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Overview
The vibrant colors and large text in this enchanting collection of bilingual board books make learning easy and fun. Boldly colored construction paper cutouts on stark white backgrounds introduce the basic concepts of colors, numbers, shapes, and opposites in a way that will engage little ones again and again. Text copyright 2004 Lectorum Publications, Inc.Synopsis
The vibrant colors and large text in this enchanting collection of bilingual board books make learning easy and fun. Boldly colored construction paper cutouts on stark white backgrounds introduce the basic concepts of colors, numbers, shapes, and opposites in a way that will engage little ones again and again. Text copyright 2004 Lectorum Publications, Inc.
Publishers Weekly
English and Spanish translations of familiar words appear side-by-side in four bilingual board books by Rebecca Emberley-My Animals/Mis Animales; My Clothes/Mi Ropa; My Food/Mi Comida; and My Toys/Mis Juguetes-all illustrated with colorful fabric collage against a stark white background. Each object or concept gets its own page, but clever pairings (e.g., "car/el auto" featuring a red car and "truck/el camion" depicting a blue and yellow truck) make the most of each spread.
Editorials
Publishers Weekly
English and Spanish translations of familiar words appear side-by-side in four bilingual board books by Rebecca Emberley-My Animals/Mis Animales; My Clothes/Mi Ropa; My Food/Mi Comida; and My Toys/Mis Juguetes-all illustrated with colorful fabric collage against a stark white background. Each object or concept gets its own page, but clever pairings (e.g., "car/el auto" featuring a red car and "truck/el camion" depicting a blue and yellow truck) make the most of each spread.Children's Literature
Point-and-name books for young children have come a long way since cloth books illustrated "ball" and "cat." Emberley lifts point-and-name books to fine art. Aimed at toddlers just beginning to identify everyday objects in their world, these sturdy board books are a treat for grown-ups, too. Within bright covers, striking cut-paper illustrations are showcased against white backgrounds, the way a single-framed painting is highlighted against a bare wall. Cut-paper collage looks deceptively simple, but Emberley's tomato slice looks real enough to drip down the page. And the crumpled paper bow-tie pasta made me look twice—no, it wasn't a photograph of the real thing. Some of the foods are shown whole, such as the tasseled carrots; others are cut in half, like the apple. The English text is displayed in easy-to-read lower case type; just beneath in boldface is the Spanish translation. These books are a wonderful alternative for children in bilingual households. Among the jumble of inappropriate board books published every year, Rebecca Emberley's books stand out as examples of excellence. 2002, Little Brown, Ages 1 to 3.— Candice Ransom