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Me Talk Pretty One Day by David Sedaris β€” book cover

Me Talk Pretty One Day

by David Sedaris
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Overview

ME TALK PRETTY ONE DAY contains far more than just the funniest collection of autobiographical essays - it quite well registers as a manifesto about language itself. Wherever there's a straight line, you can be sure that Sedaris lurks beneath the text, making it jagged with laughter; and just where the fault lines fall, he sits mischievously perched at the epicenter of it all.

No medium available to mankind is spared his cultural vision; no family member (even the dynasties of family pets) is forgotten in these pages of sardonic memories of Sedaris's numerous incarnations in North Carolina, Chicago, New York, and France.

One essay, punctuated by a conspicuous absence of s's and plurals, introduces the lisping young fifth-grader David "Thedarith," who arms himself with a thesaurus, learns every nonsibilant word in the lexicon, eludes his wily speech therapy teacher, and amazes his countrified North Carolina teachers with his out-of-nowhere and man-size vocabulary.

By an ironic twist of fate, readers find present-day Sedaris in France, where only now, after all these years, he must cling safely to just plural nouns so as to avoid assigning the wrong genders to French objects. (Never mind that ordering items from the grocer becomes rather expensive.) Even the strictest of grammarians won't be able to look at the parts of speech in the same way after exposing themselves to the linguistic phenomena of Sedarisian humor. Just why is a sandwich masculine, and yet, say, a belt is feminine in the French language? As he stealthily tries to decode French, like a cross between a housewife and a shrewddetective, he earns the contempt of his sadistic French teacher and soon even resorts to listening to American books on tape for secret relief.

What David Sedaris has to say about language classes, his brother's gangsta-rap slang, typewriters, computers, audiobooks, movies, and even restaurant menus is sure to unleash upon the world a mad rash of pocket-dictionary-toting nouveau grammarians who bow their heads to a new, inverted word order.

About the Author, David Sedaris

David Sedaris is the author of the books Barrel Fever, Naked, and Holidays on Ice and is a regular contributor to Public Radio International's "This American Life."

Biography

According to Time Out New York, "David Sedaris may be the funniest man alive." He's the sort of writer critics tend to describe not in terms of literary influences and trends, but in terms of what they choked on while reading his latest book. "I spewed a mouthful of pastrami across my desk," admitted Craig Seligman in his New York Times review of Naked.

Sedaris first drew national attention in 1992 with a stint on National Public Radio, on which he recounted his experiences as a Christmas elf at Macy's. He discussed "the code names for various posts, such as 'The Vomit Corner,' a mirrored wall near the Magic Tree" and confided that his response to "I'm going to have you fired" was the desire to lean over and say, "I'm going to have you killed." The radio pieces were such a hit that Sedaris, then working as a house cleaner, started getting offers to write movies, soap operas and Seinfeld episodes.

In subsequent appearances on NPR, Sedaris proved he wasn't just a velvet-clad flash in the pan; he's also wickedly funny on the subjects of smoking, speed, shoplifting and nervous tics. His work began appearing in magazines like Harper's and Mirabella, and his first book Barrel Fever, which included "SantaLand Diaries," was a bestseller. "These hilarious, lively and breathtakingly irreverent stories…made me laugh out loud more than anything I've read in years," wrote Francine Prose in the Washington Post Book World.

Since then, each successive Sedaris volume has zoomed to the top of the bestseller lists. In Naked, he recounts odd jobs like volunteering at a mental hospital, picking apples as a seasonal laborer and stripping woodwork for a Nazi sympathizer. The stocking stuffer-sized Holidays on Ice collects Sedaris' Christmas-themed work, including a fictional holiday newsletter from the homicidal stepmother of a 22-year-old Vietnamese immigrant ("She arrived in this house six weeks ago speaking only the words 'Daddy,' 'Shiny' and 'Five dollar now'. Quite a vocabulary!!!!!").

But Sedaris' best pieces often revolve around his childhood in North Carolina and his family of six siblings, including the brother who talks like a redneck gangsta rapper and the sister who, in a hilarious passage far too dirty to quote here, introduces him to the joys of the Internet. Sedaris' recent book Me Talk Pretty One Day describes, among other things, his efforts to learn French while helping his boyfriend fix up a Normandy farmhouse; he progresses "from speaking like an evil baby to speaking like a hillbilly. 'Is thems the thoughts of cows?' I'd ask the butcher, pointing to the calves' brains displayed in the front window."

Sedaris has been compared to American humorists such as Mark Twain, James Thurber and Dorothy Parker; Publisher's Weekly called him "Garrison Keillor's evil twin." Pretty heady stuff for a man who claims there are cats that weigh more than his IQ score. But as This American Life producer Ira Glass once pointed out, it would be wrong to think of Sedaris as "just a working Joe who happens to put out these perfectly constructed pieces of prose." Measured by his ability to turn his experiences into a sharply satirical, sidesplittingly funny form of art, David Sedaris is no less than a genius.

Good To Know

Sedaris got his start in radio after This American Life producer Ira Glass saw him perform at Club Lower Links in Chicago. In addition to his NPR commentaries, Sedaris now writes regularly for Esquire.

Sedaris's younger sister Amy is also a writer and performer; the two have collaborated on plays under the moniker "The Talent Family." Amy Sedaris has appeared onstage as a member of the Second City improv troupe and on Comedy Central in the series Strangers with Candy.

"If I weren't a writer, I'd be a taxidermist," Sedaris said in a chat on Barnes and Noble.com. According to the Boston Phoenix, his collection of stuffed dead animals includes a squirrel, two fruit bats, four Boston terriers and a baby ostrich.

Reviews

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Editorials

Los Angeles Times

Original, acid, and wild.

New York Times Book Review

...reveal a writer who is capable not only of being funny, but touching, even tender, too..

Publishers Weekly

Sedaris is Garrison Keillor's evil twin: like the Minnesota humorist, Sedaris (Naked) focuses on the icy patches that mark life's sidewalk, though the ice in his work is much more slippery and the falls much more spectacularly funny than in Keillor's. Many of the 27 short essays collected here (which appeared originally in the New Yorker, Esquire and elsewhere) deal with his father, Lou, to whom the book is dedicated. Lou is a micromanager who tries to get his uninterested children to form a jazz combo and, when that fails, insists on boosting David's career as a performance artist by heckling him from the audience. Sedaris suggests that his father's punishment for being overly involved in his kids' artistic lives is David's brother Paul, otherwise known as "The Rooster," a half-literate miscreant whose language is outrageously profane. Sedaris also writes here about the time he spent in France and the difficulty of learning another language. After several extended stays in a little Norman village and in Paris, Sedaris had progressed, he observes, "from speaking like an evil baby to speaking like a hillbilly. `Is thems the thoughts of cows?' I'd ask the butcher, pointing to the calves' brains displayed in the front window." But in English, Sedaris is nothing if not nimble: in one essay he goes from his cat's cremation to his mother's in a way that somehow manages to remain reverent to both of the departed. "Reliable sources" have told Sedaris that he has "tended to exhaust people," and true to form, he will exhaust readers of this new book, too--with helpless laughter.

Library Journal

Sedaris, noted essayist and NPR radio commentator, is a master at turning his life experiences into witty vignettes that both entertain and comment on the human condition. This latest collection draws on his quirky childhood in North Carolina, where he was subjected to speech therapy sessions to correct his lisp; he countered by conveniently avoiding words that contained "s" sounds. Additional family recollections include his father's desire to create a jazz combo from his offspring--unfortunately, none of them exhibited any talent or desire to follow this career path, but Sedaris uses this opportunity to deliver a stellar Billie Holiday rendition. From there he moves onto a brief stint as a "clearly unqualified" writing teacher in Chicago, where his unorthodox lesson plans included watching soap operas and having the students write "guessays" on what would happen in the next episode. Then it's on to New York and ultimately to France. Sedaris chronicles his attempts to learn French and the confusion experienced by people who don't share the same culture or language. A little sadder at times and overall a little less uproariously funny than in previous works, Sedaris remains the champion of the underdog. Once you listen to him read his own words, it's hard to imagine settling for just the book. Very highly recommended for all libraries.--Gloria Maxwell, Penn Valley Community Coll., Kansas City, MO Copyright 2000 Cahners Business Information.

Daphne Eviatar

From temping as a Macy's Christmas elf to enduring the humiliation of French class in Paris, Mr. Sedaris's peculiar genius lies in his ability to transform the mortification of everyday life into wildly entertaining art. His third book is another compilation of hysterical essays, many originally broadcast on National Public Radio or published in Esquire. The first half of his new book is devoted to stories about childhood, and the second half to tales of his new life in France.
β€”The Christian Science Monitor

Kevin Grandfield

Sedaris has made a name for himself in several entertainment arenas: National Public Radio, live performances, printed books and audiobooks. His fourth collection of essays has lost none of the energy of his previous work. Sedaris' selection covers a wide range of subjects, from guitar lessons to haughty Manhattan eateries to a sister who wears padded fat suits. Sedaris does not have a slick, well-modulated voice but that of a somewhat high-pitched character actor. It is a humorous voice matched by a deadpan delivery that is just a hoot.

Lisa Schwarzbaum

As Me Talk Pretty One Day attests, these days Sedaris glitters as one of the wittiest writers around, an essayist and radio commentator who only appears to be telling simple then-what-happened anecdotes...it's no wonder Sedaris is in such demand as a beacon of comic sanity in a terminally chic world.
β€”Entertainment Weekly

The New Yorker

This fourth collection of short pieces offers pleasures normally to be found only in the best novels and the rare standup act that is actually funny.

Kirkus Reviews

The undisputed champion of the self-conscious and the self-deprecating returns with yet more autobiographical gems from his apparently inexhaustible cache (Naked, 1997, etc.). Sedaris at first mines what may be the most idiosyncratic, if innocuous, childhood since the McCourt clan. Here is father Lou, who's propositioned, via phone, by married family friend Mrs. Midland ("Oh, Lou. It just feels so good to . . . talk to someone who really . . . understands"). Only years later is it divulged that "Mrs. Midland" was impersonated by Lou's 12-year-old daughter Amy. (Lou, to the prankster's relief, always politely declined Mrs. Midland's overtures.) Meanwhile, Mrs. Sedarisβ€”soon after she's put a beloved sick cat to sleepβ€”is terrorized by bogus reports of a "miraculous new cure for feline leukemia," all orchestrated by her bitter children. Brilliant evildoing in this family is not unique to the author. Sedaris (also an essayist on National Public Radio) approaches comic preeminence as he details his futile attempts, as an adult, to learn the French language. Having moved to Paris, he enrolls in French class and struggles endlessly with the logic in assigning inanimate objects a gender ("Why refer to Lady Flesh Wound or Good Sir Dishrag when these things could never live up to all that their sex implied?"). After months of this, Sedaris finds that the first French-spoken sentiment he's fully understood has been directed to him by his sadistic teacher: "Every day spent with you is like having a cesarean section." Among these misadventures, Sedaris catalogs his many bugaboos: the cigarette ban in NewYorkrestaurants ("I'm always searching the menu in hope that some courageous young chef has finally recognized tobacco as a vegetable"); the appending of company Web addresses to television commercials ("Who really wants to know more about Procter & Gamble?"); and a scatological dilemma that would likely remain taboo in most households. Naughty good fun from an impossibly sardonic rogue, quickly rising to Twainian stature.

Book Details

Published
November 1, 2000
Publisher
Thorndike, Me. : G.K. Hall, 2000.
Pages
291
Format
Hardcover
ISBN
9780783892788

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