Music for Chameleons

In these gems of reportage Truman Capote takes true stories and real people and renders them with the stylistic brio we expect from great fiction. Here we encounter an exquisitely preserved Creole aristocrat sipping absinthe in her Martinique salon; an enigmatic killer who sends his victims announcements of their forthcoming demise; and a proper Connecticut householder with a ruinous obsession for a twelve-year-old he has never met. And we meet Capote himself, who, whether he is smoking with his cleaning lady or trading sexual gossip with Marilyn Monroe, remains one of the most elegant, malicious, yet compassionate writers to train his eye on the social fauna of his time.

In these gems of reportage Truman Capote takes true stories and real people and renders then with the stylistic brio we expect from great fiction. Here we encounter an exquisitely preserved Creole aristocrat sipping absinthe in her Martinique salon; an enigmatic killer who sends his victims announcements of their forthcoming demise; and a proper Connecticut householder with a ruinous obsession for a twelve-year-old girl he has never met. And we meet Capote himself, who, whether he is smoking with his cleaning lady or trading sexual gossip with Marilyn Monroe, remainds one of the most elegant, malicious, yet compassionate writers to train his eye on the social fauna of our time.

When Truman Capote debuted on the New York literary scene in 1948, no one had seen anything quite like him. Capote soon became famous for his intensely readable and nuanced short stories, novels, and novellas, but he was equally famous as a personality, gadfly, and bon vivant -- not to mention as a crime writer. Capote s much-imitated 1965 book, In Cold Blood, all but invented the narrative true-crime genre.