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Book cover of Meshugah
Fiction, Fiction Subjects, Peoples & Cultures - Fiction

Meshugah

by Isaac Bashevis Singer
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Overview

Meshugah, Singer's third posthumous novel, is an impressive work which the author published serially in 1981 - 83. It concerns Holocaust survivors in New York in the early 1950s. The story is narrated by Aaron Greidinger, who finds himself inextricably invloved with a group of refugees on the Upper West Side.

A newly discovered major novel by the Nobel Prize-winning storyteller concernsHolocaust survivors in New York in the early 1950s. While Meshugah seems to develop like a comedy, it is a serious and extraordinary novel with bizarre twists and colorful characters that confirm Singer's reputation as a master storyteller.

Synopsis

Meshugah, a newly discovered novel by Isaac Bashevis Singer, is an impressive work which the author published serially in 1981-83. It is the story of Holocaust survivors in New York in the early 1950s, and its narrator is Aaron Greidinger, forty-seven, a writer for the Forward who is just beginning to receive recognition for his stories and his Sunday radio talks. He finds himself inextricably involved with a group of refugees on the Upper West Side after Max Aberdam of Warsaw, a "ghost" whom he had long thought dead, walks into his newspaper office. Aaron learns that Miriam, an attractive woman of twenty-seven who has survived the Nazi camps, is in love with sixty-seven-year-old Max. But she confesses to Aaron that she loves him as much as she loves Max, and has no intention of giving up either man. This strange situation has additional complications - Miriam has a young husband, an American poet she despises, and Max has a wife he will never divorce. Though Aaron upbraids himself for continuing to see Miriam, he cannot stop. He encounters colorful types - such as Miriam's rich lesbian employer; a stream of disturbed advice-seekers who come to his office; old flames like Stefa and Irka, and a new one, Tzlova; and Misha, landsman and anarchist taxi driver. But not until the trio of Max-Miriam-Aaron reunites in Tel Aviv (where Aaron receives his first literary prize) does he learn the full truth about Miriam's past. While Meshugah seems to develop like a comedy, it is a serious and extraordinary novel. Co-translator Nili Wachtel says the author wanted to write a novel about a young woman simultaneously in love with an old and a middle-aged man - in Singer's words, "a strange situation, with lots of promise." The bizarre twists and turns of the story, as well as the unusual characters, confirm once more the author's reputation as a master storyteller.

Publishers Weekly

This is the late Singer's story of a love triangle among Holocaust survivors set in 1950s New York City. (Apr.)

About the Author, Isaac Bashevis Singer

The great voice of the Yiddish-language tradition in modern Jewish literature, Isaac Bashevis Singer is best known for short stories (think "Yentl") with deeply Jewish roots yet universal appeal.

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Editorials

From the Publisher

"One would have to be meshugah (that is, cuckoo, crazy) not to celebrate the publication of this brief tragicomic novel by Isaac Bashevis Singer."β€”The New York Times "Extraordinary ... The novel's title (Yiddish for crazy) evokes Singer's pessimistic vision of the world as an insane asylum, but also conveys something of the manic energy he brings to a deceptively comic tale that distills his marvelous storytelling gifts."β€”Publishers Weekly "Ever the consummate storyteller, Singer understands that there is a bit of God and the devil in everyone and that passion cannot be explained."β€”Library Journal

Publishers Weekly - Publisher's Weekly

This is the late Singer's story of a love triangle among Holocaust survivors set in 1950s New York City. (Apr.)

Library Journal

Life certainly can be ``meshugah,'' especially when love is involved. In this third posthumously published novel, Singer explores the complications and contradictions that arise when a young Holocaust survivor named Miriam falls simultaneously in love with two older men: Aaron, a 47-year-old writer for the Forward who is seemingly patterned after Singer himself, and Max, a 67-year-old bon vivant speculator who goes bust, both financially and physically. That Max and Miriam are both married to others adds yet another twist to the situation, as does the truth about the way in which Miriam managed her survival. Ever the consummate storyteller, Singer understands that there is a bit of God and the devil in everyone and that passion cannot be explained. He also both celebrates and mourns a Yiddish culture that is rapidly vanishing. ``Who will know a generation from now how the Jews of Eastern Europe lived, how they spoke, what they ate?'' asks Max. Thanks to Singer and the finely drawn characters that inhabit his fiction, many more than would have otherwise. This typically ``Singer'' tale belongs in most libraries.-- David W. Henderson, Eckerd Coll. Lib., St. Petersburg, Fla.

Book Details

Published
May 1, 2003
Publisher
Farrar, Straus and Giroux
Pages
240
Format
Paperback
ISBN
9780374529093

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