Philosophical Positions & Movements, Intellectual Movements, Renaissance & Modern Philosophy, Graphic Arts & Book Design - History
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Overview
The last thirty-five years have seen profound upheavals in the field of graphic communication. One by one, the old certainties about the techniques and purposes of graphic design have been questioned and torn apart. Jettisoning rules that no longer seemed relevant in the postmodern era, designers and typographers have reassessed their roles and forged experimental new approaches. No More Rules is the first wide-ranging critical survey to attempt to make sense of these international developments.Each of the book's key themes—origins, deconstruction, appropriation, technology, authorship, and opposition—is illuminated by stunning examples of work that has changed the way in which designers and their audiences think about graphic communication.
Synopsis
The last thirty-five years have seen profound upheavals in the field of graphic communication. One by one, the old certainties about the techniques and purposes of graphic design have been questioned and torn apart. Jettisoning rules that no longer seemed relevant in the postmodern era, designers and typographers have reassessed their roles and forged experimental new approaches. No More Rules is the first wide-ranging critical survey to attempt to make sense of these international developments.Each of the book's key themes—origins, deconstruction, appropriation, technology, authorship, and opposition—is illuminated by stunning examples of work that has changed the way in which designers and their audiences think about graphic communication.
Editorials
Library Journal
As the prevailing style of modernism unraveled and the fundamental tenets of graphic design were questioned, graphic communications experienced a radical transformation. Poynor, editor of Yale's "Monographics" series and the founder of Eye, an international review of design, documents the developments of the last 20 years and provides a context for evaluating contemporary work. Bypassing the awkward (and ultimately futile) task of defining postmodernism, Poynor uses terms and themes such as deconstruction, appropriation, technology, and authorship to categorize his examples and trace the development of the profession. Picking up where R. Roger Remington's American Modernism: Graphic Design, 1920 to 1960 leaves off, this well-written volume is a logical companion piece. In fact, the contrast between the two books is instructional in itself. While several of the 300 color illustrations will be familiar to the graphic design audience, this book is unique in providing much-deserved historical context. Anyone interested in a critical analysis of contemporary communications would benefit accordingly.-Phil Hamlett, Turner & Assocs., San Francisco Copyright 2004 Reed Business Information.Book Details
Published
May 28, 2013
Publisher
Laurence King Publishers
Pages
192
Format
Paperback
ISBN
9781780671031