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Mary Martin, Broadway Legend by Ronald L. Davis — book cover

Mary Martin, Broadway Legend

by Ronald L. Davis
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Overview

The first book-length biography of a theater icon

South Pacific. The Sound of Music. Peter Pan. As the star of these classic Broadway musicals, Mary Martin captivated theater audiences with her impish persona and magnificent voice. Now Ronald L. Davis fills a major gap in theater history, moving beyond Martin’s own 1976 memoir to provide a complete picture of her life and career.

Lively and engaging, Davis’s biography is the first book-length portrait of the theater icon, spanning her lifetime to reveal facts about her childhood, marriages, and friendships—as well as artistic collaborations that included the likes of Rodgers and Hammerstein, Cole Porter, and Elia Kazan.

Born in Weatherford, Texas, and mother to the future actor Larry Hagman, Martin went to California after the failure of her first marriage. There, she auditioned for every studio without success. “Audition Mary” finally had her big break when she won a talent contest, leading to her breakthrough 1938 performance in Leave It to Me—in which she wowed audiences singing “My Heart Belongs to Daddy.” Davis traces Martin’s numerous appearances on Broadway, in touring productions, and on television, showing how—through hard work and persistent optimism—she built a career that lasted nearly fifty years and earned her the adoration and respect of fans and colleagues alike.

Because Martin’s life was entwined with many luminaries of the stage, this biography offers rich insights into theater history, including accounts of how various productions were developed. No other book tells her story in such detail—it is must reading for fans and an essential resource for theater aficionados everywhere.

About the Author, Ronald L. Davis

Ronald L. Davis is Professor of History at Southern Methodist University, where he is Director of both the Oral History Program on the Performing Arts and the De Golyer Institute for American Studies. He has written many books in the performing arts in America, including the best-seller Hollywood Anecdotes.

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Editorials

Dave Itzkoff

Davis…fashions a lively and informative narrative out of a rare performer's life that was mercifully short on controversy and tragedy…his accounts of Martin's lucky breaks and missed opportunities—her distinctively innocent take on Cole Porter's "My Heart Belongs to Daddy"; her passing on the lead role in a show called "Away We Go," later rechristened "Oklahoma!"—should be manna to any striving performer famished for a bit of inspiration in his or her career.
—The New York Times

School Library Journal

The label "legend" is sometimes overused, but never has there been a more appropriate figure to receive this accolade than Mary Martin. As with his earlier works, this one demonstrates biographer Davis's (history, emeritus, Southern Methodist Univ.; Duke: The Life and Image of John Wayne) talent for weaving documentation and personal anecdotes into a thoroughly enjoyable and highly detailed account. Mary Martin's life is chronicled from her early years in Texas through her Hollywood career to her successes on the Broadway stage. Never quite comfortable before a movie camera, Martin blossomed on the Broadway stage, originating some of the most famous roles in the history of American musicals, including The Sound of Music's Maria von Trapp, Nellie Forbush of South Pacific, and, Martin's own personal favorite, Peter Pan. She later learned to appreciate the intimacy of the television camera, spreading her fan base across the world. During her 50-year career, Martin retained a genuine appreciation for those around her, from star to stagehand, and a remarkable resilience in times of both personal and professional difficulty. Highly recommended for theater and biography collections.
—Laura A. Ewald

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Kirkus Reviews

Affectionate but not airbrushed portrait of the Broadway diva who got her first big break with a naughty Cole Porter song but flew into legend in a children's classic. Davis (Van Johnson: MGM's Golden Boy, 2001, etc.) draws upon a full shelf of oral histories he collected from various theater artists to tell the story of Mary Martin (1913-90). A stage-struck Texas girl who didn't let a teenage marriage (or the resulting son, Larry Hagman) stand in her way, she was undeterred even by a humiliating 1935 rejection from theater impresario Billy Rose. In a moment worthy of Busby Berkeley, Martin told her mother, "I'm going back to California and I'm going to have a career." She copped leads in several tepid movie musicals, but the camera did not love her. She turned to Broadway, which loved her from the moment she did a striptease while singing "My Heart Belongs to Daddy" in 1938. Her signature roles, in South Pacific, Peter Pan and The Sound of Music, were more demure, but she established an intense rapport with the audience in whatever she did. Clearly a Martin fan-indeed, he spent some time with her on the ranch in Brazil to which she more or less retired in the '70s-Davis summons scores of anecdotes and testimonials demonstrating that she could be warm, generous and supremely professional. He also acknowledges that she could be controlling and temperamental, most notably during tryouts for the flop musical Jennie in 1963. Micromanaging every aspect of her career, second husband Richard Halliday irritated and frequently outraged nearly everyone in Martin's life, including her semi-estranged son Hagman. In addition, Davis reports, Halliday was a mean-tempered drug and alcohol abuser and acloset homosexual. As for Martin's alleged romances with Jean Arthur and Janet Gaynor, the author declares that the exact nature of those relationships is "unknown."Martin's star quality prevails.

Book Details

Published
April 1, 2008
Publisher
University of Oklahoma Press
Pages
312
Format
Hardcover
ISBN
9780806139050

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