Overview
Before Juliet Capelletti lie two futures: a traditionally loveless marriage to her father's business partner, or the fulfillment of her poetic dreams, inspired by the great Dante. Unlike her beloved friend Lucrezia, who looks forward to her arranged marriage into the Medici dynasty, Juliet has a wild, romantic imagination that takes flight in the privacy of her bedchamber and on her garden balcony.
Her life and destiny are forever changed when Juliet meets Romeo Monticecco, a soulful young man seeking peace between their warring families. A dreamer himself, Romeo is unstoppable, once he determines to capture the heart of the remarkable woman foretold in his stars.
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Synopsis
"One of the queens of historical fiction" offers a new take on the mesmerizing young woman and poetess who inspired Shakespeare's most famous female character.
Before Juliet Capelletti lie two futures: a traditionally loveless marriage to her father's business partner, or the fulfillment of her poetic dreams, inspired by the great Dante. Unlike her beloved friend Lucrezia, who looks forward to her arranged marriage, Juliet has a wild, romantic imagination that knows not the bounds of her great family's stalwart keep.
The latter path is hers for the taking when Juliet meets Romeo Monticecco, a soulful young man seeking peace between their warring families. A dreamer himself, Romeo is unstoppable, once he determines to capture the heart of the remarkable woman foretold in his stars. The breathless intrigue that ensues is the stuff of beloved legend. But those familiar with Shakespeare's muse know only half the story...
Publishers Weekly
Maxwell (Signora da Vinci) tries in vain to flesh out one of the most famous love stories ever told. Her Renaissance Juliet is an 18-year-old Florentine, the educated daughter of Capello Capelletti, a silk trader whose business foibles have led him to promise his daughter to his would-be partner, Jacopo Strozzi. At a party celebrating her best friend Lucrezia’s betrothal, Juliet meets Romeo Monticecco, who reveals that he snuck in hoping to smooth over an old feud. The two are immediately smitten with one another, and their secret courtship ensures. Shakespeare is a tough act to follow, and Maxwell falters with both her flowery writing style (“This woman, this earthly angel—perhaps 'Goddess’ suited her more”) and her hyperbolic, black-and-white characters. Jacopo, for instance, is not only boring and physically grotesque, he’s also the embodiment of evil. In contrast, Romeo is respectful and appreciative of women, great in the sack, and wise beyond his years. The story unfolds as the play does, but Maxwell’s tweaks amount to a disappointing attempt to fix what isn’t broken. (Feb.)