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Matters of Honor by Louis Begley — book cover

Matters of Honor

by Louis Begley
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Overview

“Terrifically intelligent, moving, and entertaining.”
–The New York Sun

“With snappy dialogue [and] intelligent prose . . . Begley paints a memorable portrait of lasting friendship and of the strength required to step outside of the expectations that surround each of us.”
–Rocky Mountain News

At the beginning of the 1950s, three disparate young men are thrown together as roommates at Harvard College: Henry White, a Polish-Jewish refugee who survived World War II by hiding in Poland; Archibald P. Palmer III, an Army brat; and Sam Standish, ostensibly the scion of a fine New England family who has just learned that he was adopted at birth by parents he cannot respect. Each seeks to come to terms with his identity or to remake it altogether. Henry’s task is especially daunting: He is determined to live as an American, free of the shackles of his hideous past. But reinvention is a bargain with the devil, and over the years each will find that it comes at a high cost, challenging one’s honor and loyalty to parents, friends, and ultimately oneself.

“Absorbing . . . In full Henry James mode, Begley uses a lucid prose style to dispassionately eviscerate the upper classes even as he illuminates the true meaning of friendship.”
–Booklist

“The final moral crisis of Henry’s life [is] gorgeously evoked. . . . Begley’s analysis of class and anti-Semitism in America is often brilliant.”
–The Washington Post Book World

“A moving tale . . . [Begley’s] technique demands attention–and richly rewards it.”
–The New York Observer

“An elegant novel of enduring friendship.”
–Publishers Weekly (starred review)

Synopsis

“Terrifically intelligent, moving, and entertaining.”
–The New York Sun


“With snappy dialogue [and] intelligent prose . . . Begley paints a memorable portrait of lasting friendship and of the strength required to step outside of the expectations that surround each of us.”
–Rocky Mountain News

At the beginning of the 1950s, three disparate young men are thrown together as roommates at Harvard College: Henry White, a Polish-Jewish refugee who survived World War II by hiding in Poland; Archibald P. Palmer III, an Army brat; and Sam Standish, ostensibly the scion of a fine New England family who has just learned that he was adopted at birth by parents he cannot respect. Each seeks to come to terms with his identity or to remake it altogether. Henry’s task is especially daunting: He is determined to live as an American, free of the shackles of his hideous past. But reinvention is a bargain with the devil, and over the years each will find that it comes at a high cost, challenging one’s honor and loyalty to parents, friends, and ultimately oneself.

“Absorbing . . . In full Henry James mode, Begley uses a lucid prose style to dispassionately eviscerate the upper classes even as he illuminates the true meaning of friendship.”
–Booklist

“The final moral crisis of Henry’s life [is] gorgeously evoked. . . . Begley’s analysis of class and anti-Semitism in America is often brilliant.”
–The Washington Post Book World

“A moving tale . . . [Begley’s] technique demands attention–and richly rewards it.”
–The New York Observer

“An elegant novel of enduring friendship.”
–Publishers Weekly (starred review)

Publishers Weekly

The author of About Schmidt and Shipwreck, Begley returns with an elegant novel of enduring friendship. Sam Standish, the adopted son of an alcoholic banker, arrives at Harvard in the early 1950s in genteel poverty, but with an unexpected trust fund to finance his education. His roommates are the incongruously named Archibald P. Palmer III, an army brat who goes by Archie, and Henry White, a rough-edged, fiercely smart Jewish refugee (born Henryk Weiss in Poland). Sam, who achieves a measure of success as a literary novelist, narrates their 50 years of friendship. His opaque romantic life suggests he may be gay, but the heart of this tragedy of manners is Sam's compelling assessment of class and social cachet in America, and of the ambient anti-Semitism that nearly drives Henry crazy, as he makes and abandons a fortune. Archie drops out of the narrative after he dies in a drunken car accident months after the Kennedy assassination, but Sam and Henry reconnect many years after Henry's disappearance for one last reunion of old friends. It's a story covered by everyone from Cheever to Roth, but Begley finds new and wonderful nuances within it. (Jan. 29) Copyright 2006 Reed Business Information.

About the Author, Louis Begley

Louis Begley lives in New York City. His previous novels are Wartime Lies, The Man Who Was Late, As Max Saw It, About Schimdt, Mistler’s Exit, Schmidt Delivered, and Shipwreck.


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Editorials

Publishers Weekly

The author of About Schmidt and Shipwreck, Begley returns with an elegant novel of enduring friendship. Sam Standish, the adopted son of an alcoholic banker, arrives at Harvard in the early 1950s in genteel poverty, but with an unexpected trust fund to finance his education. His roommates are the incongruously named Archibald P. Palmer III, an army brat who goes by Archie, and Henry White, a rough-edged, fiercely smart Jewish refugee (born Henryk Weiss in Poland). Sam, who achieves a measure of success as a literary novelist, narrates their 50 years of friendship. His opaque romantic life suggests he may be gay, but the heart of this tragedy of manners is Sam's compelling assessment of class and social cachet in America, and of the ambient anti-Semitism that nearly drives Henry crazy, as he makes and abandons a fortune. Archie drops out of the narrative after he dies in a drunken car accident months after the Kennedy assassination, but Sam and Henry reconnect many years after Henry's disappearance for one last reunion of old friends. It's a story covered by everyone from Cheever to Roth, but Begley finds new and wonderful nuances within it. (Jan. 29) Copyright 2006 Reed Business Information.

Library Journal

As in his 1991 award winner, Wartime Lies, Begley revisits the struggles of Jewish identity and assimilation, this time involving ambitious Harvard freshman Henry White. Having spent much of his adolescence in Poland hiding from the Nazis, Henry lacks the educational foundation and sophisticated upbringing of his peers, but he ultimately makes up for it with natural charm and a fierce intellect. It helps that his new roommates, narrator Sam and hard-drinking Archie, are more traditional WASPy Ivy Leaguers who quickly accept Henry and form a concrete friendship. The novel follows a delightfully natural progression as the narrative wends its way from Harvard in the 1940s to today, observing tragedies, relationships (romantic and otherwise), and the career paths of the three friends. As Sam becomes a famous novelist and Henry enjoys success as a high-powered international attorney, the choices they made as undergrads continue to mold their lives, and their friendship remains steadfast as the years quickly pile up. An intelligent, big-hearted novel that offsets an occasionally haughty tone with muscular displays of emotion and superior character development; recommended for most general fiction collections. [See Prepub Alert, LJ 9/1/06.]-Kevin Greczek, Trenton, NJ Copyright 2006 Reed Business Information.

Kirkus Reviews

The professional success and personal setbacks of a Harvard-educated, Polish-American Jew, as seen by his best friend. Sam, Archie and Henry arrive at Harvard in the early 1950s; more than half this story describes their comfortable lives there. They are unlikely roommates: Sam and Archie, both Wasps, are intrigued by the exotic Henry, a Jew from Brooklyn with a Polish accent. He arrived in the U.S. with his parents in 1947, after years spent hiding from the Nazis. Though not the most proud Jew, he will acknowledge his Jewish identity, if asked. His brilliant progress at Harvard will be complicated by his pursuit of Margot, the beautiful stranger who had blown kisses at him on his arrival. Narrator Sam has just learned he was adopted at birth and is glad he has no biological links to the "cuckoo couple" who raised him. Curiously, the matter is then dropped. The ensuing lack of attention to Sam's development throws the novel seriously out of whack (Archie was never more than a bit player). He becomes a successful novelist (just like that!), but stays single. Does he have a sex life? Who knows? The focus stays on Henry, and Henry's on-again, off-again relationship with Margot, coupled with his attempts to avoid his over-protective, self-dramatizing mother. The story moves sluggishly forward on a tide of social engagements implicitly celebrating money and class. Though he never manages to corral Margot, Henry does very well for himself. As partner in a top New York law firm, he advises a fabulously rich Belgian count, "a bird of prey." The two fall out over an intricate scheme to protect the Count's bank, and Henry has a crisis of conscience over betrayal of his Jewish roots. The crisiswould have been more convincing had the Count not fired him first. Despite a suicide and a near-fatal beating, this is a generally anemic novel from Begley (Shipwreck, 2003, etc.).

Book Details

Published
January 1, 2008
Publisher
Random House Publishing Group
Pages
336
Format
Paperback
ISBN
9780345494344

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