No Name in the Street

This stunningly personal document and extraordinary history of the turbulent sixties and early seventies displays James Baldwin's fury and despair more deeply than any of his other works.  In vivid detail he remembers the Harlem childhood that shaped his early conciousness, the later events that scored his heart with pain—the murders of Martin Luther King and Malcolm X, his sojourns in Europe and in Hollywood, and his retum to the American South to confront a violent America face-to-face.

This stunningly personal document and extraordinary history of the turbulent sixties and early seventies displays James Baldwin's fury and despair more deeply than any of his other works.  In vivid detail he remembers the Harlem childhood that shaped his early conciousness, the later events that scored his heart with pain—the murders of Martin Luther King and Malcolm X, his sojourns in Europe and in Hollywood, and his retum to the American South to confront a violent America face-to-face.

Michael Rogers - Library Journal

Baldwin's 1972 volume is a right-between-the-eyes commentary on American racism in the 1950s and 1960s, capped by the assassination of Martin Luther King Jr. and other civil rights figures. Still as powerful and important as the day it was written.

In 1953, a young James Baldwin published Go Tell It on the Mountain, winning acclaim as a literary star and one of the leading voices of the African-American experience. Although Baldwin would spend the bulk of his adult life in France, his writing always addressed the complexities at the heart of America, viewed through the lens of the consummate outsider.