary picks fruit to support her children. After an affair with a farm owner's son, she has another baby that she is nursing near her broken-down car the day in 1936 when Vera Dare takes her picture. Vera, who still limps from the polio she suffered as a child, has spent the 1920s in San Francisco as a society photographer. Her financial security has collapsed by the early 1930s, along with her marriage to a flamboyant, womanizing painter. By the time she runs across Mary, Vera has farmed out her two sons to travel the countryside taking pictures to document rural poverty for FDR's Resettlement Administration. When she photographs Mary, Vera has no idea the image will take on a life of its own. Walker's tacked-on connection to the photograph seems a calculated attempt to add sexual intrigue to what is otherwise a disappointingly plodding account that sheds no new light on either the photographer or her subject.

Library Journal

Dorthea Lange's legendary photograph of an unknown migrant mother, taken at the height of the Great Depression, is the inspiration for Silver's (The God of War) superb new novel. The titular character is a reimagining of this Native American mother of seven, with the memorable face that came to symbolize American poverty. Mary, along with Vera Dare, a strong-minded photographer and polio survivor who is forced to abandon her own children, and Walker Dodge, a modern-day history professor with a surprising link to the celebrated photograph, are the mesmerizing novel's three central characters. Silver's acute observations and understated style are evident here as are her matter-of-fact, unapologetic characters. "You'll know who you are when you start losing things," declares one. With only a few known facts of the woman in Lange's photograph, Silver has crafted a highly imaginative story that grabs the reader and won't let go. VERDICT A must-read for Silver fans that is sure to win over many new followers; the acclaimed author's best work to date.—Lisa Block, Atlanta, GA

Book Details

Published
March 7, 2013
Publisher
Blue Rider Press
Pages
336
Format
Hardcover
ISBN
9780399160707

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