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Midnight Sun by Elwood Reid — book cover

Midnight Sun

by Elwood Reid
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Overview

Jack, the gritty narrator of this dark, gripping novel by Elwood Reid, is a journeyman carpenter in his late twenties whose travels have led him to Alaska. When his pink slip arrives at the end of summer, he allows himself to be talked into an unusual job. Along with his best friend, Burke, Jack accepts ten thousand dollars from a dying Fairbanks man to travel into the northern wilderness and rescue his daughter from a cult.

It doesn’t take long before their trip begins to go awry, and things only get worse once they reach the cult’s camp, where they are received with a hostility that quickly turns violent. Jack soon realizes that Burke knows more than he lets on about their mission and he finds himself on his own, desperately seeking a way out of the camp. Taut, riveting, and complex, Midnight Sun is an arctic Deliverance, a literary thriller set deep in beautiful but dark and indifferent Alaskan woods.

Synopsis

Jack, the gritty narrator of this dark, gripping novel by Elwood Reid, is a journeyman carpenter in his late twenties whose travels have led him to Alaska. When his pink slip arrives at the end of summer, he allows himself to be talked into an unusual job. Along with his best friend, Burke, Jack accepts ten thousand dollars from a dying Fairbanks man to travel into the northern wilderness and rescue his daughter from a cult.

It doesn’t take long before their trip begins to go awry, and things only get worse once they reach the cult’s camp, where they are received with a hostility that quickly turns violent. Jack soon realizes that Burke knows more than he lets on about their mission and he finds himself on his own, desperately seeking a way out of the camp. Taut, riveting, and complex, Midnight Sun is an arctic Deliverance, a literary thriller set deep in beautiful but dark and indifferent Alaskan woods.

Publishers Weekly

Ever see someone run, with style, right into a wall? That's about what happens in Reid's second novel (after If I Don't Six and last year's short fiction collection What Salmon Know). The book starts fast and cool, with a rough setting (Fairbanks, Alaska), tough characters (narrator/drifter Jack and his construction crew pal Burke) and a macho mission: for $5,000, to canoe and then trek into the state's wilds to bring back to her dying dad a young woman, Penny, who may belong to a backwoods cult. In taut, well-sculpted prose, Reid expertly evokes end-of-the-road Fairbanks, his characters' physical and spiritual rootlessness and the magnificent, dangerous country they travel through. The threat of violence shades the pages like storm clouds and erupts when the two men, near their goal, are set upon by a mysterious young man carrying a gun and some gold; Burke kills him, not quite in self-defense. So far, so very good; but when Jack and Burke reach their destination, the novel's coiled tension unravels, tugged apart by overplotting and portentous thematicizing and symbolism. The cult isn't a cult, but a group of losers bound by a quasi-teacher, Nunn, a once-handsome devil whose face is now half beautiful, half monstrous, scarred by a recent bear attack. Just so, the losers' camp represents hope for some, who have nowhere else to go, but it also harbors evil, fueled by greed for the gold that the camp is mining nearby--all this revealed through numerous incidents (conversations, couplings, fights), strung together with little dramatic urgency, involving Jack, Burke and assorted group members. The evil wins out in an extended climax that features expected deaths and panicked rushing through the woods: it's almost badass Keystone Kops meet Blair Witch. Then and earlier, several characters are banged hard in the head; that's what faithful readers will feel like. (Oct.) Copyright 2000 Cahners Business Information.|

About the Author, Elwood Reid

Elwood Reid lives in Brooklyn, New York.

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Editorials

Publishers Weekly - Publisher's Weekly

Ever see someone run, with style, right into a wall? That's about what happens in Reid's second novel (after If I Don't Six and last year's short fiction collection What Salmon Know). The book starts fast and cool, with a rough setting (Fairbanks, Alaska), tough characters (narrator/drifter Jack and his construction crew pal Burke) and a macho mission: for $5,000, to canoe and then trek into the state's wilds to bring back to her dying dad a young woman, Penny, who may belong to a backwoods cult. In taut, well-sculpted prose, Reid expertly evokes end-of-the-road Fairbanks, his characters' physical and spiritual rootlessness and the magnificent, dangerous country they travel through. The threat of violence shades the pages like storm clouds and erupts when the two men, near their goal, are set upon by a mysterious young man carrying a gun and some gold; Burke kills him, not quite in self-defense. So far, so very good; but when Jack and Burke reach their destination, the novel's coiled tension unravels, tugged apart by overplotting and portentous thematicizing and symbolism. The cult isn't a cult, but a group of losers bound by a quasi-teacher, Nunn, a once-handsome devil whose face is now half beautiful, half monstrous, scarred by a recent bear attack. Just so, the losers' camp represents hope for some, who have nowhere else to go, but it also harbors evil, fueled by greed for the gold that the camp is mining nearby--all this revealed through numerous incidents (conversations, couplings, fights), strung together with little dramatic urgency, involving Jack, Burke and assorted group members. The evil wins out in an extended climax that features expected deaths and panicked rushing through the woods: it's almost badass Keystone Kops meet Blair Witch. Then and earlier, several characters are banged hard in the head; that's what faithful readers will feel like. (Oct.) Copyright 2000 Cahners Business Information.|

Library Journal

An attempt to rescue a young woman from a cultlike group leads two construction workers on a journey to a remote part of Alaska. Jack and Burke are hired by a seemingly dying man to rescue his daughter from an isolated community led by the mysterious and charismatic Nunn. After a perilous river journey, they reach the run-down camp and find the woman who, they are told, has no desire to leave. After Burke is beaten, Jack is left on his own and gradually discovers a paranoid house-of-mirrors lurking beneath the camp's placid atmosphere. The accumulated weight of lies and discontents precipitates an apocalyptic meltdown as Jack bores in on the truth. Mining the thematic territory of Joseph Conrad's Heart of Darkness and James Dickey's Deliverance, Reid (What Salmon Know) wraps an atmosphere of undiluted menace around this tale of a man confronting the wilderness both outside and within him. For most public libraries.--Lawrence Rungren, Merrimack Valley Lib. Consortium, Andover, MA Copyright 2000 Cahners Business Information.\

Kirkus Reviews

Tough-guy writer Reid (What Salmon Know, 1999, etc.) jacks up his prose with a movie-scenario plot that poorly serves his talent for clean and straight-forward writing. This relatively talky narrative quickly loses credibility with its mythic aspirations and its obvious reworkings of writers like Conrad, Golding, Traven, Dickey, and even Alex Garland (the recent Beach). If Garland's Shangri-la was an obscure patch of sand and sun in Southeast Asia, Reid's is a cold and isolated valley in the Arctic Circle—both communities, though, are aspiring utopias that soon reveal their structural weaknesses, and unravel in orgies of violence. Reid's protagonist, a college-dropout carpenter by the name of Jack, embarrassed by his soft averageness, allows himself to be talked into "one last big-time adventure" by his older colleague, the hard-as-nails Burke, who mocks the slumming "college boy." Together, they agree to find and return a dying man's daughter who apparently has taken up with a cult deep in the northern wilderness, "the last frontier" beyond the law, according to Reid. What they find after their difficult trek is something more and less: what was once an open and free community has become captive to its leader's madness, and his unwillingness to dispense the gold that all of them have been secretly stockpiling. Not so secretly, though, that Burke and the old man didn't know beforehand, and that Jack discovers only after the overwrought (and overwritten) denouement. The Kurtz-like buildup to meeting the commune's leader never pays off, in a short novel full of misleads and clumsy exposition. Worst of all, Reid's darktakeon New Age madness ends in moral confusion—and it doesn't seem deliberate or artful, just simply confused. Might be perfect for the big screen after all.

Book Details

Published
March 1, 2002
Publisher
Knopf Doubleday Publishing Group
Pages
271
Format
Paperback
ISBN
9780385497374

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