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Book cover of My Queer War
General Gay & Lesbian Biographies, United States Army, Politics & Gay Rights, Historical Biography - United States - 20th Century, United States Army - Military Biography, Gay Men Biographies, 20th Century American History - World War II, U.S. Armed Force

My Queer War

by James Lord
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Overview

A POWERFUL STORY OF SEXUAL AWAKENING DURING THE SECOND WORLD WAR FROM THE NOTED MEMORIST AND CRITIC

In My Queer War, James Lord tells the story of a young man’s exposure to the terrors, dislocations, and horrors of armed conflict.

In 1942, a timid, inexperienced twenty-one-year-old Lord reports to Atlantic City, New Jersey, to enlist in the U.S. Army. His career in the armed forces takes him to Nevada, California, Boston, England, and, eventually, France and Germany, where he witnesses firsthand the ravages of total war on Europe’s land and on its people. Along the way he comes to terms with his own sexuality, experiences the thrill of first love and the chill of disillusionment with his fellow man, and in a moment of great rashness makes the acquaintance of the world’s most renowned artist, who will show him the way to a new life.

My Queer War is a rich and moving record of one man’s maturation in the crucible of the greatest war the world has known. If his war is queer, it is because each man’s experience is strange in its own way. His is a story of universal significance and appeal, told by a wry and eloquent observer of the world and of himself.

Synopsis

A POWERFUL STORY OF SEXUAL AWAKENING DURING THE SECOND WORLD WAR FROM THE NOTED MEMORIST AND CRITIC

In My Queer War, James Lord tells the story of a young man’s exposure to the terrors, dislocations, and horrors of armed conflict.

In 1942, a timid, inexperienced twenty-one-year-old Lord reports to Atlantic City, New Jersey, to enlist in the U.S. Army. His career in the armed forces takes him to Nevada and California, to Boston, to England, and eventually to France and Germany, where he witnesses firsthand the ravages of total war on Europe’s land and on its people. Along the way he comes to terms with his own sexuality, experiences the thrill of first love and the chill of disillusionment with his fellow man, and in a moment of great rashness makes the acquaintance of the world’s most renowned artist, who will show him the way to a new life.

My Queer War is a rich and moving record of one man’s maturation in the crucible of the greatest war the world has known. If his war is queer, it is because each man’s experience is strange in its own way. His is a story of universal significance and appeal, told by a wry and eloquent observer of the world and of himself.

The New York Times - Jed Perl

James Lord…is a tremendous storyteller. He brings dramatic intricacies to his encounters with Picasso, Gertrude Stein, Cocteau, Alberto Giacometti, Peggy Guggenheim and a host of other characters in the memoirs and recollections he published over the course of nearly half a century, from A Giacometti Portrait in 1965 to My Queer War, completed before his death…Lord published two novels in his younger years, and although he later emphatically rejected them, My Queer War reflects the skills of a practiced fiction writer who can track a young man's shifting consciousness and knows what is best left unsaid.

About the Author, James Lord

JAMES LORD's books include A Giacometti Portrait, first published in 1965, and Giacometti: A Biography (FSG, 1985), which was nominated for the National Book Critics Circle Award. His most recent work is Mythic Giacometti (FSG, 2003).

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Editorials

Jed Perl

James Lord…is a tremendous storyteller. He brings dramatic intricacies to his encounters with Picasso, Gertrude Stein, Cocteau, Alberto Giacometti, Peggy Guggenheim and a host of other characters in the memoirs and recollections he published over the course of nearly half a century, from A Giacometti Portrait in 1965 to My Queer War, completed before his death…Lord published two novels in his younger years, and although he later emphatically rejected them, My Queer War reflects the skills of a practiced fiction writer who can track a young man's shifting consciousness and knows what is best left unsaid.
—The New York Times

Library Journal

Lord, noted for his memoirs about Giacometti and Picasso, completed this memoir just before his death in 2009. In 1942, reeling from a suicide attempt, Lord dropped out of Wesleyan to enlist in the army. Alas, basic training proved inhospitable to this budding intellectual. Almost by accident, Lord was assigned to the Military Intelligence Service, which exposed him to the delights of Europe and the military's secret gay underground. His unflinching, insolent honesty constantly got him into trouble with his superiors, and he was shuffled from assignment to assignment (he calls himself a "tourist disguised as a soldier"). But his cheekiness also gained him entry into the drawing rooms of Picasso and Gertrude Stein, setting the stage for a charmed life and fruitful writing career. VERDICT Although Lord clearly matures over the course of this memoir, his motivations and actions often remain frustratingly opaque. His style can occasionally be off-puttingly fussy and the dialog improbably arch. Nonetheless, the story is captivating. Particularly effective is Lord's eyewitness testimony of Allied torture during the "good" war. Recommended for fans of expatriate writers like Edmund White and Gore Vidal and for those seeking a corrective to the standard World War II memoir.—David Gibbs, Georgetown Univ. Lib., Washington, DC

Kirkus Reviews

Art historian and critic Lord (Mythic Giacometti, 2004, etc.) recounts his life as a gay GI in World War II. The author presents himself as utterly ordinary, "average of height, weight, build, unremarkable, in short, in every outward aspect." That unremarkable nature proved useful, for Lord was living a dangerous life in those days-and, as he notes, even today, "parents in Dallas, Dijon, or Dar es Salaam hardly hope that their kids will grow up to live in sin with same-sex partners." Understanding his own inclinations early on, Lord shipped out to the European theater in various combat-support roles. An intelligent writer capable of holding a conversation in French, he found himself interviewing and processing displaced persons. Moreover, no thanks to the interventions of a sympathetic colonel with a penchant for calling him "baby," he also earned a reputation for having "a unique faculty for antagonizing your superiors," as one officer growls. Lord recounts scrapes with GIs who were progressive in all ways but the amatory. Of more interest to cultural historians, he relates travels through wartime France that afforded him meetings with Pablo Picasso, Alice B. Toklas and Gertrude Stein, the latter two confessing a fondness for Ulysses S. Grant. ("We quite prefer him to Lincoln," Miss Toklas pronounced.) The author writes with occasional archness, much irony and good humor, but this is no Catch-22. By his account, which takes many dark turns, it is clear that he and other gay soldiers on the battlefield did as much as anyone to win the war. A timely, artfully written memoir of one man's war.

Book Details

Published
April 1, 2010
Publisher
Farrar, Straus and Giroux
Pages
352
Format
Hardcover
ISBN
9780374217488

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