Metaphor and Memory

From the author of The Messiah of Stockholm and Art and Ardor comes a new collection of supple, provocative, and intellectually dazzling essays. In Metaphor & Memory, Cynthia Ozick writes about Saul Bellow and Henry James, William Gaddis and Primo Levi. She observes the tug-of-war between written and spoken language and the complex relation between art's contrivances and its moral truths. She has given us an exceptional book that demonstrates the possibilities of literature even as it explores them.

Publishers Weekly

In 30 impassioned essays, reviews and orations, Ozick ( Bloodshed ; The Pagan Rabbi ) interprets fiction as a moral battleground. She reads Primo Levi's restrained, lucid testament to Nazi atrocities as a sifting of the criminal imagination and J. M. Coetzee's novelistic portrayal of South Africa as evidence of the hoaxes and self-deceptions of stupidity. She admires Henry James, who is ``more and more our contemporary,'' as well as Chekhov, Cyril Connolly, Italo Calvino, William Gaddis and Saul Bellow. The biblical Book of Ruth, Sholem Aleichem, S. Y. Agnon and Chaim Bialik serve as springboards for her soaring meditations on Jewish identity and culture. Topical pieces broach the problems of translating poetry, American speech patterns, the value of little magazines, postmodernism. Culled from the New York Times Book Review , Partisan Review , New Republic , Harper's and elsewhere, the selections reflect Ozick's interests and commitments. (Apr.)

Long regarded as one of the country’s foremost literary luminaries, CYNTHIA OZICK attracts as much praise for her morally rigorous essays as for her satirically witty fiction. Counted among her impressive works of fiction are The Shawl (1989), which won an O. Henry Prize for both short stories that comprise it. She is a Man Booker International Prize nominee as well as a National Book Critics Circle Award winner.