Matricide at St. Martha's (Robert Amiss Series #5)

St. Martha's College, Cambridge, had been staggering along on a shoestring for decades. Then alumna Alice Toon leaves her old school a huge fortune. The dons immediately fall to fighting over the spoils. The Virgins, led by Dame Maud, believe the bequests should be spent on scholarships. The Dykes -- fewer in number but better streetfighters--want to raise a center of Gender and Ethnic Studies. The Old Women (mostly men) dream of fine vintages to be laid down in a decent new wine cellar. Impasse!
They've reckoned without the Bursar, Jack Troutbeck. She elects to infiltrate her own agent, Robert Amiss, a former civil servant with a talent for sorting things out. No sooner does he arrive on the scene where the Virgins are getting the upper hand than Dame Maud is murdered, leading us into "An acidly funny romp... Superbly bitchy on the none-too-fragrant groves of academe."--Mike Ripley, Daily Telegraph

St. Martha's College, Cambridge, had been staggering along on a shoestring for decades. Then alumna Alice Toon leaves her old school a huge fortune. The dons immediately fall to fighting over the spoils. The Virgins, led by Dame Maud, believe the bequests should be spent on scholarships. The Dykes — fewer in number but better streetfighters—want to raise a center of Gender and Ethnic Studies. The Old Women (mostly men) dream of fine vintages to be laid down in a decent new wine cellar. Impasse!
They've reckoned without the Bursar, Jack Troutbeck. She elects to infiltrate her own agent, Robert Amiss, a former civil servant with a talent for sorting things out. No sooner does he arrive on the scene where the Virgins are getting the upper hand than Dame Maud is murdered, leading us into "An acidly funny romp... Superbly bitchy on the none-too-fragrant groves of academe."—Mike Ripley, Daily Telegraph

The Times - Marcel Berlins

The clever plot takes second place to the ebullience of the writing and spot-on inventiveness of the satire.

Since 1993 Ruth has written seriously and/or frivolously for almost every national newspaper in the Republic of Ireland and the United Kingdom and appears frequently on radio and television in Ireland, the UK and on the BBC World Service. Ruth feels both Irish and English and greatly enjoys being part of both cultures. The Anglo-Irish Murders, her ninth crime novel, is a satire on the peace process. Three times a bridesmaid, she has been shortlisted by the Crime Writers Association for the John Creasey Award for the best first novel and twice for the Last Laugh award for the funniest crime novel of the year.