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French Fiction, Women's Fiction, Literary Styles & Movements - Fiction
Nothing Serious by Justine Levy — book cover

Nothing Serious

by Justine Levy, Charlotte Mandell
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Overview

Stylish, intelligent, and often scathingly funny, Nothing Serious is an unblinking portrayal of the search for self amidst the reckless glamorization of love.

Vain about their young love, Louise and her husband Adrien used to laugh about the way he couldn’t pass a mirror without looking. But when he deserts Louise for a famous model she’s devastated, and forced to confront those vanities – his and her own. Meanwhile, life goes on regardless, making Louise feel all the more guilty about the melodrama her life has become.

With her privileged circumstances as the daughter of one of Europe’s most famous writers only complicating things further, she gathers her painkillers around her, unleashes her ruthless sense of honesty, and – with lacerating relish – tries to unravel why her marriage failed...and whether a sane person should try such a thing again.
Nothing Serious won universal praise from critics upon its release in Europe, selling over 200,000 copies and knocking The Da Vinci Code out of the number one position on bestseller lists.

Synopsis

Stylish, intelligent, and often scathingly funny, Nothing Serious is an unblinking portrayal of the search for self amidst the reckless glamorization of love.

Vain about their young love, Louise and her husband Adrien used to laugh about the way he couldn’t pass a mirror without looking. But when he deserts Louise for a famous model she’s devastated, and forced to confront those vanities – his and her own. Meanwhile, life goes on regardless, making Louise feel all the more guilty about the melodrama her life has become.

With her privileged circumstances as the daughter of one of Europe’s most famous writers only complicating things further, she gathers her painkillers around her, unleashes her ruthless sense of honesty, and – with lacerating relish – tries to unravel why her marriage failed...and whether a sane person should try such a thing again.
Nothing Serious won universal praise from critics upon its release in Europe, selling over 200,000 copies and knocking The Da Vinci Code out of the number one position on bestseller lists.

Publishers Weekly

When Louise's husband, Adrien, leaves her for his father's lover, Paula, a surgically enhanced model, the troubled young Parisian editor finds the joy has been sucked out of her life. The daughter of Bernard-Henri Levy, the author (The Rendezvous) evokes the misery of heartache and unsentimentally conveys her protagonist's hollow sense of desolation in stylized, fragmentary prose. ("Into the trash with all secondhand pre-used words, it's like my heart, and my body, they're also secondhand, they've also loved, suffered, so what?") As the narrative progresses, seamlessly moving between the present and Louise's recollections of her fraught marriage, she slowly begins to see Adrien for the belittling, controlling and vain miscreant he was during their time together. Adding to the list of Louise's sorrows is the death of her beloved grandmother as well as the long-undetected cancer threatening her mother's life, but romance with Pablo, a devoted Spaniard, buoys her spirits. A delicious cynicism creeps onto every page as Louise recounts her dysfunctional marriage, her addiction to amphetamines and battles with low self-esteem. Levy's memorable if neurotic protagonist proves loveable despite her many flaws, and the novel is distinguished by that particularly intriguing brand of French fatalism. (Oct. 1) Copyright 2005 Reed Business Information.

About the Author, Justine Levy

Justine Levy's first novel, The Rendezvous, published when she was nineteen, was praised by critics in New York and Paris, where she was hailed as the next Francoise Sagan. Levy is an editor at Editions Stock, one of France's leading publishing houses, and she is the daughter of the philosopher Bernard-Herni Levy. She lives in Paris.

Charlotte Mandell is the recipient of the Modern Language Association Prize, and has translated Maurice Blanchot, Jean Genet, Gustave Flaubert, and Guy de Maupassant.

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Editorials

Publishers Weekly

When Louise's husband, Adrien, leaves her for his father's lover, Paula, a surgically enhanced model, the troubled young Parisian editor finds the joy has been sucked out of her life. The daughter of Bernard-Henri Levy, the author (The Rendezvous) evokes the misery of heartache and unsentimentally conveys her protagonist's hollow sense of desolation in stylized, fragmentary prose. ("Into the trash with all secondhand pre-used words, it's like my heart, and my body, they're also secondhand, they've also loved, suffered, so what?") As the narrative progresses, seamlessly moving between the present and Louise's recollections of her fraught marriage, she slowly begins to see Adrien for the belittling, controlling and vain miscreant he was during their time together. Adding to the list of Louise's sorrows is the death of her beloved grandmother as well as the long-undetected cancer threatening her mother's life, but romance with Pablo, a devoted Spaniard, buoys her spirits. A delicious cynicism creeps onto every page as Louise recounts her dysfunctional marriage, her addiction to amphetamines and battles with low self-esteem. Levy's memorable if neurotic protagonist proves loveable despite her many flaws, and the novel is distinguished by that particularly intriguing brand of French fatalism. (Oct. 1) Copyright 2005 Reed Business Information.

Library Journal

Parisienne Louise Levy's twenties have been tumultuous-an early marriage, an abortion at 20, an addiction to amphetamines and months of rehab, her mother's cancer diagnosis, and divorce at 27 when her husband takes up with a model/singer who was once involved with his father. In her second translated novel, after The Rendezvous, Levy, the daughter of French philosopher Bernard-Henri Levy, elegantly and poignantly recounts these events as her protagonist attempts to move on with her life with boyfriend Pablo. This thinly veiled autobiographical work accomplished the heroic task of knocking Dan Brown's The Da Vinci Code off the European best sellers lists; evidently, it resonates with Europeans owing to the presence of the literary equivalents of Carla Bruni, Mick Jagger's ex, and other celebrities watched abroad. Those craving self-absorbed drama might like Nothing Serious-think of a continental Sex in the City with little humor. Recommended only for those libraries collecting contemporary European fiction.-Jenn B. Stidham, Houston Community Coll. Northeast Copyright 2005 Reed Business Information.

Kirkus Reviews

A sensation in France last year, this novel from Levy (Rendezvous, 1997) manages the impossible, combining the plot of a made-for-tv-movie with language worthy of a feminist philosopher-poet. For French readers, some of the interest of this novel stemmed from its rumored autobiographical elements (Levy's father is a noted philosopher in France, and Levy herself travels with European high society), but even if its celebrity references escape American readers, this beautifully written book deserves attention. If it can be said to have something so conventional as a plot, it recounts three crises in the life of first-person narrator Louise Levy. First, her beloved grandmother dies, then her glamorous mother is diagnosed with cancer and, most importantly, her husband, the successful and charismatic Adrien, abandons her to marry his own father's lover. These events do not appear in chronological order. They emerge as almost incidental catalysts for Louise's introspection. The masterful way that the story moves from random childhood memories to evocative sensations of taste and sound and touch in Louise's mind finally yields a rich, multi-dimensional portrait of a woman who believes that she is the creature of feeling alone. Out of a stream of random thoughts, a full character-elusive, contradictory and often very charming-finds her way out of the despair of losing the people she loves. Levy's prose is luminous-much credit should go to her excellent translator-and the novel is a marvel of construction.

Book Details

Published
October 1, 2005
Publisher
Melville House Publishing
Pages
224
Format
Paperback
ISBN
9780976140771

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