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McCartney by Christopher Sandford β€” book cover
Pop Rock, Beatles, Soft Rock, Pop, Rock, & Soul Musicians - Biography, Rock Music - Biography

McCartney

by Christopher Sandford
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Overview

Between 1962 and 1970, Paul McCartney sold 140 million albums throughout the world: co-authored with John Lennon twenty-six US and UK number one singles: recorded the first rock album (Revolver) and took the whole thing to a pinnacle (Sgt. Pepper's Lonely Hearts Club Band). As a member of the most important rock band ever, Paul McCartney convinced millions of fans to pick up electric guitars and others to denounce him as a degenerate β€” or worse. He helped usher in the Love Generation, took a personal stance on the "drug problem," and left the world dumbfounded when the Fab Four called it quits in the early seventies. However, to this day McCartney remains one of the most beloved and respected of musicians, and the biggest box office draw in the world. McCartney is a tale of self-destruction and epic excess, as well as creative genius and brilliant music. The Beatles' bloody infighting, the sex, drugs, and McCartney's extraordinary marriages are revealed here in full. This book remains a celebratory feast for millions of fans, capturing the glorious rush of the best songs and revealing the untold stories behind them.

Synopsis

Between 1962 and 1970, Paul McCartney sold 140 million albums throughout the world: co-authored with John Lennon twenty-six US and UK number one singles: recorded the first rock album (Revolver) and took the whole thing to a pinnacle (Sgt. Pepper's Lonely Hearts Club Band). As a member of the most important rock band ever, Paul McCartney convinced millions of fans to pick up electric guitars and others to denounce him as a degenerate — or worse. He helped usher in the Love Generation, took a personal stance on the "drug problem," and left the world dumbfounded when the Fab Four called it quits in the early seventies. However, to this day McCartney remains one of the most beloved and respected of musicians, and the biggest box office draw in the world.

McCartney is a tale of self-destruction and epic excess, as well as creative genius and brilliant music. The Beatles' bloody infighting, the sex, drugs, and McCartney's extraordinary marriages are revealed here in full. This book remains a celebratory feast for millions of fans, capturing the glorious rush of the best songs and revealing the untold stories behind them.

Publishers Weekly

McCartney's success has long affronted rock aesthetes as proof that facile talent and showmanship trump soulfulness, an opinion that will be complicated, but not reversed, by this serviceable biography. Sandford, a music journalist and biographer of Kurt Cobain and other rock stars, considers McCartney the Beatles' true visionary, the driving force behind Sgt. Pepper's Lonely Hearts Club Band and other artistic milestones and a perennially interesting pop innovator throughout his Wings period and recent solo efforts. In contrast, Sandford's unremittingly negative portrait of John Lennon paints the deep one as a musical philistine as well as a morose, spiteful personality, regularly drunk, stoned or strung out on heroin. Nonetheless, McCartney feels far less compelling than his music. He emerges as an ambitious, disciplined artist, a hardheaded businessman and "a genuinely nice, down-to-earth fellow," but his Mozartean gift for melody seems unrooted in any profundity of character. The author has trouble imparting an arc to his story, and the post-Beatles narrative devolves into a busy but aimless routine of record releases, tours, reunion rumors, minor marijuana busts and an ever-shifting kaleidoscope of lawsuits pitting various Beatles against each other and assorted managers, publishers, record companies, memorabilia vendors and copyright violators. Sandford offers more of a comprehensive chronicle than a coherent character study. (Feb. 1) Copyright 2005 Reed Business Information.

About the Author, Christopher Sandford

Christopher Sandford is a veteran music, film, and sports writer, and the author of sixteen books, including the critically acclaimed McQueen and Keith Richards: Satisfaction. His biography of Kurt Cobain, reissued by Carroll & Graf in 2004, is currently in development to be made into a movie. Sandford's books have been sold to fifteen countries and have featured on both British and American bestseller lists. In 2005, the UK's national (GCSE) school examiners chose an excerpt from his Bowie: Loving the Alien as a set text. Christopher Sandford is married with one son, and lives in London and the Pacific Northwest.

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Editorials

Publishers Weekly

McCartney's success has long affronted rock aesthetes as proof that facile talent and showmanship trump soulfulness, an opinion that will be complicated, but not reversed, by this serviceable biography. Sandford, a music journalist and biographer of Kurt Cobain and other rock stars, considers McCartney the Beatles' true visionary, the driving force behind Sgt. Pepper's Lonely Hearts Club Band and other artistic milestones and a perennially interesting pop innovator throughout his Wings period and recent solo efforts. In contrast, Sandford's unremittingly negative portrait of John Lennon paints the deep one as a musical philistine as well as a morose, spiteful personality, regularly drunk, stoned or strung out on heroin. Nonetheless, McCartney feels far less compelling than his music. He emerges as an ambitious, disciplined artist, a hardheaded businessman and "a genuinely nice, down-to-earth fellow," but his Mozartean gift for melody seems unrooted in any profundity of character. The author has trouble imparting an arc to his story, and the post-Beatles narrative devolves into a busy but aimless routine of record releases, tours, reunion rumors, minor marijuana busts and an ever-shifting kaleidoscope of lawsuits pitting various Beatles against each other and assorted managers, publishers, record companies, memorabilia vendors and copyright violators. Sandford offers more of a comprehensive chronicle than a coherent character study. (Feb. 1) Copyright 2005 Reed Business Information.

Library Journal

A contributor to the Daily Mail (U.K.) and the New York Times, as well as the author of biographies of Mick Jagger and Sting, Sandford brings impressive skills to this portrait of Sir Paul McCartney. Admittedly, there are more than a couple of books on the former Beatle (who may be the most commercially successful songwriter of the rock era). Sandford's attempt, however, stands out for examining the last days of Linda McCartney's life and Paul's post-Linda life, concerts, and recordings. Sandford seems to favor the notion of Paul as a progressive musical, social, and political figure-a response, perhaps, to the mountain of biographical literature that has painted John Lennon as the most progressive of the former Beatles. Here, he is a more complex man than is sometimes presented, a cross between an egocentric, workaholic stoner who writes cute tunes and the most accomplished musician and nicest guy of the last 40 years. Drawing on sources ranging from court documents to interviews with Paul's family members and colleagues, Sandford's book is well researched and clearly written and would make an excellent addition to any collection that contains pop culture biographies. Highly recommended.-James E. Perone, Mount Union Coll., Alliance, OH Copyright 2005 Reed Business Information.

Kirkus Reviews

The cute Beatle may not have been quite so cuddly. Sandford (Keith Richards, 2004, etc.) rejects the idea that among the Beatles, John Lennon was the caustic poet of depth and insight while Paul, though he may have had a knack for good tunes, was more interested in commerce than art. Sandford's by-the-numbers bio comes up with plenty of evidence to support the idea that McCartney was much more of an innovator than generally credited: He basically invented the concept album, he was an early acolyte of John Cage and he pioneered the use of found sound, tape loops and other avant-garde standards. This insight alone, however, isn't sufficient to justify yet another McCartney book. Starting off, rather oddly, with the musician's 1980 bust for pot in Japan, Sandford then hops back to Liverpool in the 1930s, where Jim McCartney was a local hit as the head of a rollicking dancehall band. Jim's son Paul quickly caught the bug, and Sandford dutifully follows the flowering of the teenager's musical partnership with John, from the Cavern in Liverpool to the Hamburg dives, and to the whirlwind of hit singles and psychotic fans that followed. It's all well-trammeled ground, and the author at times seems more interested in detailing Paul's prodigious drug use and legendarily lengthy list of bedmates. Once the Beatles fall apart, Sandford maroons readers in the wasteland of pointless solo albums. Ticking off how many millions were earned with each tour, glossing over the mediocrity of McCartney's more recent output, he builds little foundation for his conclusion that "we don't want less of him. We want more."Initially thrilling but finally artless, with little for the casual fan.

Book Details

Published
December 1, 2006
Publisher
Da Capo Press
Pages
432
Format
Paperback
ISBN
9780786718719

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