Now We Are Six

More entertaining verses and delightful pictures in the style of When We Were Very Young. "Gay verses about all manner of things, which with their original rhythm dance their way into memory."—Four to Fourteen, 1927

A collection of poems reflecting the experiences of a little English boy growing up in the early part of the twentieth century.

What a wonderful feeling it is, to know that wherever you are there is something you love. It is a feeling millions of readers have for the Christopher Robin books.

The verses here, and in When We Were Very Young, the stories in Winnie-The-Pooh and The House at Pooh Corner have endeared themselves to so many readers that it is painful to try to imagine what the world would be like without them.

The perfect book for that all-important birthday, Now We Are Six is much more than a worthy successor to When We Were Very Young; it is a modern classic in its own right.

The beguiling verses are rendered more delightful by E.H. Shepard’s enchanting pictures.

School Library Journal

Gr all levelsPenguin's production amplifies the fact that A.A. Milne has created some of the most memorable poetry and prose in children's literature. Charles Kuralt narrates all the tapes. When We Were Very Young resounds with Kuralt's lively reading of the nonsensical and onomatopoetic rhymes that fill the heads of toddlers. Opposite these poems, the narrator reads, with loving care, the verses about the real and imaginary playmates that warm youngsters' hearts. Now We Are Six reflects the growing complexity of a child's world. The narrator's voice is soft and vulnerable when reading of the innocent, inquisitive thoughts that preoccupy children, yet Kuralt speaks with a touch of exasperation when reading the poems depicting the young's struggle to understand the adult world. He does equally as well with Milne's stories. All the inhabitants of the Hundred Acre Wood are introduced and their humorous escapades chronicled in Winnie-the-Pooh. While portraying the characters, Kuralt's child-like tone reflects their goodness, innocence, and wee intellect. The House at Pooh Corner continues the adventures of Pooh and introduces the bouncing, pouncing, lovable Tigger. Besides the delight children will experience when listening to the light-hearted, captivating stories, young listeners will also identify with the universal hopes, fears, and wishes of the characters. Kuralt's deep, learned-sounding voice gives the narration a fatherly, comforting feel. Libraries will want to acquire these high quality productions.Mark P. Tierney, William B. Wade Elementary School, Waldorf, MD

A. A. Milne may not have intended to become a children s book author, but his greatest creation, the honey-loving bear Winnie the Pooh, is so much a part of the culture that one can scarcely imagine children s literature without him. Milne created Pooh to entertain his son, Christopher, which he did and millions of other readers as well.