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Biography - General & Miscellaneous, American Essays, African American History - Social Aspects, United States - Ethnic & Race Relations, 20th Century American History - Civil Rights, African Americans - General & Miscellaneous, Civil Rights - African Ame
Notes of a Native Son by James Baldwin — book cover

Notes of a Native Son

by James Baldwin, Edward P. Jones (Foreword by)
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Overview

Since its original publication in 1955, this first nonfiction collection of essays by James Baldwin remains an American classic. His impassioned essays on life in Harlem, the protest novel, movies, and African-Americans abroad are as powerful today as when they were first written.

About the Author, James Baldwin

James Baldwin (1924–1987) was a novelist, essayist, playwright, poet, and social critic, and one of America's foremost writers. His essays, such as “Notes of a Native Son” (1955), explore palpable yet unspoken intricacies of racial, sexual, and class distinctions in Western societies, most notably in mid-twentieth-century America. A Harlem, New York, native, he primarily made his home in the south of France.
 
His novels include Giovanni’s Room (1956), about a white American expatriate who must come to terms with his homosexuality, and Another Country (1962), about racial and gay sexual tensions among New York intellectuals. His inclusion of gay themes resulted in much savage criticism from the black community. Going to Meet the Man (1965) and Tell Me How Long the Train’s Been Gone (1968) provided powerful descriptions of American racism. As an openly gay man, he became increasingly outspoken in condemning discrimination against lesbian and gay people.

Biography

James Baldwin was born on August 2, 1924, and educated in New York. His first novel, Go Tell It on the Mountain, appeared in 1953 to excellent reviews and immediately was recognized as establishing a profound and permanent new voice in American letters. "Mountain is the book I had to write if I was ever going to write anything else," he remarked. Baldwin's play The Amen Corner was first performed at Howard University in 1955 (it was staged commercially in the 1960s), and his acclaimed collection of essays Notes of a Native Son, was published the same year. A second collection of essays, Nobody Knows My Name, was published in 1961 between his novels Giovanni's Room (1956) and Another Country (1961).

The appearance of The Fire Next Time in 1963, just as the civil rights movement was exploding across the American South, galvanized the nation and continues to reverberate as perhaps the most prophetic and defining statement ever written of the continuing costs of Americans' refusal to face their own history. It became a national bestseller, and Baldwin was featured on the cover of Time magazine. Critic Irving Howe said that The Fire Next Time achieved "heights of passionate exhortation unmatched in modern American writing." In 1964 Blues for Mister Charlie, his play based on the murder of a young black man in Mississippi, was produced by the Actors Studio in New York. That same year, Baldwin was made a member of the National Institute of Arts and Letters and collaborated with the photographer Richard Avedon on Nothing Personal, a series of portraits of America intended as a eulogy for the slain Medger Evers. A collection of short stories, Going to Meet the Man, was published in 1965, and in 1968, Tell Me How Long the Train's Been Gone, his last novel of the 1960s appeared.

In the 1970s he wrote two more collections of essays and cultural criticism: No Name in the Street (1972) and The Devil Finds Work (1976). He produced two novels: the bestselling If Beale Street Could Talk (1974) and Just Above My Head (1979) and also a children's book Little Man, Little Man: A Story of Childhood (1976). He collaborated with Margaret Mead on A Rap on Race (1971) and with the poet-activist Nikki Giovanni on A Dialogue (1973). He also adapted Alex Haley's The Autobiography of Malcolm X into One Day When I Was Lost.

In the remaining years of his life, Baldwin produced a volume of poetry, Jimmy's Blues (1983), and a final collection of essays, The Price of the Ticket. Baldwin's last work, The Evidence of Things Not Seen (1985), was prompted by a series of child murders in Atlanta. Baldwin was made a Commander of the French Legion of Honor in June 1986. Among the other awards he received are a Eugene F. Saxon Memorial Trust Award, a Rosenwald fellowship, a Guggenheim fellowship, a Partisan Review fellowship, and a Ford Foundation grant.

James Baldwin died at his home in Saint-Paul-de-Vence in France on December 1, 1987.

Author biography courtesy of Random House, Inc.

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Editorials

Langston Hughes

A straight-from-the-shoulder writerwriting about the troubled problems of this troubled earthwith an illuminating intensity that should influence for the better all who ponder on the things books say....Few American writers handle words more effectively in the essay form than James Baldwin. —The New York Times Book Review

Langston Hughes

A straight-from-the-shoulder writer, writing about the troubled problems of this troubled earth, with an illuminating intensity that should influence for the better all who ponder on the things books say....Few American writers handle words more effectively in the essay form than James Baldwin. -- The New York Times Book Review

From the Publisher

“The wonderful thing about writers like Baldwin is the way we read them and come across passages that are so arresting we become breathless and have to raise our eyes from the page to keep from being spirited away.”
—Edward P. Jones, from his new introduction
 
“Written with bitter clarity and uncommon grace.”
—Time
 
“A straight-from-the-shoulder writer, writing about the troubled problems of this troubled earth with an illuminating intensity.”
—Langston Hughes, The New York Times Book Review
 
“He named for me the things you feel but couldn’t utter . . . articulated for the first time to white America what it meant to be American and a black American at the same time.”
—Henry Louis Gates Jr.
 
“I owe a tremendous debt to the example of his work.”
—John Edgar Wideman
 
“Baldwin’s vision, his humor, his tragically beautiful style, make this a book [to] . . . turn to for a long time.”
—Kay Boyle, The American Scholar

Book Details

Published
November 20, 2012
Publisher
Beacon
Pages
208
Format
Paperback
ISBN
9780807006238

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